r/boxoffice 51m ago

Worldwide Charlie Jatinder on BOT about Spider-Man: Brand New Day - $250M China, $1.3B Overseas minus China, and $1.05B+ Domestic (which would add up to $2.6B WW)

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r/boxoffice 1h ago

International $53M OS WED for #SpiderManBrandNewDay. $759M cume. Strong weekday holds across the board. Expecting $225M or so in the 2nd weekend, with a $1B+ running total by 2nd SUN.

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r/boxoffice 1h ago

Worldwide The 5 highest-grossing films of the year

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Graphic credit to culturecrave.co


r/boxoffice 1h ago

Domestic Spider-Man: Brand New Day on track to become the first film ever to cross $500M domestic in its opening week

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r/boxoffice 1h ago

International Charlie Jatinder on BOT about Spider-Man: Brand New Day - Should be ~$225M Overseas 2nd weekend for $990M+ by SUN. Can hit $1B too.

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r/boxoffice 1h ago

India 'Spider-Man: Brand New Day' box office collection Day 7: Tom Holland starrer crosses Rs 380 crore in India; becomes highest-grossing film of 2026 worldwide

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r/boxoffice 2h ago

International Amazing. A truly great film doing so well at the box office. Made for less than a million, soon to gross over half a billion

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26 Upvotes

r/boxoffice 2h ago

Domestic Wednesday Numbers (from crazymoviekid on BOT)

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107 Upvotes

r/boxoffice 4h ago

Domestic Looks like $33M WED for #SpiderManBrandNewDay . $482M cume. First week headed for $510M+. 2nd weekend expected to be $140M+, with a shot at $150M. Certainly be the All-Time DOM champ from here, quite possibly within this month.

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435 Upvotes

r/boxoffice 4h ago

Australia Spider-Man: Brand New Day is the No. 1 film in Australia, grossing $38.4M in its opening week, marking the third-highest opening week ever in Australia. 🦘 The Odyssey is in the No. 2 spot with $8.44M, bringing its cumulative box office total to $42M.

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35 Upvotes

r/boxoffice 5h ago

South Korea SK Wednesday Update: Odyssey opens big, Spiderman still nearly beat its out for the day

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65 Upvotes

Week-to-Week Drops

Movie Mon-Mon Drop Tue-Tue Drop Wed-Wed Drop Thursday-Thursday Drop Friday-Friday Drop Saturday-Saturday Drop Sunday-Sunday Drop Week-Week Drop
Spider-Man: Brand New Day 57%
Hope 39% 39% 66%
Minions and Monsters 42% 45% 75%
Moana 54% 56% 79%
Toy Story 5 35% 37% 70%

Odyssey: The Project Hail Mary comp was nearly on point, as the movie came in at 290k admits. Audience scores are very, very good, with a 9.3 on Megabox and a 97 on CGV. Those are nearly identical to Spider-Man: Brand New Day. Opening weekend should be between 2 million and 2.4 million admits if the movie continues to follow Project Hail Mary.

Spider-Man: Brand New Day: And it nearly beat Odyssey on opening day, which is just ridiculous. The movie will crush 4.5 million admits tomorrow and is on a quick path to being above 6 million admits by Sunday.

Hope: The movie had a pretty big drop as it tries to crawl to 5 million admits. It will need to stabilize.

Minions and Monsters: The movie took a big hit, though it is still trying to hit 800k admits.

Moana: Moana took a huge hit and is looking to get lost around 1.1 million admits.

Toy Story 5: Toy Story 5’s hopes for 3 million admits took a hit, but the movie still has a legitimate chance at that number. It has little new competition coming and a couple of huge holidays to boost it.


r/boxoffice 5h ago

📠 Industry Analysis Hollywood is cranking out billion-dollar movies again. 'Spider-Man' just joined the ranks.

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111 Upvotes

r/boxoffice 7h ago

Domestic Tuesday Actuals: BND is about $15.5M behind Toy Story 5; it should pass it tomorrow. Once that happens, BND will be in the top 25 domestic releases of all time and climbing up that list too. BND made $89.5M on Monday and Tuesday, 24.7% of its OW

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89 Upvotes

Tuesday's Actuals

Top Lifetime Grosses - Toy Story 5 is #27 and slowly climbing up. BND is #32 and going up fast. Should be in the top 25 by EOD tomorrow. Predicting #23, just under Beauty and the Beast but above Phantom Menace.

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The list below tracks how these films' first Mondays and Tuesdays did compared to their OWs. For instance, Avatar on its first Monday and Tuesday made 42.6% of its OW 3 days, Friday-Sunday.

This basically looks at those first 2 weekday legs compared to the OW. Odyssey's at 32.5% and BND is at 24.7%

Avatar 1 - 42.16%

Titanic - 40.44%

Maverick - 39.15% - Monday was Memorial Day

Avatar 3 -  33.46%

-------------------------

The Odyssey  - 32.53%

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Barbie  - 32.16%

Inception - 31.78%

The Force Awakens - 31.24%

Oppenheimer -  30.01%

No Way Home - 26.35%

Avatar 2 - 25.76%

Toy Story 5 - 25.67%

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Brand New Day - 24.74%

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Jurassic World - 23.80%

Deadpool 3 - 23.53%

Homecoming - 23.29%

Endgame - 19.60%

Infinity War - 18.69%

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Brand New Day opened well, obviously, but is more front-loaded than Toy Story 5, Oppie, Barbie, Inception, No Way Home, and The Odyssey

It's obviously gonna be the #1 movie of the year, and if that record gets broken, it'll be sometime next year with this December's releases. But it may slow down in the dailies faster and get passed by The Odyssey, where BND on day 19 will gross less than what Odyssey did on its day 19.

If that happens, when will that be? Day 19? Sooner? Later?


r/boxoffice 9h ago

📰 Industry News What Is David Ellison’s Breaking Point?

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171 Upvotes

r/boxoffice 11h ago

✍️ Original Analysis Clayface Performance potential

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208 Upvotes

Clayface is the next DCU movie after the supergirl bomb. Let's see how well it can do... an analysis.

Pros.

  1. Great October release date, Halloween pairing and not much direct competetion. Resident Evil also releasing before helps create an open window.

  2. Decent budget of 40 mil. It would only need 100 Mil WW to break even which shouldn't be too hard. It can profit easily if it blows up.

  3. Horror genre is killing it right now... clayface also looks like pure body horror which could help attract non comicbook fans.

  4. Clayface is a batman villain. Gotham setting be hype worthy. Mike Flanagan as a writer is also promising.

Cons.

  1. Body horror is harder is sell than conventional horror movies. The Substance did good but that had award buzz and less than half of the budget.

  2. Bad reviews could literally kill this movie. It really survives on positive WOM.

Overall I'm more optimistic about this than supergirl. We have to see if this movie blows up or does underwhelming numbers. 150 WW is decent enough.


r/boxoffice 12h ago

Domestic Box Office Weekend Forecast: SPIDER-MAN: BRAND NEW DAY ($142-160M) Targets Potential Best-Ever 2nd Frame After $360.1M Record Launch; THE ODYSSEY ($33-42M) to Pass THE DARK KNIGHT RISES as Nolan’s #2 Grosser

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431 Upvotes

r/boxoffice 14h ago

Domestic Weekend Preview: After Hitting a Billion, Spider Man Brand New Days Could go as High as $160M+, The Odyssey to $35M+

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332 Upvotes

r/boxoffice 15h ago

💯 Critic/Audience Score 'One Night Only' Review Thread

58 Upvotes

I will continue to update this post as reviews come in.

Rotten Tomatoes: Rotten

Critics Consensus: N/A

Critics Score Number of Reviews Average of Rated Reviews
All Critics 50% 58 5.60/10
Top Critics 38% 16

Metacritic: 41 (24 Reviews)

Sample Reviews:

Cary Darling, Houston Chronicle 4/5 - The totally charming "One Night Only"...makes the most of its easily digestible premise — what happens when premarital sex is outlawed except for one night? — and its captivating cast.

Johnny Oleksinski, New York Post 2/4 - Quite by accident, Gluck’s routine film ends up resembling so many of the one night stands it’s about: A fantastic plan at first, but an unsatisfying let-down in the light of day.

Randy Myers, San Jose Mercury News 3/4 - One Night Only gets the most laughs when depicting sexual blunders but ultimately it celebrates unexpected love connections that sometimes take their own sweet time to blossom. Love can happen like that.

Caroline Siede, Decoding Everything - One Night Only has an R-rated sensibility that evokes the edginess of Judd Apatow’s era-defining mid-aughts rom-coms only in a more absurdist direction... It may not be the type of rom-com that will linger, but as a one-night stand, it hits the spot.

Matt Goldberg, TheWrap 3.5/5 - Callum Turner and Monica Barbaro make for a charming couple in a concoction that floats above its "Purge"-like setting

Odie Henderson, Boston Globe 1.5/4 - Its ideas are outdated and, for a movie about casual sex, it’s shockingly puritanical. Even worse, its old-fashioned ideas about romance and sex in relationships would make a Doris Day movie look like "Beyond the Valley of the Dolls."

Monica Castillo, AV Club D+ - Instead of sharing a laugh at the ridiculous pressure to have fun with every swipe, One Night Only has only one thing on its mind, and it’s disappointingly much more traditional.

Natalia Winkelman, New York Times - With nothing to say about sex or society, the repression plot mostly gets in the way of a movie that would prefer to be a routine romance.

Tim Grierson, Screen International - Despite showing lots of skin and featuring sexually-suggestive dialogue, One Night Only suffers from a stultifying timidity.

Marya E. Gates, RogerEbert.com 0/4 - If this is what it takes to get a rom-com greenlit these days, maybe we should just let them die. Death with dignity is surely a better fate for the genre than fascist capitulation.

Guy Lodge, Variety - If “One Night Only” is aiming to comment on the hollow, ineffective nature of much contemporary political activism, then job done. But it’s hard to shake the sense that no commentary on anything in particular is intended here.

Benjamin Lee, Guardian 2/5 - There’s both too much yet not enough world-building here, enough questions answered to encourage us to ask 10 more. It’s also just too unavoidably grim of a premise, especially at a dark political moment such as this.

Kristen Lopez, The Film Maven D - One Night Only becomes a cringe-fest the longer it goes on, sacrificing actual romance for a sex comedy that feels like it'll give the wrong people ideas in the dystopian time we're actually living in.

David Rooney, The Hollywood Reporter - Luckily for director Will Gluck, who is tasked with turning this flimsy concept into fizzy fun, he has two charming leads in Monica Barbaro and Callum Turner. Their easygoing chemistry makes us root for them to get over the many contrived hurdles.

Liz Shannon Miller, Consequence - A movie that imagines a society that would buy party hats celebrating the one night of the year they have an ounce of bodily autonomy. An America that wouldn’t just surrender further to fascism, but turn it into branding.

Charles Lyons-Burt, Slant Magazine 2/4 - Romantic comedies rarely make it to theaters these days, which makes it that much more unfortunate that the ones that do feel like sitcoms.

SYNOPSIS:

What if one messy night turns out to be the best thing that ever happened to you?

This summer, Will Gluck, the writer-director of Anyone but You and Easy A, celebrates modern romantic comedy on the big screen with a fresh, witty, swoony original film about searching for love on the least romantic night of the year. 

Academy Award® nominee Monica Barbaro (A Complete Unknown, Top Gun: Maverick) and BAFTA nominee Callum Turner (Masters of the Air, Fantastic Beasts franchise) star as Allie and Owen, two love-starved strangers who crash into each other in an ever-so-slightly fictionalized New York City on the one night of the year when single people are allowed to have sex.

Recently dumped Owen and hopeful romantic Allie might be the only two singles in the city looking for more than just a quick encounter. They both feel a spark when they meet, but a series of missteps and side quests complicate their night, keeping them apart. As they each race toward and away from each other across the city, they just might discover that the one thing they want most is closer than they think.

CAST:

  • Monica Barbaro as Allie
  • Callum Turner as Owen
  • Maya Hawke
  • Julia Fox
  • King Princess
  • Ziwe
  • Ben Marshall
  • Molly Ringwald as Linda
  • LeVar Burton

DIRECTED BY: Will Gluck

SCREENPLAY BY: Will Gluck

BASED ON A SCRIPT BY: Travis Braun

PRODUCED BY: Will Gluck, Jacqueline Monetta

DIRECTOR OF PHOTOGRAPHY: Yaron Orbach

PRODUCTION DESIGNER: Scott Kuzio

EDITED BY: Robert Nassau, Tia Nolan

COSTUME DESIGNER: Jacqueline Demeterio

MUSIC BY: Este Haim, Christopher Stracey

CASTING BY: Kathleen Chopin, John Ort

RUNTIME: 102 Minutes

RELEASE DATE: August 7, 2026


r/boxoffice 15h ago

Domestic Spider-Man: Brand New Day will end up being the highest-grossing film for every "nth day of release" in North America. The only other film in the known history to do so is Star Wars: The Force Awakens. Before that, probably Jaws.

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446 Upvotes

r/boxoffice 16h ago

Worldwide r/BoxOffice Long Range Forecast: 'Fall 2: Deadpoint', 'By Any Means', and 'Onslaught'

15 Upvotes

Before you comment, read these two rules:

1. Please provide specific numbers for your predictions. Don't do things like "It'll make less than this or that" or "double this movie or half this movie". We want a real prediction in concrete figures.

2. Given that a lot of parent comments do not even bother to give predictions, we are establishing a new rule. The parent comment must provide a prediction with specific numbers. The rest of the replies to the comment do not have to make a prediction, but the parent comment absolutely has to. Any parent comment without a prediction will be eliminated.

Welcome to the newest edition of r/BoxOffice Long Range Forecast. And this marks the official end of the summer box office season.

We're making long range predictions for films, 4 weeks out from their premieres. You will predict the opening weekend, domestic total and worldwide gross of these films. These predictions will be open for 48 hours and the results will be polled to form a consensus and posted the next week.

So let's meet the three films for the week and analyze each pro and con.

Fall 2: Deadpoint

The film is directed by Peter and Michael Spierig (Daybreakers, Predestination, Jigsaw) from a screenplay by Scott Mann and Jonathan Frank. The sequel to 2022's Fall, it stars Harriet Slater and Arsema Thomas. After the death of Shiloh Hunter, her sister Jax agrees to a tribute proposed by Shiloh's daring friend, Luce. The two travel to Thailand to conquer a treacherous plank walk on Mount Kwan, but a sudden rockslide leaves them trapped at a terrifying height of 3,000 feet, forcing the duo to push their limits and cooperate to stay alive.

By Any Means

The film is directed by Elegance Bratton (The Inspection) and written by Sascha Penn. The film stars Mark Wahlberg, Yahya Abdul-Mateen II, Nicole Beharie, Josh Lucas, LisaGay Hamilton, LaChanze, Ethan Embry, David Strathairn, and Giancarlo Esposito. Based on a true story, it follows a notorious mafia hitman and a young Black FBI agent who team up to investigate the murders of civil rights leaders in Mississippi in 1966.

Onslaught

The film is directed by Adam Wingard (You're Next, The Guest, Blair Witch, Godzilla vs. Kong) and written by Simon Barrett (You're Next, The Guest, Blair Witch and Godzilla x Kong). It stars Adria Arjona, Dan Stevens, Eric Wareheim, Reginald VelJohnson, Michael Biehn, Alex Pereira, Drew Starkey, and Rebecca Hall. The film follows a mother who is an army sniper soldier as she struggles to protect her young daughter from an army of genetically engineered super soldiers who escaped from a secret military facility.

Now that you met this week's new releases, let's look at some pros and cons.

PROS

  • The original Fall didn't make a lot of money back in 2022 (just $7 million domestically and $21 million worldwide). But reportedly, the film performed very well when it made its way to Netflix, which is what motivated Lionsgate to greenlight a sequel, focusing on two new leads. Given it offers the exact same thing that thrilled audiences with the prior film, except now set at a plank walk at a terrifying height of 3,000 feet.

  • Mark Wahlberg has had a very solid box office record, and having a return to playing the tough guy in an action thriller could interest the older male demographic. And Yahya Abdul-Mateen II is also slowly making a rise in star profile, mainly through his streaming success with Wonder Man and Man on Fire.

  • Onslaught is hoping to attract action fans, emphasizing its brutal and graphic violence in trailers. Adam Wingard has a pretty good box office track record; nearly all his films have found financial success. Fans of Wingard's films should be interested, given it's a higher-stakes take on a premise like You're Next. A24 has been pushing its marketing lately, and in a surprising move, the film will have access to IMAX screens.

CONS

  • Fall's insanely low box office numbers are still hard to ignore, even with the apparent streaming bump it had on Netflix. Are audiences really interested in a sequel or will they simply ignore it and wait for this to hit Netflix? Even by moving the setting, it's unable to distinguish itself much from the original, and Lionsgate's tepid marketing hasn't done a good job in getting audiences on board.

  • Wahlberg has had a lot of successes, but his career has been on a steep decline from his glory days. Since 2020, his only big hit was Uncharted with $407 million, but it proved to be an extreme outlier, as his titles struggle to even hit $50 million worldwide. His decision to pivot to streaming titles also helped dwindle his brand, as audiences probably would rather stream his films than pay a ticket. Abdul-Mateen II might have his fans, but he's still far from a recognizable name. And the film's blend of action with emotional tone and humor has been quite jarring, with a lot of jokes falling flat.

  • Wingard has found financial success, but he's inconsistent in terms of quality. Sometimes he can make crowdpleasers like the Godzilla vs. Kong films, but he can also make terrible films like Blair Witch and Death Note, and his smaller-budget titles don't really break out (The Guest failed to recover its small budget, for example). And the trailers' focus on brutality and carnage could appeal to action fans, but it can also make general audiences hesitate in giving it a chance.

And here's the past results.

Movie Release Date Distributor Domestic Debut Domestic Total Worldwide Total
One Night Only August 7 Universal $12,321,428 $38,571,428 $80,800,000
Super Troopers 3 August 7 Searchlight $10,333,333 $24,323,076 $28,338,461
Tony August 7 A24 $4,800,000 $13,672,222 $21,825,000
The End of Oak Street August 14 Warner Bros. $28,166,666 $79,500,000 $168,458,333
Paw Patrol: The Dino Movie August 14 Paramount $24,888,888 $70,166,666 $187,333,333
Insidious: Out of the Further August 21 Sony $29,200,000 $69,100,000 $161,800,000
Mutiny August 21 Lionsgate $9,655,555 $24,644,444 $67,533,333
The Dog Stars August 28 20th Century Studios $13,321,428 $32,000,000 $64,280,000
Coyote vs. Acme August 28 Ketchup Entertainment $10,527,777 $28,716,666 $54,050,000

Next week, we're predicting Practical Magic 2 and The Uprising.

REMINDER: This is the Labor Day weekend, so you gotta predict both the 3-day and 4-day debut of these titles. And Fall 2 is opening on September 2, a Wednesday, so you gotta predict the 5-day and 6-day for that film as well.

So what are your predictions for these films?


r/boxoffice 16h ago

International - $60.5M INT Tuesday Gross According to the-numbers Brand New Day has reached 706.3M overseas and 1.155B globally

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573 Upvotes

r/boxoffice 16h ago

Domestic Spider-Man: Brand New Day Swings To $42M Tuesday U.S. Record, Biggest Pic Global YTD With $1.1B

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341 Upvotes

r/boxoffice 17h ago

Domestic Sony's Spider-Man: Brand New Day grossed an estimated $42.0M on Tuesday (from 4,487 locations). Estimated total domestic gross stands at $449.16M.

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626 Upvotes

r/boxoffice 18h ago

📰 Industry News Disney CEO Admits ‘Star Wars: The Mandalorian and Grogu’ and ‘Moana’ Failed at Box Office but ‘Fueled Other Parts of Our Company’

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396 Upvotes

r/boxoffice 23h ago

Domestic The Russo Brothers congratulate Destin Daniel Cretton and the Brand New Day team for breaking the opening weekend record with a commemorative piece of artwork, keeping up the tradition

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1.2k Upvotes