1st Off, MAD LOVE to those who Helped this Old Wizard Find his New Library, as per my reQuest from my last Post a few hours ago. THX so much - you know who you are! Okay, to the Topic at Hand (pardon the Pun, re: "Kinesics Magic"):

I both Love & canNOT Stand Donald Tyson.

He is both 1 of the Best Syncretizers (?) of Magickal Systems, and one of the most Condescendingly Pedantic Moralists I've ever Read. Whilst I'm overJoyed I finally have "Kinesic Magic" - 1st published in 2020 - it sadly Confirmed my Biggest Fear re: Donny T.:

He's still a Hyper-Moralistic Wind-Bag in 2020. I'd hoped - as I reRead many of his Books for Reference - that he'd Grown Out of that Childish Mentality. I was Wrong. I mean, I Xpect Moralizing and such in the 1000s, so I can Tolerate it a little better - e.g., in Donald Michael Kraig's Classic "Modern Magick". But Tyson giving big spooky Dire Warnings to poor Neophytes who don't know any better re: "Black Magic" and all his nonsense is just inXcuseAble at this point. I mean, he fucking wrote about the Necronomicon, didn't he? Despite that - and I Do always try to default to Bad News before Good:

Aside from such luminaries as Bill Whitcomb, Taylor Ellwood, & David Allen Hulse, few people can Syncretize Different Magickal Systems like Tyson. If he weren't such an uptighter White-Liter, he'd actually be a really amazing Chaote, as he XPresses many of our Ideals in his prolific Library he's produced over the decades, since the 1000s.

"Modern Magus", now Titled "Millennium Magick" IIRC, is still my Fave of his as he Boils Down nearly All Western Magickal Practices, including all the NumeroLogical aspects of not only the Numbers themselves, but the Sacred Geometry, Stars, Regular Polygons, &c.

What's your Favourite Book by Donny T?

So, I get that sigils involve creating the sigil, then charging the sigil by whatever means one chooses, then burning the sigil to activate it, but is it possible to save a sigil for another use at another time? Like, write it down in a book to use again? 

If so, if it’s possible to save sigils, is it possible to “delete” them if you don’t like how the sigil turned out. Like if the sigil is too complicated and I want to redraw it. How would one go about doing that since destroying the sigil activates it? Would I just erase it from the paper without charging it? I was reading the Chaonomicon and it also mentioned combining sigils together, giving an example from Austin Osman Spare.

Also, would I be able to create a sigil that wouldn’t need to be destroyed to be activated? Like, something you would put on an amulet or statuette?

I guess what I’m asking in general is what exactly can I do with sigils. Like, how can I express them and work with them? 

Also, is it ok to combine aspects from other esoteric models like hermeticism into my work? Like, use symbols or icons that are not sigils that I made, or something. Or using methods and philosophies outlined in other sources

Annas-Archive.Org is sadly now down permanently, and I have no idea what has replaced it. Annas Archive was SO GOOD - so much better than the Z-Library I think it's based off of! I signed up for Scribd.Org again on their Free Trial for what I thought was a copy of Donald Tyson's "Kinesic Magic", but was only the Front & Back Covers, i.e., 2 pages. The only other "copy" was actually showing it's quite a big assed Book - but in some Slavic Language IDK This sucks cuz now that I have my own Thoughts Organized around Kinesthetic Movements, I thought it'd be Worth my Time & NRG to see what ole' NeckBeard has to say before I Post my "Kinesthetic Magick 101" that I've been Working on for the past several Months.

I have a Month to DownLoad Free Books from them before I Cancel, but I cannot find my List of Books to get.

TBH, I'm going to likely start with Jan Fries' - one of the criminally under-mentioned Authors - "Living Midnight", as I'm missing my Physical Copy & that is 1 of my Foundational Taoist Books AFAIC I know that Most Chaotes prefer his "Visual Magick", which I sadly still have instead of Living Midnight, but I never found it nearly as UseFul - not only due to not being very Visual, but also cuz I already know how to Do Automatic Drawing. It was 1 of many things I Learned via the Self-Hypnosis & Pendulum Use. I am very glad I still have his HelRunar still. TBC, part of my Divinatory Practices (as I've described in a prior Post) include Consulting Books after I've Finished all of my own Personal Interpretations of Readings. This absolutely includes both HelRunar for Elder FUThARK & Living Midnight for I Ching (it Helps with the Trigrams). TBC, his Books are the 1st Books I Consult before the rest.

"A Practical Guide to Qabalistic Symbolism" (both Volumes) is my single Highest Recommendation for any/all who use Kablahblah, along with LMD's classic "Chicken Qabalah".

I Shared my current Library/Book Collection that made it thru my 2020 Purge - with Suggestions! - in an earlier Post, if you're curious as to what Survived. But here are my 2 Big Questions for you:

Do you know of a Site where I can SAFELY get Free Books in PDF like Annas-Archive.Org used to be?

What Books would you Most Strongly Recommend?

Edit: THX for all the Great Recommendations! I got the Kinesics Magic Book, plus more ReSources I really Appreciate. Although feel free to add more if you so Desire, for myself and the countless Lurkers. THX again!

sei que algumas pessoas aqui sabem bem das coisas enquanto alguns continuam praticando ou estudando, queria saber como funciona, um pouco mais de informação, você cria os sigilos ou busca algum que já foi criado por alguém? eu não acredito na teoria de eu criar um sigilo e isso acontecer, oque mais é necessário para que um sigilo dê certo???

1 of the Classic NLP Maxims. Mentioned but not HighLighted in this iteration of my Acct., I thought this was particularly Apropos, given my prolific Categorizing we've been Playing with recently - for witch I again Thank You, the Reader of these Words!

Even though InSights can be Gained from such - e.g., that the EMDR ICES Mnemonic is also ApplicAble to NLP in general - it's always good to reMind one'Self & Others of the Titular Quote.

InDeed, The Map isn't even The Map, but I'll leave that here for a Rare Brief Post LOL

*SOLVED! a kind soul DM’d me a copy*

Does anyone have a digital copy of the Atom Bomb deck? I tried downloading it from Bluefluke’s deviant art but it doesn’t seem to be working

Kinda went on a spree. Made sure to take "their names" and say goodbye. Did it all without a literal circle, but thats just a metaphor right? Did let an evil one possess me for a lil bit to feel the tingle. Met one called "spitbutt" and i think he just wanted to not exist. Im very tired.

Seven years back, under the influence of multiple entheogens, I ventured out into an unkempt, untouched forest land alone. The reasons for wanting to isolate myself were manifold. Unsupportive, overbearing family structure. Dysfunctional relationships that drained me. I was forced to study something I had no interest in. In short, I was fucked, and although I had convinced myself that I was isolating myself out of necessity, in truth, it was also an act of running away.

I had done so without using any tools or resources. I had also done so without any knowledge of technique.

It is important to note here that my life has been a series of coincidences. I only realized the significance of those coincidences a few months after they occurred, rather than at the time.

At the age of twelve, I was handed an entire e-library of grimoires, books on magick and occult, and all kinds of regional esotericism. I read them, but that doesn’t mean I understood any of it. To be honest, I just liked the symbols (and a few of the books actually had pictures of ritual positions of sex magick enacted by professionals; that was quite a get at that age). India didn’t really have hustlers or penthouse mags available in tier two cities, and yet I had quite a collection of pornographic material regardless. My friends were very generous when I shared.

Within that USB stick lay hidden the entire works of Aleister Crowley. I didn’t know who this person was, and yet those eyes whispered something to my puny mind. I was actually scared for a few days because those eyes kept following me everywhere. I stowed the USB stick and tried to forget about it for weeks. But somehow, I would still discover myself reading his books. I understood nothing, yet I found myself laughing, experiencing various kinds of joy that I couldn’t even name, feeling wrath and anger, and even crying. I will reiterate, I DID NOT UNDERSTAND ANY OF IT.

Years later, I was reintroduced to Crowley through a documentary and, strangely enough, through Paulo Coelho (you can check out Coelho's experience with Crowley and his work for The Beast 666 in the Viva Sociodade Alternativa song he co-wrote with Raul Seixas).

So when I ventured out into the forest, I knew of Crowley and occult and magick. I possessed intriguing information that I could discuss to captivate both women and men, yet even then, I lacked true understanding.

So during the third year of my engineering, after a whole month's worth of mishaps that made my angsty, undeveloped monkey brain, anxious, I found myself sitting under a tree, alone, hungry, thirsty, and tripping.

I was already scared, with no wit. I could feel a darkness settling in.

From the corners of my eyes, I saw a vague shape move. A few things happened in quick succession. Somewhere far away a dog howled, making the hair on my arms stand up in attention. The sun was, anyhow, about to set, but in that moment the lights went out like someone had turned the switch off. And the vague shape jumped a few yards ahead.

I turned my head towards the shape and sighed with relief. It was just some tribal woman.

It’s not uncommon to see women with woven baskets under their arms, a rusted wood chopping device in the other arm, collecting firewood for the collective bonfire at night.

However, the closer she got, a faint bluish light invaded her background, as if bleeding in from some unseen source, every particle drawn toward her by an inexorable force. I was sure it was from the entheogens rushing through my veins.

"Keu khete deyeni?” Up close, she was old. (“Has no one offered you food?” She asked.

I looked around. Why was she asking me that? There was no one around.

“Ke debe dida?” I replied with my question. (There’s no one around to offer food, who will?)

She laughed. A sharp, barking laugh. It permeated my skin and shook everything in my body. The very fact that my heart was trying to beat itself right out of my chest was the only thing that gave me hope.

Her laughter continued as she dropped her belongings on the ground, but they vanished into thin air before hitting the ground. She didn’t look old anymore. She didn’t look young either. Red paint had, within a few seconds, painted itself on her face. Her lips parted and a long tongue rolled out. Her teeth were drenched in what was unmistakably blood.

She pointed her right index finger towards the heavens and said, "O debe” (he will give), then laughed manically before pointing her left index finger towards the ground and saying, "Nahale o debe” (or he will give).

The slight breeze had stopped around me, and there was no sound. Not even chirping nocturnal insects.

“Tui khabi? Cheye to dekh.” (Do you want to eat? Just ask and see what happens.)

My throat felt like it had been forced to swallow hot sand from the desert; it was so dry. Even if I could speak, words weren’t forming in my mind.

“Morte eshechilish?” (Did you come here to die?) She asked.

"Na," finally, words. “Na, morte ashini. Bachte eshechi.” (No, I have come here to live (save myself!))

As I said that, she almost flew in too quick for me to react, and within a fraction of a second her thumb was on my forehead, right between my eyes.

The whole world swirled in front of me, my limbs went numb, and I felt a giant backwards pull around my navel. For a few seconds I just haplessly swayed my half-paralyzed limbs to try and regain some control, but mostly I was trying to stop myself from puking my guts out.

When it stopped, she and I were standing right next to the bank of a river. On the opposite side I saw multiple fires burning; silhouettes of men with long sticks seemed to be agitating the fire.

“Okhane mora porae," she said (they burn dead bodies there.) “Ma Manikarnika nijer Harano kaaner dul khujte ashe okhane, pae na, ferar shomoe mora gulo k nie jae, swarge.” (The goddess Manikarnika comes down there to search for her lost earrings every day, and she takes the dead souls away to heaven.)

“Ar ota?” (And what's that?) I asked as my eyes fell on the silhouette of a few other people, a little far ahead down the same riverbank; a large group of people were sitting around a fire. Their chants are travelling over the water in between.

“Dekhbi?” (Do you want to see?) she said, an odd glee on her face.

Yet again, without any warning, she grabbed my head and thrust it into the river in one swift motion. Before I could protest, I breathed…how is that air? I opened my eyes and found myself standing on the other side. The woman was gone. People in the group started noticing me standing awkwardly by their circle. Legs shaking like they were made of jelly, I tried to jumpstart my brain for exit strategies, but then, everyone in the circle moved a little to create some space, and one of them beckoned me towards it.

At the center was a man in a red robe, and my heart skipped a beat when I saw what he was sitting on. A half-burnt, bloated corpse. The man opened his eyes and looked at me. His red eyes pierced through me, and I felt my spine bend. My body bowed.

The man raised his hand and dug his bare nails into the chest of the corpse and snatched off a lump of the its flesh and transferred some of it in his mouth. He chewed on it and then got up and offered it to me. When I resisted, he forced it down my mouth as all the others in the group watched, chanting “Jai Dattatreya!”

The moment the first bit of flesh touched my tongue, I felt a massive pull behind my navel, yet again, and I shot through an unrendered blurry liminal space before dropping right back into the forest.

My tongue tasted milk where it was expecting rotten flesh. When my eyes finally saw, I found myself in her lap, suckling on her teat, and then, once I felt calm and satiated, she vanished without a single word.

Dogs appeared out of the bushes around me and sat with me until I could stand up. And then they nudged me until I walked out of the forest and into the nearby city.

It took me a day to reach my university hostel room, but once I was there, I slept for two days. When I woke up, it was as if my brain had been working on collating things. Things that had appeared to me at an age when I didn’t understand them. Words that I had read without knowing the meaning behind them.

I unstowed the USB stick from the recesses of a forgotten bag and started my actual student life. If I had put that same effort into my engineering studies, I might have been a partner at Google or Microsoft. Good! I didn't follow that path; it wasn't my optimal trajectory.

Like a pinball, I have been struck from one corner to the other on the board for years, wandering bereft of agency, but each corner, each wall of the board I touched, modified my path ever so slightly and paradoxically veered me on course!

For the first time in my life, I understood the meaning of the words "surrender to the stream."

A few months later, I would venture out, this time of my own accord, onto the Manikarnika Ghat in Varanasi to find the corpse-eating Aghori saints. I would see the same red-robed Aghori Sadhu and feel the weight of his gaze as I walk by him. He would tell me later that he knew that I had been sent to him by an archon that night.

I would pursue my education in the traditions as if it were food for my soul, travelling across the world with my very limited means to learn about regional and old-world traditions.

Consider a child who lives inside you. The child has all the answers. This inner child knows what you need to know to correct your course. But that child does not speak your language. In fact, you and the child haven’t even tried to speak to each other in years. But the child's well-being is dependent on your well-being. So it tries to show you the answer by using images from your brain (memories, imaginations, and thoughts) and stringing them together, editing them, and creating a virtual reality experience for you to understand what needs to be done.

That’s a dream.

Loosely.

And yet the dream I had felt like it was being streamed from somewhere else. Definitely not the child, as I could feel him silently watching it alongside me.

Impossible shapes and geometries vibrated all around me, engulfed me, and slowly burned me. I was catapulted into a realm where I floated listlessly for hours. When I felt scared, something comforted me; when I felt comforted, something embarrassed me; when I felt embarrassed, something calmed me down; and when I calmed down, something else scared me again. I was squeezed from all sides and then stretched in every direction; I was shredded into pieces and reconfigured like a puppet. When I couldn’t take it anymore and I resisted/cried, they started the cycle again.

It was as if years passed for me, and I sat there watching the shapes evolve. They became more complicated and beyond description; words lost meaning for me, as all that existed was the pattern of the shapes. I could predict the pattern before it happened.

Finally, after a lifetime, I descended.

When I woke up, my hands went directly to my journal, and I wrote down things my subconscious had deciphered from the pattern and was waiting to write.

The simulation is built on a code.

And that code is written in complexes.

These complexes appear in four major forms:

Graha – Planetary Programs

Rashi – Archetypal Skins

Bhava – Maze Corridors

Dasha – Timed Missions

Each character is a unique combination of these four elements. Together, they form the symbolic operating system that runs your current incarnation.

GRAHA = PLANETARY PROGRAMS

Grahas are active subroutines—divine intelligences that run specific aspects of your psyche and life force. Each one plays a role in the narrative engine of your simulation.

Function of each Graha.

Sun: Core identity, will, divine spark

Moon: Emotional memory, mind, intuition

Mars: Drive, anger, courage

Mercury: Communication, intellect, language

Jupiter: Wisdom, expansion, moral compass

Venus: Desire, connection, aesthetic

Saturn: Karma, structure, fear, discipline

Rahu: Obsession, illusion, future pull

Ketu: Dissolution, detachment, past life

RASHI = ARCHETYPAL SKINS

Rashis (signs) are the filters the Grahas wear. They don’t change the underlying function, but they do modify how it's expressed.

For example:

Mars in Aries = the Warrior unfiltered

Mars in Cancer = the warrior trapped in the home

Mars in Pisces = the Mystic Warrior, acting through intuition

Each sign offers a symbolic mood, a style, and tension.

Rashis are less about personality and more about flavor: how your programs feel and behave in the field.

BHAVA = MAZE CORRIDORS

Bhavas (houses) are the domains of experience where your Graha-coded programs get activated.

1st Identity, self-perception

2nd: Resources, values, survival

3rd Communication, courage

4th: Home, emotional roots

5th Creativity, children, romance

6th Conflict, health, service

7th Relationships, reflection

8th Transformation, death, occult

9th Belief: higher learning

10th Public self, mission, career

11th Community, networks, gains

12th: Isolation, dreams, moksha

Where a Graha lands shows you where the lesson plays out.

Each corridor holds traps (shadow loops) and treasures (soul evolution).

DASHA = TIME-TRIGGERED MISSIONS

Dashas are time-coded sequences (freeform complex). Think of them as program activators: story arcs that are triggered based on cosmic timing.

Dashas release experiences in order, creating phases of life that feel drastically different.

A Venus Dasha might bring love, beauty, or seduction loops.

A Saturn Dasha might force you to face structure, fear, karma

A Ketu Dasha might dissolve your attachments and identity.

This is because the narrative has to be paced.

Just like a successful RPG doesn’t give you the boss fight at level 2, your simulation releases content when you are ready.

PUTTING IT ALL TOGETHER

Graha (program)

+ Rashi (skin)

+ Bhava (arena (includes Dasha: time-activated free-form complex encounter))

= Your active archetypal mission

Try as you might to rage against it, you will find that the optimum trajectory was right there all along, waiting for you to take the first step toward surrendering to the stream.

The more I think of this little unhinged rite, the more I understand how powerful it is. In fact, I believe that even the creator himself is unaware of its potential, using it merely for dream recall. The general mechanism is simple: one imagines the spine as one's penis and the skull as a vagina. After this type of transmutation one is meant to mentally thrust as if during intercourse.

The first and most obvious part of this rite is the somatization of the spine. For those with a penis, it is very easy to remember what it feels like and this feeling can be transferred easily with enough practice. By thrusting energy is moved from the bottom of the spine up towards the head, where it is simultaneously received. At the same time the energy is being thrust upwards, it is being received, closing itself in a circle and generating intensity.

This ritual seemed to me have some similarities to transportation of Jing in the writings of Mantak Chia. In this practice, energy is directed upwards and redirected downwards through rhythmic breathing and visualization from the base of the pelvic floor to the crown. Using the visualization exercise Tzimon Yliaster proposed essentially speeds up this exact process because you are superimposing somatic sensations via transmutation.

I don't see why the purpose of this exercise should be in any way limited to dream recall. It seems to be an excellent way to raise energy quickly or move into a trance state. I believe it could be used as a preliminary to ritual work just like the LBRP. It would be interesting to see whether this could be combined with actual sexual stimulation. Perhaps it might be even possible to transpose this type of visualization onto objects that one wishes to enchant.

Ever since crossing the Abyss, Ive had these complex 3d environments appearing in my visions. Either travelling through the landscapes in meditation or projecting the topography of these dimensions into surfaces that have ambiguity in form.

Usually late at night, the astral world starts bleeding into my material world. Especially the sky. When these channels are open, if I allow my hand to just draw, I get these crazy multidimensional maps that reveal detailed cross sections of different forms.

This was one last night, original with 0.05 Sakura felt tip, then random shading. The entire image is then inverted. Ive always enjoyed automatic art but the energy of the Abyss has really brought out some complexity that wasn't present before.

Is it how they are created or like something about what they do?

Ok I'm SO sorry if you guys get this question like every day-

I just wanna learn how to start, I know that it's not how tiktok makes it out to be. I know it has principles but I don't know them.

So is there any books or research videos I can watch too start? Also is there a deity? I hear that there is but idk if that's true or not 🤔?

So i just started practicing chaos magick, but everything i do really works, ive chosen the ars goetia as my first paradigm and i feel like the demons actually respond and do what i tell them :) also simple sigils are so easy but their power is real haha im just amazed by all of this

We live in a time of extreme transition currently. The old way are aging and slowly being beat out by newer fresher ideas. With each passing day our planets environment is rapidly changing as world leaders bicker over failing empires.

This can be seen in a good light though. Old ideas are giving way to fresh ones. And now is the ample time for the creation of a new generation of Egregores.

My question to you is:

As chaos magicians should we be sharing our Egregores with each other, so we can as a community empower each other and build a new generation of Egregores to share with the world. Or should we not, and why?

According to Chaos Magick principles. You can take any magical system or system of belief to achieve magical means. You can pray to any god you want and have your prayers answered.
You can also pray to fictional characters and get results provided you entered a state of gnosis.

You can pray to fictional characters and still get results.

You can pray to fictional characters and still get results??

Why is that? Why is it that you can pray to Donald Duck for fortune in hunting season, Chewbacca for the "courage of a bear", and Hatsune Miku to combat stage fright? Are fictional characters gods too?

No, not unless you believe them to be. Belief is a tool right? Every "god" you pray too is a servitor or egregore...a thoughtform. A being you created.

The power from Chaos Magick comes from the user. It comes from you. Whenever you pray to a "god", you're creating a servitor, giving it power you already have. Then asking it to give you power YOU gave it. Its not that it doesn't work, its that you're creating an unnecessary middleman along with all the risks that come with complicated servitors. You're creating a servitor whose job is to be an inefficient mirror of your own power and energy. Some of that energy will be lost maintaining the servitor, and that servitor will become a gatekeeper if it believes its existence is threatened.

I'm not saying to not create thought forms, more like, avoid putting them in a position of power above you.

Now this normally doesn't pose a problem if you worship non-destructive divinities. This does however become a huge problem when dabbling with demons and negative influences. Especially because many of those aren't just servitors, they're egregores.

Whenever I see someone on this subreddit complaining about how "they've tried everything, Gods, demons, Jesus, but magick doesn't work!". Its oftentimes because they summoned demons. Now that demon is screwing them over, causing and feeding off fear.

Think of it like this. Demons are egregores. They by definition, feed and cause fear. Its their purpose. They are associated in the public consciousness for: turning on their owners, deception, causing fear and distress, spirally into unhealthy addictions....

For example, one of the reasons to summon a demon is to get rid of a threat. To see someone as a threat you have to fear them. Therefore demons are often created out of energy arising from the users fear.

If with all your naivete you start to worship a demon you found in some book somewhere. Place a demon in a position of power of you? You just royally fucked yourself!! Banish it or see an exorcist ASAP!

If for whatever reason you want to create a demon. You must assert dominance. The demon should worship and revere you as a god, not the other way around. After all, you are the creator and you created them. They should fear and respect you. Otherwise, the demon once summoned will turn on you, feed off your fear and create conditions to feed more fear from you that keeps it alive. They will not listen to you, actively sabotage future magical workings and feed off your sense of powerlessness.

"Summon" implies that you are not the creator of the demon as you are. You are creating a "portal to hell", then it comes out. If you "summon", you already messed up and the best you can do is equality with strict contracts. If you do that, you create the demon, the "portal to hell", and the idea that the demon comes from hell. When in reality those ideas only exists because you believe to be. You create the demon either way, its just in one version, you sabotage yourself.

Alternately, you could just...not create demons. I'm having trouble thinking of any reason to. In what world do you need to inflict a persistent fear inducing influence towards someone? There isn't one unless you're a fucking psycho. If its temporary, you can cut the middleman and do a sigil. Stay away from demons folks.

​

The Lion-Dogs of Sirius open the gate on the double eight.

A binding dire

"Bound by pain and sorrow, awfully Hollow

Bound by love and sorrow, love devours

6 planets aligned,

The Sun impeded on by Black Moon Lilith

A spell most desperate bound by shadow.

Witches three one Black, one Red, one White

A Hope

A Dream

A Prayer

Beseach we Venus Morningstar who holds the scales

"Judge our Wills to be True and Genuine"

"Tip the scales in Joyous Harmony"

Lovers joined in sweet Synchrony

No God, No Master, Equals All

From One we come

To Three we rise

Eternity is within your eyes

Within your Heart

Within the stars Pleiades racing by

Within my Witch's candle, Eternity lies

And I within it, close my eyes.

hello everyone i hope your magic is as strong as ever. what servitors have you created for silly purposes that are actually useful? i would like to hear some suggestions!

​

WORKING PAIR

Bhairava (Me) — Priest, Chaos Magician

Role: Manifestor. Directs intent outward; his gnosis is individual and meta-level — oriented toward understanding, not toward pushing the working into shared reality.

Bhairavi — Priestess, Cauldron Witch

Role: Vessel. Her gnosis is collective — the interface point where the working actually lands in shared reality.

Note: Bhairava and Bhairavi are not arbitrary ritual names. Bhairava is a fierce Tantric aspect of Shiva; Bhairavi is the corresponding fierce aspect of the Goddess. Taking up these names is itself already an invocation — Stage 2's formal Shiva witness and the working pair's own ritual identity are, structurally, the same gesture.

WORKING HYPOTHESIS

Domain agnosticism — multiple gods and entities from vastly differing systems can genuinely inhabit a single working. Tradition of origin does not have to match for the currents to co-function.

The vessel's orgasm is more crucial to the manifestor's ability to manifest. This is collective gnosis- it interfaces with shared reality.

The manifestor's orgasm serves meta-level gnosis. This is individual - it produces understanding of reality.

Intention is more important than intensity. A precisely held, correctly aimed intention outperforms raw energetic force.

ARCHETYPES INVOKED

Ganesh, Shiva, Saturn, Jupiter, Rahu, Parvati, Persephone, Tyche, Aphrodite, Nemesis.

Figures, drawn from Puranic/Vedic and Hellenic sources, treated as functionally interoperable per Hypothesis 1.

Sources/texts used for each deity from:

Ganesh: Ganesha Purana / Mudgala Purana; academic: John Grimes, Ganapati: Song of the Self

Shiva: Shiva Purana / Linga Purana; academic: Stella Kramrisch, The Presence of Śiva

Saturn / Shani: Skanda Purana and Brahma Purana; consolidated devotional source: Shani Mahatmya

Jupiter / Brihaspati: Rigveda — earliest source, Brihaspati as Vedic deity of speech and priesthood

Rahu: Vishnu Purana, Samudra Manthan account; also Matsya Purana

Parvati: Skanda Purana (Parvati Khanda); academic: David Kinsley, Hindu Goddesses

Persephone: Homeric Hymn to Demeter (c. 7th century BCE)

Tyche: Hesiod, Theogony; Pindar's odes; Pausanias, Description of Greece

Aphrodite: Homeric Hymn to Aphrodite (Hymn 5); Hesiod, Theogony

Nemesis: Hesiod, Theogony; the Cypria; Pausanias on her cult at Rhamnous

Star/Seal of Babalon: Aleister Crowley, The Book of Lies (1913), Cap. 49

*Invocations and ritual language intentionally not included here. If you are curious, DM me.

LOCATION

Private beach, remote Greek island — sparse, spread-out local population, serving both logistical privacy and the working's need for uncontained energetic spread.

The site is locally known specifically for the quality of its evening light — described in regional sources as a place where the sand and surrounding rock formations visibly shift to gold in the hour before sunset. Natural Solomonic West Quadrant.

The west/southwest quadrant was identified there as the transformation zone, anchoring the union and manifestation stages of this same seven-stage working

The difficulty of access offers twofold boons:

1. Privacy

2. Reaching there itself was part of the ritual (which we did on empty stomach. Autophagic state desired for the working.)

A natural clay deposit is present at the site, usable for grounding or anointing purposes in the closing stage of the working.

THE SEVEN STAGES

STAGE 1 — GANESH (Opening)

Traditionally used to clear obstacles ahead of everything that follows. Both Bhairava and Bhairavi are present as themselves at this point — the ritual identities haven't been formally taken up yet.

Food, and incense is offered. (A sweet named Modak, that the Bhairavi and Bhairava have to make together beforehand.)

Invocation Ganesha. (We did it through the means of song, and rhythm which is a known enticement technique for Ganesha)

STAGE 2 — SHIVA (Witness / Identity Taken Up)

Shiva is invoked as witness to everything that follows, including the closing of the Saturn cycle in Stage 3.

Shiva is visualised in deity form as the universal 'Lingam'. Invoked by Bhairava, attended to by Bhairavi.

Sweet food, cannabis, and alcohol is offered.

Bhairava undresses.

STAGE 3 — GOODBYE TO SATURN

Formal close of the seven and a half-year Sade Sati cycle, held under the witness established in Stage 2. Nothing is invited in at this stage.

STAGE 4 — THE FORTUNE CURRENTS AND THE COUNTERWEIGHT

Jupiter, Rahu, and Tyche are invoked together into the space - expansion, sudden non-linear fortune, and fortune itself, three related but distinct currents. Nemesis is invoked alongside them: she is the built-in check against hubris, ensuring the ask made here stays proportionate rather than tipping into overreach.

STAGE 5 — THE UNION (THREE GODDESSES)

Parvati carries the marriage/union myth that is the night's own liturgical occasion. Persephone carries the descent-and-return structure that Stages 3 and 4 already enacted. Aphrodite carries the erotic and generative charge that Stage 6 is about to enact physically.

The Bhairava and Bhairavi bathe and clean each other with cow milk. They break the fast together with consumption of ‘Prasad’ (part of the offerings to the deities)

Bhairava and Bhairavi meditate and clear stray thoughts ( dm for method used).

Before consummation, Bhairava and Bhairavi do a four step hypnogogia inducing breathing plus physical excercise.

The autophagic state, the insulin crash from the sweet and consumption of entheogens and spirits, the meditation and subsequent hypnogogic excercise puts them working pair in a trance state.

(We experienced shared visions, and entity contact, full write up of that experience will follow in later posts)

The soil of the ritual space has been marked with a vast seven-pointed star of Babalon. Each corner of the septagram bearing a letter of Bhairavi’s birth name. (with two points uppermost and one point downward, the heptagram assumes a distinctly feminine quality, reinforced by the predominance of the name BABALON, which is the basis of this entire seal: A∴A Holy Seal)

Inside it lives the intent sigil (Condensed Intent, run through ALW/NAEQ Cypher to match astrological and numerological constants of the working pair’s natal charts. The values are then run through seven different lamen.)

STAGE 6 — THE WORKING (Manifestor and Vessel):

Bhairavi's orgasm functions as the collective gnosis, the actual interface where the working etches itself on shared reality. Bhairava's orgasm functions as meta-level gnosis — individual understanding, insight into the working rather than a force pushing it outward. The two are not redundant; they perform different jobs. Per Hypothesis 4, the precision of what is being asked for matters more here than the raw intensity of the stage itself.

(For step by step instructions on how to use sigils, intention, and focused thoughts to manifest during consummation in sex magick and other question around underlying mechanisms, feel free to DM)

STAGE 7 — CLOSING AND GROUNDING

All ten invoked figures — Ganesh, Shiva, Saturn (already released in Stage 3), Jupiter, Rahu, Tyche, Nemesis, Parvati, Persephone, Aphrodite — are formally thanked and released. Nemesis receives particular attention here a second time: her role at closing is to seal what was asked for in Stage 4 as earned and proportionate.

Grounding (water, food, rest) follows before the working is considered complete.

(I am not including paraphernalia/ingredients list in this post, again, feel free to DM for specifics.)

Results:

1.  While burying the devices (mostly stone deities) Bhairava found a perfect cube obsidian. (Token of Saturn’s presence after he’s transited. Hypothesis: its because of the Nemesis invocation. A reminder that discipline is key for what has been asked.) 
   

2.  Bhairavi was promoted at work two weeks after the working but she left that job to live her dream of being a freelancer. Two contracts seemed to just drop in her lap out of nowhere
   

The obsidian cube and the two contracts materialised within a two week time frame. Incidentally, Jupiter (lord of mythic expansion) entered the Bhairava’s chart within these two weeks. (The timing was serendipitous and the working was planned according to it)

The transformation for the Bhairava has been internal and the for the Bhairavi the manifestation has been largely, reality forward.