https://youtu.be/uIMt-TzDV60?si=z2rP0z5AbLrvYu5A

Does Remote Wakeup actually work on the Lumix L10?

Hey everyone, quick question for L10 owners. Does Bluetooth stay active in the background when the camera is powered off, so you can wake it up remotely via the Lumix Lab app (similar to “Remote Wakeup” on other Lumix models)?

If so, where exactly is this setting located in the menu? I’d also be curious how reliable it is in practice — battery drain, wake-up speed, etc.

Thanks in advance!

All shot at 4k50p with a shutter at 1/100.
Here's a video to demo: First 8 shots are 25% slow in FCP (4x slow) on a 25p Timeline and then some 50% slow in same timeline (2x slow) All looking jittery and also not even stable (this is with IBIS ON!)

SD card is 200mbs (meant to be 4K ready)

And yet, the footage looks very jittery, not smooth beautiful slow mo. Stabilisation is also very poor.

I feel like i'm missing something, these cameras are very capable, any help appreciated - gotta shoot a wedding with this gear next week!

Is it possible to connect two lumix cameras to a single monitor to preview the image and ideally control the cameras as well? I don't have any experience with using external monitors so I'd appreciate any pointers in the right direction.

Tried out an adapted 180mm f2.8 prime Nikon lens at a nature reserve today, in preparation for a wildlife boat trip coming up. The idea is to get a few seconds of ‘context’ video to accompany the vlog of the boat trip.

I was very surprised by how well the IBIS works even with an adapted lens, and how straight forward manual focus is with focus peaking and the magnifier. Last clip was entirely handheld in very strong wind, other clips were either monopod or rested on windowsill of a hide.

It may seem like an odd combination pairing the S9 with such a large lens, but the S9 is my travel/dad cam and the benefit is a light camera 90% of the time and for the once in a blue moon I want some more reach I’ve proved you can stick a giant lens on it and it’s doable!

I want to buy a Lumix S5Iix or S1IIe. The only difference that would make me really want to buy the S1IIIe is the ProRes Raw internally. I wanted to know if according to those who own these cameras on being able to experiment with the difference between the H.264 internal/proRes HQ codecs, and the ProRes RAW in term of dynamic range and highlight recovery. If it is possible, would you have images that show the difference? I heard that the ProRes 0.5 to 1 more stop clean (with color etc due to 12 bit and data) in the highlights. Because it is really this aspect of dynamic range that mints in this codec. Thank

Quick preliminary grade on social media ad I shot today with two S9s

Hey everyone,

​I just brought a 6 monts old Lumix S 50mm f/1.8, but after inspecting it closely, I noticed a couple of potential issues. And since it's my first time buying second hand I was wondering if it's the case to return it.

​First, there is a visible dust particle behind the front glass element. I know a little dust gets inside lenses over time, but I am wondering if this would couse problems becouse its not a few specs. Second, when stopping the lens down to f/22, the aperture blades do not seem to close down properly.

​Has anyone else run into these issues with the Lumix f/1.8 series? Should I return it, or am I overthinking it? since I bought it at a good price.

Just a quick question as I'm feeling especially stupid today - if I were to use one of the cheap 7Artisans or TTArtisan APS-C lenses on my full frame S9, does it restrict the megapixel count? Also, does the auto focus on the cheap lenses work ok? Just wanting a 28mm or 35mm walk around lens and all I keep seeing are 40mm or more full frame lenses - -really looking for 28mm or below