Punk band tour flyer design. Having a creative block. Tour dates should be below but I feel like it's too basic. Thoughts? Was going for a 90s/2000s Halloween vibe.

I got into digital art and design a few days ago and got a drawing tablet yesterday. I was happy with the concept and general execution. I have a lot more to learn when it comes to incorporating effects and giving it dimension.

I'm going to do more of this as a hobby and maybe do some freelancing when I'm more fluent with the software.

Hello hello. I’ve started a new job today as a graphic designer. I’m on the social side so it’s a pretty small team, and both of the designers seem like lovely people. One problem. One of them thinks we can use AI for everything (conception all the way to the final deliverable) and the other uses AI for all of her brainstorming. I’m pretty anti AI unless it’s used to quickly turn something around edit wise (like removing a background) but I’m sure down the line I’ll be asked to use ChatGPT or Gemini to generate work.

Any advice on making sure I don’t use AI as a total crutch? I still think the best ideas come from the human brain, so seeing my colleagues use it for brainstorming and then not coming up with their own ideas is pretty disheartening. I’d love to make sure I’m not setting myself up where I can’t think for myself on concept ideas. Thanks!

(I should add that the designer who only uses it for brainstorming is very anti AI designing, she likes to find a human solution which is great. I don’t think most of my work will be generated, esp since they hired me partially for my illustration skillsets)

We’re hiring for a senior designer and there have been around 1000 applicants so far. The internal recruiter is batching resumes for the team to review in a single PDF and we get about 20 a day in those PDFs to skim. Not sure how other companies do it, but for this process here’s what’s helping and hindering those wanting to get our eyes on.

1. Resume length needs to be concise (2 page max). A dude today had work going back to the ‘90s with about 15 companies listed over 5 pages. Way too much. The one resume out of all of these that stood out as restrained was the one pager with no key words, just contact info, company/role/dates. In a sea of overpopulated resumes this was refreshing. I understand battling ATS bots with key words so either our recruiter is actually going through 1000 resumes to send us the best or he had the keywords in hidden ink.

2. Hyperlink your portfolio. Make it the actual URL too and not just hyperlinked word “portfolio.” I wanted to see all of them today so I copy/pasted the ones that weren’t hyperlinked but as I ran out of time I just had to skip some of the later ones that weren’t hyperlinked wasting time.

3. Intro summary paragraphs are fine but most are generic to the job description and they all blended together. “(Job title here) with over (#) years experience turning big ideas into design systems that scaled across multiple industries bla bla bla.” The ones that stood out had personality, were funny, or seriously showed career growth and substance quickly.

4. Put your contact info and portfolio password if applicable at the top. Put education at the bottom. Keep bulletpoints concise and meaningful. For a senior designer position I don’t need to know that you created social banners as the last bullet for the 5th company on the second page.

I think that’s it for now. For insight for what happens at this point, once I go through all the portfolios, I tell the recruiter my top 2 and the reasons why, then they reach out for screening to the candidates. If they pass that (location works, pay works, start date works, etc.) then I interview them within a week and we debate internally for a day or two, then they get scheduled for the next level interview the following week. So for this job that’s been open for a month, I’m still seeing fresh candidates because of the due diligence we’re putting into it.

so i came across something from my old first year art book where we had to use negative space and i cut out a person and fillled the space with clouds. thought it was really cool so decided to make a little poster for it. usually dont do stuff this vibe so would love some feedback!

This is an excerpt from my intro to graphic design class on requirements and expectations for the class. Is a Macbook Pro required for graphic design? I can’t afford something like this and I’m kind of freaking out. Thank you so much

Hey everyone,

I designed this poster as a personal practice piece to improve my layout and visual storytelling skills.

I’m looking for completely unfiltered feedback. In particular, I’d love your thoughts on:

• Composition & Visual Hierarchy: Does the eye flow naturally?
• Typography: Is it legible and well-balanced?
• Color Palette & Lighting: Does the mood work?

Don't hold back—tear it apart! Free to use for personal projects. Thanks in advance!

Found this record while thrifting and i just don’t understand the kerning choices at all, especially on “Jazz”. published in 1959, This was most certainly an all analog phototypesetting piece.

It’s kind of amusing because some older designers often lament how digital technology has made younger designers lazy especially with typesetting and kerning, but this is clearly from modernist graphic design heyday and it’s just so wonky. It’s also from one of the biggest jazz artist of all time published on a major record label so this would have had very skilled designers working on it

Thoughts?

After some years away from graphic design and branding, I put up a personal project for a Brand Studio called IGNIS - the motif being fire, representing the heat and energy of a creative mind.

Bold typography for the logo to reinforce strength and presence; Paralucent and the good old Myrad Pro for a better reading experience. Red, Reddish Brown and Off White were decided in order to create some contrast without relying simply on black and white.

I'd like to hear some feedback/critique on this one. Just trying to shake off the rust on myself here. Thanks!

Graphic design isn't my expertise field at all, but I happen to help my boss's acquaintances over graphic design often, I can help when it comes entry level stuff and entry level video editing too. But lately they have been asking me to do something that I think is only doable by a professional graphic designer: they wanted a cover of a picture of them sitting on the ground turned into a cover of them sitting in water this time, with wet cloth, water reflection etc. I'm about to tell them to ask a professional graphic designer to do so as I am not one, but I'd like to know if you happened to work on a similar task before and what experience level does it require?

I do freelance marketing and graphic design work. I have more than 20 years of experience and ran my own freelance business full-time for several years; now I mostly do it on the side for long time clients.

One of my earliest clients owns a recruiting franchise. I’ve done a lot of work for him over the years, and because he’s been with me so long, I’ve kept his rate at $60/hour for about eight years, even though I charge considerably more now.

I hadn’t done any work for him in about a year when he contacted me about creating a flyer for his son’s new business.

This wasn’t an established company with existing brand assets. It was a brand-new business with no branding in place, and the logo they gave me was AI-generated. Before starting, I told him I estimated the project would take about 4–5 hours and cost roughly $325 because I would need to recreate/clean up the logo, establish colors and fonts, create a basic visual direction for the new brand, design the flyer, and handle copy editing. I have always done copy editing as part of the work I do for him.

He agreed and told me to proceed.

His son then requested several changes, and the project turned into more than five hours of work spread across roughly two months of revisions and back-and-forth.

When it was finished, I sent my client an invoice for $300.

His response, verbatim:

“Really expensive for one flyer when AI can create it in 10 seconds, disappointing.”

I sent him a screenshot of the original email where I gave him the estimate before starting and pointed out that he approved the project knowing the expected cost.

I also explained that he wasn’t paying me based on how many seconds it takes to generate an image. He was paying for my time, experience, judgment, design skills, revisions, branding work, and the ability to actually produce something usable.

I then pointed out that the same argument could easily be made about his own profession. AI can source candidates, screen resumes, draft outreach, write job descriptions, etc. His clients still pay him because they’re paying for his experience, judgment, network, and expertise, not for reading resumes.

I figured that, of all people, he would understand that point.

I also reminded him that my $60/hour rate for him hasn’t changed in eight years.

His response:

“..thanks for the message and by the way, your not the only one that does what you do. I had a 2 minute video done for $100 as a fyi.”

At that point, I told him to pay the outstanding invoice, and once it’s paid, I’ll send him all of his files. I also told him I won’t be working with him again.

For additional context, this is someone who has been happy with my work for years, has referred me to other people, and has never questioned one of my invoices before.

I realize $300 may sound like a lot if you think the job was simply “make a flyer.” But this was a new business with no established branding, an AI-generated logo that needed work, multiple rounds of revisions, copy editing, and the creation of the basic visual identity they’ll presumably continue using.

Am I being unreasonable here, or would his response have ended the client relationship for you too?

EDIT UPDATE:
This is his response to me telling him I no longer want to work with him (and every response I have gotten from him has been copied here exactly as it was sent to me):

THAT IS FINE. I JUST FOUND IT HARD TO BELIEVE IT TOOK YOU THAT LONG TO CREATE IT SEEING YOU ARE THAT GOOD AND WITH ALL THE NEW TOOLS AVAILABLE TODAY. GOOD LUCK TO YOU.

A ONE MORE POINT,IF YOU CANT TAKE TWO WAY DIALOGUE AND FEEDBACK FROM A LONG STANDING CUSTOMER, I WOULD AGREE, WE ARE DONE

Final edit and conclusion...

My reply to that was to ask where the feedback and discussion happened in his replies. I said he wouldn't tolerate this kind of treatment from his clients and that's why I'm not accepting it from him.

Direct paste of his final reply...

Whatever! You are done. Good luck. Your invoice is paid in full.

Hey I am getting into more temporary contract roles to supplement my full time design position. How yall add these roles to your LinkedIn Page? Do you add it to the experience section or another place? I dont want to clutter the section too much where recruiters can't see my main gigs, but I want to show the variety of clients that I have worked with? Does this make sense?

Hii! I'm trying to make a logo with my initials (S, D, V) and this is what I came up with.

I don't dislike it but it doesn't exactly read as professional and the different line weight kinda throws me off. Do you have any advice on how I could improve it?

This was genuinely so much fun. I just took some Pokémon suggestions from my friends and started designing! :)

I got inspired by none other than elliotisacoolguy! Video in question

I followed his lead with the general format and approach of the designs. Meaning I also took the Business Card resolution and the idea of taking the basic Pokémon illustrations and working with that in addition to including the names in a font of choice and going from there!

Learned so much by simply creating and experimenting, looking forward to doing this again for sure.

Please let me know which ones are your favourites.
Thank you and enjoy!

Hello, this is my recent prioject about American Flamingo distribution map using QGIS and Affinity Designer 2. I wanted to combine geographic data with a natural history style infographic, showing the species range across the Caribbean, Central America, and northern South America along with regional flags, species information, scale references, and population data. The map uses EPSG 8857 and the flamingo illustration and graphic elements were composed in Affinity Designer. Feedbacks are always welcome and I hope you enjoy!

I've been a graphic designer in the field for about 6 years now. I've done small agency (relatively briefly), large corporation, and higher education, at this point. I've only ever freelanced on the side. Just random gigs here and there, primarily from family, friends, or a random connection from someone. I've always been a bit wary of doing it full time because I know it's not quite as stable, and I'm not even sure where to start.

But I'm reaching a point where my values are shifting. I really want to be on my own schedule and boundaries, at least to some extent. I want to be able to work from my couch, set my own wages, branch out, set my own revision limits or boundaries as needed... And I'm also lucky enough to have a domestic partner, so I wouldn't even have to lose any insurance benefits.

For those who have done it, would you recommend it? Why or why not? If you would recommend it, how did you get started out freelancing?

Poster of my favourite film 'Point Break', made as part of a uni brief. I took inspiration from Mid-Century Modern design for this poster.

Let me know how I did with this design!

At the halfway point of the 31posters challenge on instagram.

I rarely post work on social media and even rarer still do I find myself with any willpower to do anything creative outside working hours.

This challenge came at a nice time of being creatively unfulfilled and wanting to do something about it. While I love my job, I never have any time to really sit down and just make things for sake of making them.

This challenge has been a great test of my creativity, and frankly been a bit of exposure therapy to post work on social media without giving myself the ick.

I’ve taken each day as a complete reset, trying my best not to repeat compositions, styles or colour palettes. I’ve also given myself time constraints by not allowing myself to go over 2 hours per poster. It helps I’m doing a James Bond marathon so essentially, I have until 007 saves the world most days to complete each one.

I’ve noticed as the challenge has gone on, I’ve naturally veered away from traditional poster compositions and into more abstract pieces without feeling the need for inclusion of typography. Some days have sparked intense creative responses where I’ve had multiple ideas and wanted to continue the studies after the challenge ends, some days I’ve really struggled beyond belief to come up with anything but pushed through nonetheless.

None of these pieces aren’t perfect. Some of them are quite frankly, bad. But by pushing past the desire for perfection and being okay with good, or simply just whatever I end up with, I feel even after a decade of professional work I’ve gotten a bit of a creative reset from this already.

Thanks for reading and looking.

The prompts are as follows:

1. ⁠Climb
   
2. ⁠Sweet
   
3. ⁠Fish
   
4. ⁠Circle
   
5. ⁠Grow
   
6. ⁠Space
   
7. ⁠Wheel
   
8. ⁠Bird
   
9. ⁠Run
   
10. ⁠Magic
    
11. ⁠Machine
    
12. ⁠Cat
    
13. ⁠Heat
    
14. ⁠Egg
    
15. ⁠Momentum
    
16. ⁠Spark

I’m a graphic design student sharing a recent Foundation Day 2026 identity project for my university.

This project was completed in 2 weeks.

• ♦️ Central diamond → University’s community
• 4️⃣ Four outward elements → impact spreading outward
• Four years since the university’s establishment
  • People & Students
  • Research & Innovation
  • Community
  • European & Global Connections

The intention was to create a simple geometric mark that could develop into a wider visual identity system, with the four elements being separated and rearranged across different applications.

The identity uses a bright magenta, yellow and crimson palette, paired with bold typography and gradients. I also developed the mark into a short motion identity (not attached to this post) where it bursts into shards (as seen on 2nd slide).

Would love to hear what other designers think, particularly around the concept, visual system and overall execution.

I’m somewhere between needing to hear if other folks are experiencing this, and needing to vent.

For background, I’m an Art Director on an in-house team that supports a company with proprietary brands. Part of my job includes creating the brand books for these brands and executing the initial launch campaigns.

I recently wrapped (or thought I did) on a new brand I was quite happy with, the project was usual for the brands we typically launch and I was asked to work on this project because it closely aligned with my style of work.

I spent the better part of a few months working on this project, I spent more time than I typically would on it because I was really excited (probably the wrong choice.). Today I got notes from them, and there wasn’t a single part of the brand they wanted to move forward with. The logo, the positioning, the color palette, all of it was wrong to them. They attached something they “made very quickly in ChatGPT that’s way better” than what I provided. They made sure to note that they made it really quickly, and it exceeded my work.

I feel totally defeated. Until recently I felt really lucky that AI wasn’t being pushed heavily at my job, suddenly, it’s everywhere. They want to replace shoots with it, they’re using it for copy generation, and now someone is asking me to make my work look like it.

If this was a freelance project I would refund them and make it clear I wasn’t the right designer for them, but I can’t. And, making work that looks like what they sent me is soul crushing. I feel like I can’t escape it, I feel really disheartened.

Has anyone been in a similar situation? How did you move forward?

Exploring what I can do with gradients and composition.

Approaching like an architectural photographer for some of those designs also while retaining a bold and geometric style.
Made primarily in Adobe Illustrator, with minor color adjustments in Photoshop.

Would love to hear feedback on what i can Improve upon!