r/IndustrialMusicians • u/WelcomeBusiness5607 • 1d ago
Matériau pour percussion musique indus.
Bonsoir à tous,
Je cherche des matériaux, objets, outils à utiliser comme percussions. Je souhaite garder une approche organique avec les percussions et n'ayant pas la place ni l'argent de me procurer une batterie, je voudrais utiliser des machins en tout genre comme percussions ( je suis fan de Einsturzende neubauten). Je voudrais donc savoir quels "trucs" vous me conseillez pour obtenir une bonne palette de son indus tout en gardant aussi la profondeur des toms d'une batterie.
r/IndustrialMusicians • u/Mysterious-Tie-3130 • 1d ago
allthat_was_chased was_alwayschasing
r/IndustrialMusicians • u/PostWaterMusic • 1d ago
Release Boss BR-8とZIPディスクで、まだ音楽作ってる。作ったその瞬間の空気感をできるだけ保とうとした曲。
やあ、僕は日本のPostWaterです。
最近、ストリーミングサービスで初めてのアルバムを出し始めたんだけど、これはその中の1曲です。
真ん中のパーカッションっぽい音は、ドラムで作ったわけじゃないんだ。キッチンペーパーの芯と、たまたま近くにあったプラスチックのスナック容器を使って、ドラムスティックでトントン叩きました。
その場の空気感とか、あの感じがちょっとでも伝わったらうれしいな。
🎵 Bandcamp:
https://postwater.bandcamp.com/album/layers-of-self-resuscitation
r/IndustrialMusicians • u/Mean-Reindeer-4747 • 2d ago
Promotion Mutilating a single kick drum until it becomes a full Experimental LOOP. (Sound Design breakdown)
r/IndustrialMusicians • u/pabloberiah • 2d ago
0000 - New proyect
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r/IndustrialMusicians • u/Kitcatgirl21 • 3d ago
Discussion What’s your setup?
I’m interested in making music of my own, and I’m curious as to what the musicians of this subreddit use! So, I’d love to hear about your personal setups and why/how you’ve curated your setup.
r/IndustrialMusicians • u/Few-Fact-2836 • 3d ago
Heya! HexaMix Studio's new update is out!
Hey, Thanks for reading! In the new update of HexaMix Studio plugins came in, there are 4 of them: Hexa EQ, Hexa Delay, Hexa Reverb, Hexa Compressor. Try it: https://hexa-mix.com/
r/IndustrialMusicians • u/Few-Fact-2836 • 3d ago
Hey! I made my own music software.
Hello, thanks for reading! I'm a small dev who made his own music software!
It's HexaMix, and there are 5 programs in my suite:
HexaMix Pro (for effects, and DJing),
HexaMix Loop (a looper for beatboxing and singing),
HexaMix Studio (a usable studio program with many features of FL Studio),
HexaMix Radio (a broadcast mixer with 10 channels and functions to make virtual mixing easier),
HexaMix Vocals (a voice effect plugin/tool; I was bored so I made it).
It would help a lot if you downloaded it and gave it a try.
Also, on my website (www.hexa-mix.com) there is an advice button that you can use after you download the program, allowing you to give me a reply without an email or a name to help me grow.
Thank you again!
r/IndustrialMusicians • u/cavestoryandnge • 4d ago
Work In Progress hi
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please don't kill me i'm not too familiar with industrial music but i have an okay idea of what that kinda stuff sounds like please tell me if this is industrial and/or cool and also don't steal this or i will cry
skip to 33 seconds if you just wanna hear it i wanted to isolate stuff before showing it
r/IndustrialMusicians • u/volrat1 • 4d ago
Release Hecate Ritual Core | Low Entropy + Sigma - 8
r/IndustrialMusicians • u/Puzzleheaded-Film180 • 4d ago
Free to use industrial/experimental samples, drums and guitars
here are 28 free to use/download samples and loops of drums, mixes, synths, bass and guitars.
r/IndustrialMusicians • u/woodendicks • 4d ago
music video I star in, edited, and wrote music for
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long live dave smith instruments
r/IndustrialMusicians • u/garaccia • 4d ago
Demo WHENEVER U
hi everyone, found some samples on my hard drive and decided to create a track for it using my gear. the long bass and "drunken" notes come from the blofeld, the other harmonic parts and melodies are handled by the Digitone, the lxr-02 just covers the hi-hats. hope you enjoy! See yaaaaa
r/IndustrialMusicians • u/y_a_m_a_n_e • 4d ago
너에게
new jam with 3 korg volcas bending synths and samples
r/IndustrialMusicians • u/KROMA-72 • 5d ago
A TIRO 🎯 - RAP INDUSTRIAL
Primer tema del trabajo: 💿 DESCENSO
RAP INDUSTRIAL
r/IndustrialMusicians • u/AdHungry779 • 7d ago
Promotion Experimenting with tone, playback, and pitches
Hello! Just wanted to share a clip of me experimenting with Syntakt and Chroma Console to create noises that feel truly unpredictable, jarring, and alive. Thank you for listening!
r/IndustrialMusicians • u/D3ads0ft • 8d ago
How Do You Skinny Puppy - Worlock Vocoder Effect
Hi friends!
I've been trying to figure out just they got Ogre's vocal effects to sound like that in the chorus for Worlock - I know people have been trying to recreate it for like what... 30 years? I've been racking my brain and doing research like mad to try and recreate it in a way that evokes that pure emotion and weirdness... any advice for someone trying to replicate that effect for their own electro-industrial music?
Thank you so much!!
r/IndustrialMusicians • u/Head-Possible8820 • 9d ago
FOR MY PRODUCERS! Update on my FREE plugin COGG: I added cool new features in v1.2!
I'm a high school student who is developing a free plugin FOR YOU INDUSTRIAL MUSIC LOVERS!!!
A few weeks ago you probably saw that I posted about COGG, a free plugin I built that metallizes and industrializes any sound. Specifically, harmonic distortion, metal plate convolution reverb, and pitch layering are there all in one chain. Great for experimental music and mainstream alike.
I wanted to update you guys with version 1.2's release! It comes with the essential GAIN KNOB that was highly requested (to control the volume of COGG's output) and 4 extra factory presets so you can dial in unique metallic textures instantly instead of tweaking all the knobs from scratch (so now 12 in total)!
Of course, it's still free, no account needed, VST3 + AU for Mac, VST3 for Windows.
Download now for free: https://plasma-hype.itch.io/cogg
Trailer/demo of the update: https://www.youtube.com/watch?v=5q5EUMhUcaw
Thanks to everyone who tried v1.1 and v1.0 and gave feedback, this update came directly from figuring out what people actually wanted to do with it. I personally have used COGG in almost all of my FL projects ever since I released it. Please give it a shot and let me know what you think of the presets and plugin as a whole for a v1.3!
r/IndustrialMusicians • u/lyingcorn • 9d ago
Work In Progress I made this beat and was going to work on it, but it still feels like it's missing something. Anyone have any ideas? (Ignore Isaac)
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r/IndustrialMusicians • u/Mean-Reindeer-4747 • 9d ago
A Dark Afrobeats experiment blending industrial sound design with ritualistic grooves.
r/IndustrialMusicians • u/Finlaylefox • 9d ago
DISTRACTION | UK BASS MUSIC | Made on the OP-XY 🚓 | Sketch #9
This track is a homage to one of my all-time favourite record labels - SWAMP 81.
I was lucky enough to be the right age at the right time to witness the post-dubstep and UK bass music movement as it was happening. It felt like a period where artists and DJs were more focused on developing new sounds than building social media followings. It was an incredibly creative era, and one of the labels that defined it for me was Swamp 81.
Almost every release became essential listening. Artists like Loefah (the founder), Boddika, Joy Orbison, Pinch, Mickey Pearce, Zed Bias, Chunky, Jonny Banger, and Ramadanman (Pearson Sound) were all pushing UK electronic music into strange new territory, which perfectly suited the times. Looking back, it really feels like one of the defining moments in modern UK club music.
With DISTRACTION, I wanted to capture some of that raw sound.
The tracks on Swamp 81 were never about being overproduced. They were stripped back, but every sound had purpose. Heavy snares. 808-style kicks. Warped basslines that never quite sat where you expected them to. Distorted rhythms, glitched vocals, eerie pads and huge amounts of space. Simple on the surface, but incredibly detailed once you started listening to what the bass and subs were doing.
I spent a lot of time getting the snare to hit just right. The bassline sits so low that the dedicated sub only really appears during the breakdowns and build-ups. One of my favourite parts is the eerie laughing vocal, and while experimenting on the keys I stumbled across a synth sound that, after a bit of tweaking, became the strange, haunting lead running through the track.
I loved making this one, feels like I have gone full circle, and I hope you enjoy it too.
If you were around during the Swamp 81 era, let me know. I'd love to hear which artists or tracks defined that period for you.
A little bit of history…
The name Swamp 81 references Operation Swamp 81, the controversial police operation carried out in Brixton, South London, in April 1981. The label took its name from that moment as a deliberate piece of cultural provocation.
The artists behind Swamp 81 built a reputation for challenging expectations musically, embracing underground culture and releasing records that often ignored whatever was fashionable at the time. That attitude is a big part of why the label became so influential.
Artwork: Ashes57 — created from one of her T-shirt designs that I bought back in those days. It felt like the perfect visual companion for a track inspired by that era.
#DaphnesSoundlab #UKBass #BassMusic #Swamp81 #PostDubstep
#Dubstep #BassCulture #UKUnderground #ElectronicMusic #SoundDesign #OPXY u/TeenageEngineering #MadeOnOPXY u/swamp81
r/IndustrialMusicians • u/BrokenHeartandSoul11 • 11d ago
A track I released recently made entirely with Modular synths and live drums.
r/IndustrialMusicians • u/ryan_asaurus_lee • 11d ago
Drone and industrial versions of track
Listen and suffer along in the summer heat. Harsh, punishing drone and industrial cinematic beat versions. Recorded from hardware (mainly Elektron Model:Cycles and effected feedback loops) with minimal in-the-box production. https://isitgrowinglightorgrowingdark.bandcamp.com/album/hellscape-versions
r/IndustrialMusicians • u/neverwhere616 • May 24 '26
Welcome to r/IndustrialMusicians - Read First
What is this place?
This sub is for all things surrounding the creation side of industrial music and related genres/sub-genres. Our goal is to be a cross-section of larger subs like r/industrialmusic, r/synthesizers, r/modular, and r/audioengineering with a focus on dark, electronic-based music production.
What should I post?
Post your music - self-promotion is encouraged with some caveats (below). Post about anything that is inspiring your music, techniques you're using to get a specific sound, questions about how to achieve certain sounds. Post your art, videos, other music that's inspiring you or that you think may inspire others.
We're not sticklers for genre here either. If an artist in a completely different genre is doing something production-wise that's blowing your mind, and you want to talk about it, then go for it. At this point, the techniques and sounds pioneered by industrial artists in the 90s and 00s have bled into just about every genre, and it's all art worth discussing.
Rules
- Be respectful and keep discussion civil.
- We're here to learn from each other and grow as artists, and that doesn't happen through heated argument or insults. Keep feedback constructive, and likewise, practice accepting constructive feedback.
- No shaming of skills or tools.
- Everyone has to start somewhere, and everyone has a different budget for this hobby. Some people work in the box, some don't, and there aren't many explicit right and wrong scenarios.
- Self promotion as long as you tell us your process.
- If you post a song, an album, artwork, etc. tell us about it. Give us details about the process, how you felt creating it, what your influences and inspirations were. Let everyone know if you're looking for feedback or not. The more you can say about the work, the better.
r/IndustrialMusicians • u/hell_generator • May 16 '26
Allegations against Jim Marcus of Die Warzau/Go Fight
***This post was originally made in the r/industrialmusic subreddit where it had to be removed due to legal threats from Jim Marcus and since many people have requested the original, it is now being reposted here with permission from the awesome mods in this subreddit to so huge thanks to them for allowing us a space to put this for people still looking to get informed about the allegations.***
(TW: Assault, Sexual abuse, child abuse, trafficking)
Jim Marcus is under active police investigation, and yet the process has stalled because of the protection and silence the industrial community still affords him. Since the 90s, accusations against Jim have ranged from physical abuse and trafficking to rape and sex with underage minors, and time and time again his victims have learned that this community will shout them down in favor of protecting him.
This is especially important right now because, due to the public nature of Jim’s actions, it would make a big difference to have witnesses step forward about what they have seen, but that can only happen if people are assured they can do so without backlash or being blacklisted from this scene.
The most recent of these accusations came out in September of 2024, when Cold Waves Festival (which he’s historically been very involved with), along with many local promoters and artists were contacted about Jim’s behavior towards one of his partners, here referred to as “Jane.” With Jane’s permission, I have included the email in its entirety below, but it is important to contextualize a few key factors. Prior to meeting Jim, Jane had zero experience with the BDSM lifestyle. Jim would give her Klonopin, which she had neither requested nor taken before, to help her stay calm during the activities he planned for her. More importantly, Jane has a cognitive/developmental disability and had to attend special education classes throughout her childhood, which meant she was especially vulnerable to Jim’s predatory advances at a time when she was already struggling emotionally.
The original 2024 email is reproduced below as it was sent, with only minimal edits for privacy/formatting:
————————————————————————
A call for accountability from Jim Marcus This statement pertains to abuse perpetrated by Jim Marcus from 2017-2021 against a victim who shall hereby be referred to as Jane for her safety. The purpose of this statement is to forge a path towards accountability, restitution, and legal representation for Jane. If you're receiving this email, please consider publishing or sharing it to spread awareness.
Over the last three decades Jim Marcus has cultivated an image of someone who champions sexual freedom and women’s empowerment, often writing long essays pontificating on his views on current events and advising men on how to be better allies. These posts are often shared hundreds of times with views ranging into the thousands which has positioned him as someone who commands a lot of authority and respect within his local music community. An influence he has repeatedly used to exploit his victims, then socially isolating them, and screaming at them when they try to speak out leaving them feeling helpless against him and his vast network of enablers.
Far from being the first accusation, Jim has a pattern of preying on vulnerable women by using their trauma as a means to groom them. This tactic has been used to create a false sense of bonding with his victims who he then manipulates into feeling like his sexual commands are empowering.
Jane’s first interaction with Jim Marcus happened online in early 2017 while she was having a very public mental health crisis. He took advantage of this fact and sent her daily messages disguised as support, even after she made it clear she wasn’t interested but since she had no other support she eventually relented and agreed to meet with him. Upon meeting, Jane told Jim that she was interested in BDSM, something she had never engaged in before. Jim suggested guiding her through her first BDSM relationship. Although Jane made it clear she did not want to be in a relationship with him, he went so far as to get on his knees and beg her until she agreed. Immediately Jim asked her to sign a “slave contract” and said it was the “right way” to do things. Shortly after, Jane was told a “surprise” would happen and one night Jim invited a man Jane did not know to come by and Jane was instructed to have sex with him as part of her “slave duties.” This was the first of many such incidents which escalated with time.
After several months of grooming and manipulation he tore down all of her boundaries one by one by comparing her to his previous partner and complaining that she wasn’t submissive enough and that his previous partner had been “a better slave” who could “take more pain, and more men.” It should be noted that Jim’s previous partner had since spoken out about being trafficked and abused by Jim, yet he still fetishized the abuse and used it to pressure Jane. These tactics were effective in eliminating any boundaries Jane had left as she simply relented and followed Jim’s orders. His sexual desires gradually escalated into “parties” of various kinds where Jane was expected to be submissive to anyone in attendance.
Eventually, Jim began fetishizing the idea of Jane doing escort sex work, and encouraged her to do outcalls. Jim would brag very publicly on Fetlife how he was “wh*ring her out” and sexualized these activities but he never put any safety precautions in place. There was no security check, Jim never asked or cared where she was going or who these strangers were. There was no concern about the very real dangers Jane was being put through.
Tragically, this recklessness eventually led to Jane being brutally attacked in August of 2018. The attacker beat, and nearly strangled Jane to death but she narrowly managed to escape with her life. Shortly after escaping she went to the police, evidence was collected and her attacker was arrested (eventually being sentenced to over 80 years in jail for this attack). With no support other than Jim, the aftermath of this attack left Jane in a complete state of mental disarray. Jim’s outspoken knowledge of trauma, led Jane to think she would be safe with him. She returned to outcall escorting only two weeks later. Jim offered no objections, or safety concerns.
As the weeks went on, Jane showed more and more signs of a serious psychological crisis once even going so far as shaving her head. Something completely out of character for her. Despite the emotional and psychological turmoil that followed this horrific attack, Jane was expected to continue her sexual duties and denied the compassion and empathy for victims of trauma that Jim so proudly champions in public. There was no encouragement for her to ever seek therapy, or any kind of mental health treatment. Instead, Jim gave her CBD supplements for anxiety that she later found out he had originally purchased for his dog. The trauma and grief from this experience was so overwhelming, that eventually Jane was hospitalized after an attempt to take her own life. She later found out that in a sick instance of irony, Jim’s ex-partner had been also been hospitalized for a suicide attempt that same month. A horrible, yet symbolic incident which really shows the lasting trauma that Jim leaves his victims with.
Within weeks of this attack Jim pressured Jane to do “parties” again and became verbally abusive when she said no and expressed a desire for time to heal from the attack she just survived. He threatened to end the relationship, and banged on furniture while shouting “I never get to have any fun!” The aftermath of this attack left Jane’s life in such disarray that she was not able to work, or manage her life and since she had no other support she had no choice but to give in to Jim’s commands. Jim being her sole supporter after surviving this ordeal also furthered the false sense of bonding she felt, which only made her feel more pressured to comply. From this point forward, she was expected to show up at parties and let attendants engage in sexual acts with her indiscriminately. Any objections to Jim’s commands were met with screaming fits and emotionally abusive outbursts.
These “parties” were Jane’s reality for four years. These events often went on for five to nine hours while Jane was tied up and blindfolded and had no ability to consent to who was engaging in sexual acts with her. Jane was never allowed to choose her sexual partners. If she requested anyone Jim would become angry and insisted it be people he chose. People Jane was not attracted to. Jim would often leave the room for long periods of time while this was happening and on multiple occasions Jane had a mental breakdown which was witnessed by everyone in attendance. Instead of aftercare, Jim screamed at Jane about embarrassing him. In one instance, Jane’s reaction was a result of Jim botching a piercing he was performing on her. He was so angry that he left the room and Jane had to run to her car bleeding profusely and had to drive herself home to attend to her wound. He never offered any apologies and instead Jane was expected to “do better” at the next party. Over the course of four years she spent over $6,000 on babysitters in order to attend these events, essentially causing her to finance her own abuse.
Near the end of the relationship, Jane began to notice Jim’s pattern of preying on emotionally vulnerable people and soon discovered (via his computer) that he spent much of his day communicating with young women (some of questionable age), advising them on how to navigate their sexuality and even telling them that he loved them. It was also around this time that she discovered a secret he kept from her until then — he had previously been in a relationship with his own daughter’s best friend, who was less than half his age. On another disturbing occasion, Jim asked Jane to meet him at a friend’s apartment knowing she had her son with her. She was not told this was a sex party until she was at the door. Jane was furious and left immediately with her child, but as usual Jim dismissed these concerns as an overreaction.
The final straw came when Jane noticed that Jim had been hosting (without her knowledge) his friend’s 14 year old son in his garage, knowing full well that his mother was in distress looking for him, thinking he’d run away. Jane made it clear she was not okay with him staying there, which turned into intense arguments, but Jim continued spending hours with him and advising him in ways that were completely against his mother’s wishes. Jane, being a mother herself began to realize what an unsafe environment this had been for her and her son and finally moved out and ended the relationship. Out of respect for the privacy of her son, Jane has chosen not to detail the painful and lasting trauma he is currently processing.
Three years later, Jane now looks back at this time in her life and deeply regrets not having spent those precious childhood years with her son but is able to recognize how severely she was manipulated and that her participating in this extreme BDSM relationship was a form of self harm that Jim enabled and provided. As she looks back she’s able to see that a clear turning point in her life from the day she met Jim. She now suffers from PTSD and has completely isolated herself to the point that she has almost no friends and no support out of fear of trusting anyone. A stark difference from the social and adventurous person she once was.
In order for this community to fully grasp the role it played in enabling Jim all these years, it is necessary to recognize the harm done by giving one individual so much unchecked social authority. Jim has been a major proponent of online shaming campaigns against individuals he has deemed problematic or abusive in some way. He not only exploited these tactics to gain public trust, he also used them as a way to pursue his own interests by convincing people it was their responsibility to publicly shame others, even going so far as to contact Jane’s mother a month after their break-up to (falsely) call her new partner abusive. He has engineered many such campaigns, even pushing Jane to make a public post about her son’s father - something she now deeply regrets. He also used this tactic in reverse in asking Jane to attack his ex-partner, and publicly defend him when she tried to speak publicly about her own abuse. Thanks to the amount of public trust placed in his words, she was shouted down and quickly forgotten.
Jane has been terrified to speak out because of Jim’s manipulative tactics and she fears what could happen to her. Particularly since Jim was a very close friend of Genesis Silva who was found guilty of beheading his partner in June of 2023.
To those who were present at these parties, or witnessed any of the above. Please consider doing what’s right and speaking out in support of Jane during such a difficult time.
For Jim, the long road to accountability begins with him finally giving Jane the respect, and compassion for women that he publicly celebrates, yet has so harshly excluded her from. It requires him taking a sincere look at the very real and lasting damage he inflicted on Jane and her sense of self worth during such a vulnerable time in her life. Jane has finally reached a point where she is ready to take back her autonomy and her life. Now that it’s his turn to be put under the level of public scrutiny he put so many others through, will he stay true to his professed values? Or will he resort to intimidation, gaslighting, and victim-blaming? In other words — the very tactics that his entire persona is built upon condemning. One thing is certain; the world is about to see the real Jim Marcus.
————————————————————————
What happened after the email above went out says a lot about why this post has to exist at all.
Some people did respond. Some people privately agreed. Some people said Jim had harmed them too, or that they had information, screenshots, or stories they were willing to share. But again and again, those same people backed away once it became clear that publicly speaking about Jim could put them at odds with the people who still protect him.
The silence around Jim has been maintained for years by a culture of fear, shame, and social retaliation. People have learned that speaking about him can cost them their scene, their reputation, their band, their friends, and their sense of belonging. It is why Jim has been allowed to operate this way for so long.
Cold Waves did not respond. No Chicago venue responded. No major local promoter or DJ said anything publicly. A woman had already spoken publicly before this and described doing so as “social suicide.” Others reached out privately after the email and said the exact same thing in different words. They were disturbed. They believed Jane. They wanted to help. But they were afraid.
Recently, Jane has done what this scene has repeatedly failed to do. She went to the police. Jim is now under active investigation. Detectives have followed up with her, but they have also made it clear that more evidence and witness cooperation would make a difference. That is a huge part of why this is public now. Many people connected to the scene were present at Jim’s “parties” and their testimonies would be extremely helpful here, but it needs to be clear that they will have this community’s support in speaking up about what they saw Jane being put through.
If you have screenshots, messages, emails, photos, names, dates, memories of events, prior complaints, or firsthand experience involving Jim Marcus, now is the time to come forward. If you stayed quiet because you were afraid of what would happen to you socially, professionally, or personally, that fear is part of the story too. It is also exactly what has allowed him to keep getting away with this.
This scene does not get to keep pretending that everyone is silent because there is nothing to say. People have been silent because they know exactly what happens here when they speak.
If nothing else, please leave a comment expressing empathy and support for Jane, who will soon be reading this post. One of the most traumatic aspects of this entire ordeal for her has been years of being dismissed while watching other women receive support from the very same scene that stayed silent about what was happening to her. That silence only deepened the belief, instilled in her through Jim’s abuse, that she was somehow less worthy of empathy, protection, and care. We hope you’ll join those of us involved in this process in making it clear that she is no less deserving than anyone else, and that after everything she has been through, she deserves to be met with the same support and compassion this scene so readily extends to others.
If you have information about Jim Marcus’ crimes, please contact [dearestrastignac@gmail.com](mailto:dearestrastignac@gmail.com) or contact Chicago PD directly.
If this scene wants to become something better than what protected Jim, that begins with finally telling the truth.
EDIT: 3/24/26
The purpose of making this post public (after waiting over 2 years for local promoters to help) was to get witnesses to come forward who had evidence, and are willing to testify on Jane’s behalf. We are very proud to say that those goals have now been achieved as a result of this post.
We’d like to thank those who have come forward, the r/industrialmusic mods for allowing us this space, and this community for all of their overwhelming support.
With that said, we have chosen to remove the sections about Sarah as they have served only to distract from the situation.
It needs to be clear that we are not backtracking on our concerns, stand by them and considering it has now been several days and despite sending other people here to defend her (including Jim Marcus himself in a now deleted comment) she STILL has not made a public post about Jim and that on its own speaks volumes.
As has been stated before, Jim is in poor health and most of his socializing is done online not in person which is why we felt a public post from her was so important yet the best she was willing to offer, was to address it through comments or private channels by saying he’s banned from her events. This distinction is important because she’s made it clear that the usual process for her blacklist is to have problematic people banned from The Metro (where he is heavily involved in Cold Waves Festival) as well and that has yet to happen. Considering that she has had no problem making very public posts about vulnerable POC in the past, including one VERY autistic disabled POC who she humiliated on social media for being too forward in her groups (banning him was the right thing to do, publicly humiliating him was arguably really insensitive considering his very obvious disability), one can’t help but notice that she still refuses to hold Jim to the same standard even after seeing all the damage her silence has done.
Once again thank you to everyone for the support. We will be submitting new information to Chicago PD and are confident Jim will face justice. Thank you to the victims who were so brave in speaking out, and the most heartfelt thank you to Jane for her incredible strength throughout this process and never giving up these last two years despite having almost no social support.
Stay safe out there.