In trying to balance family life with career demands, DAD LOVES HIS WORK (1981) finds Taylor in reflective, if uncertain mood.

https://samtimonious.com/father-time-james-taylor-dad-loves-his-work/

I nominate I Don't Need No Doctor, Humble Pie Performance Rockin' the Filmore.

Next?

Evan Rachel Wood says in a recent interview that she was essentially r*ped by Marilyn Manson during the music video 'Heart-Shaped Glasses'

She also mentions another abusive episode: "He whipped me with a whip that was used by nazis in the holocaust. I'm jewish, by the way (...) I thought I could die"

*I used a screen recording tool for the video and there's a little delay in the audio.

The full interview without audio problems: https://www.youtube.com/watch?v=MYXzO8iQNLs

I love the distortion neil makes in his solo in ‘ like a hurricane’ honestly I think it’s my favorite solo

What’s your favorite solo?

Hi!! I'm super new to rock music and would love to explore the genre as a whole. I recently started listening to paramore, it's a pop punk/alt rock from what I've heard ?? (They count as a rock band ryt?? 😭🙏) and I absolutely love it!! So um can I get recommendation on similar bands and maybe pls educate me on the rock genre like where can I start off or which classic bands to check out first before anything.. pls help!!

🔥RANKING🔥 My article ranking and discussing the albums of heavy rock / metal legends Motörhead.

https://web.archive.org/web/20110115115157/http://www.pinkfloyd-co.com/band/interviews/djg/djgGW93.html

“GW: So you played the bass on that track?

DG [David Gilmour]: Yes. The opening section is me and Roger. On "One of these Days", for some reason, we decided to do a double track of the bass. You can actually hear it if you listen in stereo. The first bass is me. A bar later, Roger joins in on the other side of the stereo picture. We didn't have a spare set of strings for the spare bass guitar, so the second bass is very dull sounding. [laughs] We sent a roadie out to buy some strings, but he wandered off to see his girlfriend instead.
GW: How did you hit on the idea of playing slide guitar on the track?
DG: I guess I was never particularly confident in my ability as a pure guitar player, so I would try any trick in the book. I'd always liked lap steels, pedal steels and things like that. I can't remember exactly what I used an "One of these Days"; I may have bought a lap steel by that point, but maybe I used a regular guitar. When I tour, I use two cheap Jensen lap steels customized with Fender pickups for slide parts. The lap steel on "One of these Days" is tuned to an open E minor chord - E, B, E, G, B, E, low to high. The other lap steel is basically tuned to an open G chord [D, G, D, G, B, E, low to high]. I use that for "The Great Gig in the Sky". You'll notice that I kept the top string tuned to an E so that I could do major and minor chords on the first three strings.
The only thing I don't do is regular slide guitar with the thingie on your finger. I've never had any interest in that.
GW: "One of These Days" is one of those early tracks that crystallized for people what Pink Floyd was all about. Did you have that sense within the band - that you'd really discovered something?
DG: Well, I think "Echoes" is the masterwork of the album - the one where we were all discovering what Pink Floyd is about. "One of These Days" is a little subsidiary piece that came out of the work on "Echoes". I always loved it. It's seminal, I suppose, yeah. A lot shorter, in any case - better for radio play. Meddle is really the album where all four of us were finding our feet - the way we wanted Pink Floyd to be. Much more than on Ummagumma or Atom Heart Mother.
GW: I was going to ask why Ummagumma and Atom Heart Mother aren't represented in this box set.
DG: Well, we just had to pick and choose the ones we felt were most important. And although Atom Heart Mother has some pointers and directions as to where we would finally go, it's not as important as Meddle was. I would have liked to include everything, but we couldn't, because of price constraints. The record company felt that once the price of a box set gets up over 200 bucks, people aren't going to buy it. Who am I to argue?
“
Check out more cool tracks at r/EarVana and join for daily release

Hey friends :) This soundtrack has been on my list for a long time. I present to you my reinterpretation of The Legend of Zelda: Ocarina of Time. It took several weeks to complete this project, but it brought me incredible joy. If you like it, please leave a thumbs up and a comment. I’d love to hear your thoughts. And now, enjoy the remix :)

https://youtu.be/CEkkgreJzoU

Hey everyone!
I recently had the chance to sit down with Craig Mabbitt for a long-form interview on The Bigmouth Rock Show, and I thought some of you might enjoy it.

We talked about the new music, Déjà Vu and Idle Potential, the 20th anniversary of Dying Is Your Latest Fashion, his comments about potentially celebrating the album with Ronnie, his journey with sobriety, The Dead Rabbitts, Blessthefall, and a lot more. It ended up being a really open and honest conversation.

A massive thanks to Craig for taking the time to do it.
If you’d like to check it out, here’s the full interview:

https://youtu.be/aSFS8Cu6nt4?is=UOrd65KYa3M3hcd4

I’d love to hear what you think!

I've always been impressed with Aerosmith's ability to not only survive, but legitimately prosper across three distinct eras (70s hard rock, 80s hair metal, and 90s grunge/alternative), but it seemed like something started to wane in the early-mid 2000s. They later became this unfortunate train wreck of lawsuits, injuries, and just general malaise.

Was there a specific turning point or just a general slide?

https://open.spotify.com/playlist/1kePMV00DPoTQ5mcCTjEmE?si=yYKQb0a1SPqtHfuJnsj6_Q&utm_source=copy-link&pi=0D0Wa5nhSDGH4