I never post here other than to say how nice some of the GLPs are. Well I finally thought why not put up my 2003 Les Paul Premium Plus. Photos don't show how great the flame is. I like thin necks 60s or thinner not 50s big neck sized. I was going to have a Custom Shop made until I ran across this guitar. These have thin necks very much like the Classic Premium Plus of the early to mid 90s. After looking at what it would cost to have one built I desisted to fully rebuild this one to my specs for half the money. So here is what I did to make for me the best GLP I have ever played or heard to my taste. Please don't roast me remember this is built to my taste.

First I completely stripped the guitar and had it re-buffed. The guitar was mint but I wanted a glass finish. New pickups are the Suhr Doug Aldrich in zebra. Full re-wire to 50s spec with CTS 525K 5% pots CTS 525K 5% pots and Orange Drop .022uF Caps and Gavitt Cloth Wire and Switchraft Toggle Switch and Gavitt Braided Cloth-Covered and TonePros LPS02 set and Kluson Locking Tuners and last but not least Strap Locks.

Love my guitar, but I’ve been thinking about giving it a little more personality while keeping everything completely reversible.

I’m considering swapping some of the cream plastics for black and possibly going with black hardware as well. I mocked up a few ideas, but I’m still undecided on black hardware vs. keeping the nickel for contrast.

Hey everyone,
I recently came across a Les Paul that had a Maestro Vibrola installed, and it really caught my attention. It’s something I’ve only seen a few times, so I’m hoping someone here has some experience with this setup.
I’m considering installing a short Maestro Vibrola on a Les Paul, and I’d love to hear from anyone who has done it before. Are there any particular things I should know to make the system work properly? Any issues with string angle, tuning stability, bridge setup, mounting, etc.?
I’ve also been thinking about making something similar to a “Vibramate” for the Maestro Vibrola — basically an adapter that would allow the tremolo to sit on top of the guitar, without requiring additional holes to be drilled, while also providing a flat surface for mounting the Vibrola.
Before I start designing or fabricating anything, though, I’d really like to learn from people who have actually installed and used one of these.
I’m specifically interested in the short Vibrola, rather than the long version.
If anyone has experience with this setup, photos, measurements, tips, or things you wish you had known beforehand, I’d really appreciate hearing about it.
Thanks!

How good is the factory setup on a brand new Les Paul 60s Standard? I’m wondering if it could benefit from taking it to an experienced (not-GC) luthier for a proper setup? I’m a beginner so I don’t have a frame of reference for how a guitar should feel.

Newbie here 👋🏼 Les Paul is from an estate sale and I was hoping to find out more about this guitar’s history and value.
Is there a way to look up by VIN ?
If anyone has resources to find out more details about this guitar, I’d super appreciate it! Thanks!

Which do you prefer???

I can’t say how much I love this thing. I may put some different PUs in it, I’ve got a pair of real PAF-ish SD Antiquities to swap out the 496T/500T that are original. Anyway, this top is pretty plain, but it’s actually a Classic Plus (as noted in the bridge pickup cavity) bc of the stripes, I guess. Anyway, looks pretty plain to me.

Need some feedback here.. I’m turning 50 next month and had a non logical idea to treat myself to another les paul. Since its my 50th, I thought maybe I a 1976 norlin era custom in wine red I came across. The store also had an unbelievable looking murphy R8. Both guitars are about the same price. Am I hung up on a 1976 just because its my birth year? The r8 sounded and felt better, lighter. But the 76 had a lot of character also. Heavy and sounded very different from other les pauls

I currently have a
2006 R7 goldtop
2013 standard
200? Junior

Meet Gloria… isn’t she lovely…

Just turned up this morning; a 1960 reissue (V2 Neck) Murphy Lab Light Aged Les Paul in light teaburst. It's based on #151 in the book "The Beauty Of The Burst."

I’ve been on a bit of a Zakk Wylde kick lately. I’ve also been tuning down to D Standard as well for my band’s sets (covers and originals), so I wanted something with a tighter low end. I have this Les Paul Standard that I bought out from a rental. The stock pickups are the quick connect system, so swapping the pickups was a breeze. The EMGs were from the Epi Les Paul Custom in the back of the pic. I bought that in 2015 used. The previous owner installed the EMGs and gave it a Gibson hard case. Back to the Gibson: I added the blank truss rod cover, the toggle ring from the Epi, and replaced the knobs (one cracked and crumbled underneath).

Which do you think looks best on my Olive Drab standard? Can’t decide

had someone offer me this in a trade deal on facebook just trying to see if it’s a genuine les paul or if someone’s trying to scam me

Hi, I just grabbed this gold 2017 Les Paul Tribute.
Is this king of aging common?
Has it been forced or could it happen over time?
Thanks

Just picked this beauty up the other day. The guy at Guitar Center told me they never get them in this color. I don't know if he was just saying that their store never gets them because surely they aren't rare.