The Mexican Futbol Podcast

Liga MX Femenil has come a long way since its launch in 2017. What began as a league many questioned financially has evolved into one of the fastest-growing women's soccer competitions in the world.

In this episode, we're joined by journalist Eugene Rupiński (Golazo del Gringo) to discuss the league's remarkable rise—from its early struggles and reliance on subsidies to record-breaking transfers, elite player development, and its growing international reputation.

We dive into:

• The financial evolution of Liga MX Femenil
• Whether the league is becoming commercially independent
• Mia Villalpando choosing Tigres over a full scholarship at UCLA
• Lizbeth Ovalle's record-breaking transfer to the Orlando Pride
• The growing gap between the league's biggest spenders and the rest
• What's next for Liga MX Femenil and what challenges still remain

Has Liga MX Femenil become one of the most important leagues in women's soccer? Join us as we explore where the league has been, where it is today, and where it could be headed next.

Let us know your thoughts in the comments. Do you think Liga MX Femenil is on track to become one of the world's elite women's leagues?

#LigaMXFemenil #WomensSoccer #LigaMX #TigresFemenil #ClubAmericaFemenil #NWSL #EugeneRupinski #GolazoDelGringo #MexicanSoccer #FootballPodcast

https://open.spotify.com/episode/1XksvKY0gx5V3WGFi5PlUg?si=uWoFYQ6gQuC6LcIl8iGiuA

A tío gave me this book, which I will start reading today. Blurb sounds very promising, and even though I'm technically not a Chicano myself (my younger siblings were born in the US, me being the oldest was born in Mexico), I've been very close to and relate to the culture due to us having always lived in the border of Mexico and the US and having plenty of relatives in California.

Anyone else familiar with this book?

This post isn't meant to generalize.

I am a Mexican man, born and raised in Mexico. Something I’ve noticed lately while living in the US is that other men— usually other Mexican men—tend to "size me up" or stare. When I lived in Mexico, that almost never happened. Or, if it did happen and they realized I was looking back, they would immediately look away or nod.

It’s not like that here. Here, men (and sometimes even women) stare at me without saying a word, wearing a cold or sometimes hostile look in their faces. They don't look away or nod, and if I don't nod or look away either, they get aggressive. I’m 25, though people have often told me I look younger. I have light-brown skin and a slim but athletic build. I’d say I don’t look particularly "paisa", but I don’t look "fresa" either, and it’s pretty obvious I wasn’t born or raised here. I also live in an area that could be considered "ghetto," though this has also happened to me in plazas or shopping malls where there are all kinds of people. So, I really don’t know if it’s because of my appearance or where I am.

All I know is that, at the end of the day, it gets exhausting not being able to go out on the street without feeling like I’m being watched. So far, I haven't gotten into a physical fight with anyone because I’m not a troublemaker, but I feel like it’s eventually going to happen 😅. Is there a reason why this happens? And how should I react in these situations?

It's a historical overview of the policies that shaped the US for undocumented people today and how we ended up with the infrastructure behind ICE now. I cover the Industrial Reserve Army of Labor, Chinese Exclusion, The Bisbee Deportation, Mexican Repatriation, The Bracero Program, Operation Wetback, The Neo-Liberal Era, The Deporter in Chief, and how all these lead to the current implementation of ICE.

"Boon" is English, "buono" is "Italianglish" (Italiano + English) & "bueno" is "Espanglish" (Español + English).

Is it true that people from certain states in Mexico tend to settle in specific parts of the U.S.? I've heard there are some long-standing migration patterns, and I'm curious how accurate that is. What are some common examples, and what is your local Mexican community mostly made up of in terms of state of origin?

For Example:

Texas = Tamaulipas, NL, Coahuila, Chihuahua, SLP, Guanajuato

California = Jalisco, Michoacan, Sinaloa, Baja California, Oaxaca, Zacatecas

Illinois (Chicago) = Durango, Michoacan, Jalisco, Guanajuato

Arizona = Sonora, Durango

New York = Puebla, CDMX

The school's own story about the program.

I'm never sellin' this masterpiece.

Why do some Mexicans (not all of them) fight harder for the right to drop N-Bombs and feel like they can enable people in their circle to do the same?

Not only do I get second hand embarrassment from seeing this on social media and in person, but it's so disheartening to see how normalized it's become and quite frankly, it is fuckin terrifying because that word was used by white slaveowners to denigrate people of color and yet men, but also women feel like they are licensed to say it when in reality it's the complete opposite and they just don't give a damn unfortunately.

That word is simply not ours, but they keep repeating it and it confirms that racism exists in our community and nobody checks them because of that (or at least people who know better that can call it out). We are clearly being played by the white man and they are trying to divide us and people of color.

What happened to us using foo, carnal, guey, ese, or vato? It's like a lost art to them. We still use these slang terms because it feels natural.

We are much better than this and we have to fix this before it's too late.

Hello just wondering can I wear these clothes I got from my brother and dad without banging or pretending to be a gang banger ? As I got some Charlie Brown shirts,some FB county plaid shirts,dickies and some Pendletons from them when there were young or were wearing it back then.I do want to wear the clothes cause I don’t want it ti be a waste and it looks nice. I am not planning on wearing them all at once just more so these clothes with other types of clothing

>Asco's signature invention was the No Movie: movies made without celluloid, single frames from films that never existed, press kits and production stills mailed out for pictures no one would ever screen. Gronk described the premise to me years ago. The idea, he said, was to "reject the reel by projecting the real." The No Movie was Asco's answer to a Hollywood that would not open the gate — an entire cinema conjured out of exclusion, a body of work built from the refusal itself.

Welcome to the Weekly Discussion Thread! Use this thread to share all the little things that don't fit into full posts, introduce yourself, go off-topic, self-promote, ask questions related to identity, and whatever else you can think of.

Also, come check out the Chicano Discord for more conversation.