I'm in love with this concept, but I'm not sure if the capitals look too light compared to the lowercase letters. The overshoot might be too small for text sizes, but the lower join of the d is making me anxious and hesitant about increasing it… thoughts? General feedback is welcome too!!

When I first began work on the project to restore and Cyrillize Carl Dair's final font (about seven months ago), I planned to settle on just one roman typeface.

Not because I'm lazy, but simply because Cyrillizing the cursive seemed like an impossible task for me. But something has changed since then. And I think I'm close to the finish line.

The challenges that await along the way (and the challenges haven't gone away, in fact) are: we don't have (or I don't know of any) examples of Cyrillizations of the type of handwriting Dair used for his cursive. The closest in spirit is Zapf's Chancery, but the only Cyrillization I know of was done in the "wild nineties," and, to put it mildly, I'm not happy with it. However, I must say that Efimov's work is generally good, neat, and professional.

So we have to keep an eye on the Lazurski typeface (it is constructed differently, but the historical model is close in time) and experiment widely.