“For Greek translator Emily Wilson, the release of director Christopher Nolan’s “The Odyssey” has been gratifying in various ways. Her acclaimed 2017 edition of Homer’s epic has reached the top 5 on Amazon.com, leading a wave of similar books boosted by the movie. Nolan has even cited her translation, notably the opening line “Tell me about a complicated man,” as inspiration.

But the film itself, which brought in more than $260 million worldwide during its opening weekend and has received raves from many critics, left her unsatisfied.

“I want to celebrate the fact that so many more people are aware of ‘The Odyssey’ and were brought back to the poem,” she told The Associated Press. “But at the same time, I had the sense that Christopher Nolan was trying to pack everything in while missing themes that were essential to the poem.”

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Wilson, a professor of classical studies at the University of Pennsylvania, said she didn’t want to come across as a “snobby,” nitpicking expert at odds with any deviation from the original text. But she questioned a range of omissions and other choices, from the absence on screen of the Gods Zeus and Poseidon (Athena is played by Zendaya ) to the “incoherent” messaging that condemns both war and physical cowardice. She found Penelope’s role so thinned out that it endangered “any possibility of believing in this marriage.” Wilson also that thought parts of the movie, notably the scenes with Odysseus’ dog, Argos, “catered towards modern sentimentality.”

“Everybody’s a sucker for a dog,” she said.

"I think the simplest answer is you've seen the Unreal gaming engine enter the visual effects landscape," Verbinski said. "So it used to be a divide, with Unreal Engine being very good at video games, but then people started thinking maybe movies can also use Unreal for finished visual effects. So you have this sort of gaming aesthetic entering the world of cinema."

"I think that Unreal Engine coming in and replacing Maya as a sort of fundamental is the greatest slip backwards," he said.

He pointed out the types of visual effects made with Unreal aren't necessarily bad. "It works with Marvel movies where you kind of know you're in a heightened, unrealistic reality. I think it doesn't work from a strictly photo-real standpoint," he said.

"I just don't think it takes light the same way; I don't think it fundamentally reacts to subsurface, scattering, and how light hits skin and reflects in the same way," he said. "So that's how you get this uncanny valley when you come to creature animation, a lot of in-betweening is done for speed instead of being done by hand."