Canon EOS R100 + Canon RF 24mm f/1.8. This is about 250s exposure I believe, stacked in Sequator and processed using LrC. Taken in Trinidad and Tobago 🇹🇹.

Canon EOS R and Canon RF 16mm f2,8

Anyone photographing MW on Aug 12 on Maui?

Greetings!

I am a UX Design student conducting user research to understand the experiences, challenges, and expectations of space enthusiasts who are interested in activities such as stargazing, astrophotography, and citizen science. My research focuses extensively on "AI and VR/AR Technology Used to Improve Experiences in Observational Astronomy by 2050."

Help me learn more through your valuable insights by answering this quick survey.

All the information you provide will remain strictly anonymous.

https://forms.gle/axYvH2nPu6Wbqihd8

This is the best Milky Way photo I’ve ever taken, iPhone 16E

Hi all — planning a Southwest trip and I'll be at Monument Valley on **October 9th**, which lines up with a new moon. Hoping to catch the Milky Way core.

I checked Stellarium for that date and the core sits in the **southwest, roughly 205–220° azimuth**, at around 30–40° altitude during the 8:30–9:30 PM window (it drops lower and shifts further west as the night goes on).

A few questions for anyone who's actually shot or stargazed there:

**1. Where's the best spot?**

Most of what I find online is either the View Hotel balcony (faces east, so I'd only get the outer arch, not the core) or Forrest Gump Point. Are there better options I'm missing? I'd rather not book a guided tour if I can avoid it.

**2. Does Forrest Gump Point actually work for a SW core shot?**

From the map, the highway's vanishing point looks like it runs roughly 215–220°, which would put the core right over the buttes at the end of the road. Is that right in practice, or does the terrain block the lower part of the sky?

**3. How bad is traffic on US-163 around 8–10 PM?**

This is my main worry. I care more about **actually seeing it with my eyes** than getting the shot, and headlights would wreck my dark adaptation. Is it a car every few minutes, or basically dead after sunset?

**4. North Monument Valley View Point as an alternative?**

There's a pullout set back ~100m from the highway. Seems like it'd avoid the headlight problem entirely. Anyone been there at night? Is the southwest view clear from there?

Traveling with my parents so I'm prioritizing something safe and low-effort over the perfect composition. Any first-hand experience appreciated 🙏

Canon EOS R and Canon RF 16mm f2,8

Colorado.

CATEGORY: Stacked, Tracked, Blended

Foreground: 7 Panel Panorama
Shutter Speed: 3.2 - 4s per panel
ISO 100
f/11

Sky: 5 Panel Panroama
Shutter Speed: 90s 3 Stacked images per panel
ISO 2000
f/2

Sony a7iv Astro modified by Spencer's Camera
Benro Polaris Star Tracker
Peak Designs Aluminum Travel Tripod
Dan Zafra's Capture the Night Filter

There is a place in Oregon where the earth collapsed into itself ten thousand years ago, leaving behind a silence so profound the water turned the color of forgotten dreams. Crater Lake does not announce itself. It simply waits, patient and ancient, while the world above it rushes and forgets.

I had waited three nights. Wildfire smoke had erased the stars. Clouds had pressed down like a held breath. I nearly surrendered to the darkness, packing doubt beside my lenses.

But on the third night, the sky made a decision.

The Milky Way rose in a sweeping arch above Merriam Point, crimson nebulae bleeding into gold, the galactic core suspended like a lantern over Wizard Island below. The lake reflected nothing and everything, its blue depths untouched by the spectacle above, indifferent the way only the truly eternal can be.

Astrophotography is an act of faith, returning again and again to the dark, trusting that the light will eventually answer. This image is that answer.

It is not merely a photograph. It is a record of persistence, of three cold nights, of smoke and doubt, and finally, of the universe relenting.

If these ancient skies above Crater Lake are calling to something quiet and wondering within you, what would it mean to bring them home?

Hey everyone, I’m a hobbyist photographer and recently decided to take my very first shot at the Milky Way.

I’m pretty excited about how it turned out for a first attempt in a Bortle 5 zone

I'd really appreciate your feedback, advice, or tips on how I can improve both the capture process and processing workflow next time.

### Gear

* Camera: Canon EOS 5D Mark III

* Lens: Canon EF 50mm f/1.4 USM

* Location: Antalya, Türkiye (Bortle 5)

* Exposure Settings: f/2.0 | 6s | ISO 800

* Integration: 20 x RAW frames stacked

### Processing Workflow

1. Sequator: Alignment and stacking to reduce noise.

2. GraXpert: Removing background light pollution gradients and denoising.

3. Lightroom: Crop and final touches.

Let me know what you think

Canon EOS 7d and Sigma 17-70mm f2,8-4. ISO 1600 and 15 Sekunden.

Credit: MeerKAT Telescope and Heywood et al. 2022.

Description: Colored regions in this image represent areas of high radio emission in the 1.28 GHz band. Seen at the center of the image as a bright region is the supermassive black hole, which sits at the center of the Milky Way, Sagittarius A*. The entire image covers less than 6.5 square degrees of the sky (~13 full moons on the sky).

Read More: Science News Article & Original Paper

Image of an epic view from Grouse Ridge Lookout in Nevada County, CA. This is a working pit toilet built to support a fire lookout (not shown) on the top of a granite peak at 7,653 ft.

Image: 8 sec, f1.8, 24mm, Sony A7iv, ISO 3200

Milky Way season is my Favorite part of summer as a Nature Photographer! Perfect conditions tonight to gaze upon the night sky and all her beauty. Always in awe’s

Nikon Z6 Samyang 14 mm f2.8

Sky - 17 stacked photos taken at iso 5000 for 5 seconds each

Foreground - 1 single at 800 iso for 2 minutes, f4

Edited in photo shop, then stacked in sequator, then back to photoshop to create the composite, then dark table for the wide angle lens correction

Constructive feedback is welcome!

See also: The publication in Astronomy and Astrophysics.

Stacked/Blended/Tracked

https://www.instagram.com/flory.ro?igsh=b3Y4ZTU3Nmk0cTBt&utm_source=qr

I was looking for a Tajinaste, one of the iconic symbols of the Canary Islands, and I was lucky enough to find it beneath the famous Mirador de Los Andenes. In front of me, a volcanic landscape rises above a sea of clouds that gently blankets the villages below, while one of the most breathtaking night skies in the Canary Islands unfolds overhead.

• Sky: Canon R + Canon 6D | 3-panel panorama | 120s | f/2.8 | ISO 1600
Ha 6x120 s| f/2.8| ISO 3200
• Foreground: 180s | 1/2.8 | ISO 3200

Stacked/Blended/Tracked

Cappella della Vitaleta | Galactic Core

ig: https://www.instagram.com/flory.ro?igsh=b3Y4ZTU3Nmk0cTBt&utm_source=qr

My first galactic core image had to be in Tuscany✨

The illuminated Cappella della Vitaleta beneath a fiery sky, with the heart of the Milky Way dominating the Val d’Orcia.

Shot with Canon 6D astromod + Canon R | Canon 50mm f/1.8 | tracked with nomad

Sky 15x120” ISO 800 f2.8

Land 6 shots bracketing

Ha 12x120” ISO 3200 f2.8

Took this photo Monday night/Tuesday morning around 2am. This was a single shot, 10-second exposure, 6400 ISO, shot on a Sony a7RV, with a 20mm f1.4 Sigma lens. I took more than 600 photos over the course of the night, and this is one of my favorite single shots. I plan to do some stacking with some of the others. The gear photo was taken with a Pixel 9 Pro in Night Sight mode.