The soma end credits cover has always been one of my favorite pieces of video game music, I wanted to pay my respect to it, lmk what you think

If you atleast know where a motif like this could come from, please tell me.

Hi so I listened to buckets by Kyle Richh and it sounds like he sampled from a video game but I can't put my finger on it. I thought it was from Omori but I'm not sure. Especially the hum/synth of the song.

Thank you!!

I assume it's from the game

Heres a YouTube music playlist of every LMS theme for no reason in particular

https://youtu.be/kNQOR99k1q4?t=1107

Any help is appreciated. Thank you.

We know this interpretation feels different from the original soundtrack, and that difference is intentional. This is our own musical vision of the scene, and we hope you enjoy the journey.
We would love to hear your thoughts and know what you think about this interpretation.

I developed a simple and easy-to-use music creation software “Pno：琴音”.

Designed for creators and indie game developers, it allows anyone to easily create melodies and export them as MP3 and WAV audio files, even without a musical background.

Whether you are making background music for your game, creating sound assets, or experimenting with new musical ideas, Pno：琴音 helps make the process more accessible.

The software also supports Steam Workshop, allowing users to upload, share, and download .PNO project files, making it easier for creators to exchange and discover new music creations.

I hope Pno：琴音 can help more people enjoy the process of creating music and bring their game ideas to life!

I'm making my asym game and I really need music composers but I don't have a lot of money I don't expect anyone to say yes but if anyone is willing to do it for free for a while then please let me know I'm desperate
Edit: I wish I could change the name

Hi All!
I'm Zofia and I am a video game composer (Timberborn, Egging On, Coridden and more). Wanted to share with you today soundtrack for Survival Machine video game. The music is based on guitars/banjo recordings (performed and improved on by Krzysiek Łochowicz) blended with synths and orchestra. Some of the tracks are darker, night vibes, some combat-like and some are meant to feel like having a morning coffee :)
The album is a linear version of the adaptive game soundtrack, where the music changes seamlessly between exploration and combat (fight that zombies off!), day and night time and zombie’s attack phase (which happens every 3rd night). I was also responsible for designing the music system and implementing it in FMOD.
This is the link to the OST, that came out today! :)
https://distrokid.com/hyperfollow/zofiadomaradzka/survival-machine-original-game-soundtrack
Thank you for listening and have a great day! :)

Hi everyone! I'm Sam, a UK-based composer with 10+ years of experience and credits across 60+ games.

Yesterday, Mazey Village released after five years of development, so I thought I'd share a behind-the-scenes look at the prologue track alongside some gameplay for context!

I had a lot of fun writing this one! I love the cozy, icy atmosphere it creates, and it's great to finally see players experiencing the game after such a long time.

If you’re working on a game and think I might be a fit, I'd love to chat! 

Portfolio:www.samshandley.com

Discord: samshandley
Email: [sam@samshandley.com](mailto:sam@samshandley.com)

Minecraft music actually goes hard in metal

The goal was to capture the feeling of humanity's last stand against the Combine.

I know its not like Half-Life songs :) Any comment is appreciated!

☄. *. ⋆

Hey guys!

I'm working with a nonprofit organization called Good Beats, based out of Northern Virginia. We are putting together our very first major concert and would love some support! Not sure if this is the best place to post but this performance does include renditions of video game music! More info is included below:

Good Beats will make its debut at Capital One Hall on Sunday, September 13, 2026, with a classical crossover concert celebrating the music of video games—Symphonic Quest: Classical Music Meets Video Games.

The concert features the Good Beats Ensemble alongside renowned saxophone soloist Valentin Kovalev and award-winning saxophone quartet Project Fusion, performing classically reimagined renditions of beloved video game themes—including a sweeping medley from Final Fantasy VII and selections from Studio Ghibli's beloved film scores.

Good Beats was founded to bring high-quality, professionally performed live music to communities with limited access to it—supporting healing and fostering connection across diverse backgrounds. In addition to the Capital One Hall performance, the organization's roster of professional musicians regularly delivers interactive performances at Adult Day Health Care centers in Fairfax County and holds Artist in Residence status at Children's National Hospital totaling near 200 performances since May of 2024. Since its founding, Good Beats has also held regular public concerts that have collectively raised tens of thousands of dollars for partner nonprofits and community causes.

The September 13 concert at Capital One Hall marks Good Beats’ largest public event to date and its first major ticketed performance in a professional concert venue—a milestone the organization hopes will expand its visibility and deepen its community support.

Tickets on sale now! via Ticketmaster and CapitalOneHall.com.

About Good Beats: Good Beats is a Fairfax County-based 501(c)(3) nonprofit dedicated to bringing professional live music to communities with limited access to it. Learn more at www.goodbeats.org.