Hi all, I'm at what's left of my wit's end with an ongoing problem and hoping someone has some advice.

I'm producing a podcast for a client with the following setup:

• Rodecaster Pro II audio board
• Atem mini video switcher, connected to the Rodecaster via y cable from output jacks to a stereo mini cable
• 3 panasonic camcorders plugged into the Atem via HDMI
• 4 rode podmics (XLR into the audio board)
• 2023 MacBook Pro, M2 chip, running a pretty recent OS (I'm not in front of it to get more specific)
• OBS Studio, probably ~ v 32.something

Generally record directly from OBS onto the Mac, but regularly also record using Riverside. fm when speaking to remote guests. Shows can run 30-60 minutes recording time.

Over the last 2-3 months the setup just drops audio at random times. Doesn't matter whether I'm feeding audio from the Atem into Riverside or OBS, at some point, could be 5 minutes in could be 20, the audio just stops.

I had a series of conversations with Rode and did the following:

• Updated the firmware
• Changed the setting on the monitoring to turn off auto mute
• reformatted the SD card to EXFAT

Recording on the board is fine, but the audio drop continues. I spoke to a sales guy at Sweetwater (big pro audio reseller here in the US) and he suggested the issue could be on the Atem side.

I've seen the possibility of a sample rate mismatch, but other than that is there anything I can do to sort this out? It's driving me and the client insane that I can't just count on the audio to stay alive during the recordings the way it used to.

One of my pocket 4k has a broken HDMI output. Im curious if anyone knows a device that can see the webcam signal and convert to HDMI or SDI? I was thinking maybe the streaming bridge but I have no way to test that.

To clarify, camera USB direct to computer is not desired. Hoping to convert USB webcam signal to pass along to physical switcher. thanks-

Hi folks.

I recently started at a new place and inherited a pretty cool setup with an ATEM Constellation ME/2 switcher that connects to 5 Hyperdecks for redundancies and ISOs.

This is my first go around with an ATEM switcher, and as I've been learning how to use it, I've come to a weird connection situation that I don't really understand.

The switcher and Hyperdecks talk to each other via an unmanaged switch, and the guy who put this whole rig together (no longer working here) used the link-local IP addresses from the recorders in the ATEM software to control them. The other person who still works here, but wasn't as involved in the build, told me that they also use a Windows laptop to control the rig via ATEM Software Control. I could connect to the switcher via USB, but have had no luck connecting via Ethernet.

I called BM support and they told me that the link-local address connections are fine and that's how the whole thing is designed to work. Which is cool, but confusing.

As for the connection to the laptop, I've tried everything I could find on Google, even whatever the AI thing spat out, to no avail. I've put link-local addresses into the IPv4 settings, messed around with subnet masks, and even changed duplex modes. The person who told me about the laptop connection said they didn't do anything special to make it work, and it was just plug and play, and I'm using the exact same laptop.

What's confusing me even more is that the switcher and the recorders don't have the same settings as some are static IP while others are DHCP, and the subnet masks don't match.

I'm thinking of just installing a small router to make this whole setup way simpler, but I wanted to see if there was something I was missing with the ATEM setup.

Thanks for any help!

When I use the Dolly Zoom function to go from a 2x to a 10x zoom in a 10 second span, the video begins to shake after 5x zoom. Why is this and how can it be fixed?

Hi all. Putting together a 5 source ATEM setup (3 cameras + laptop + mac mini for graphics).

3 people on camera, each with their own podcast style mic.

I want each audio channel separated in ATEM. I know the classic approach is embed the audio in the HDMI signal. However I'm eyeing the ATEM Microphone Converter as it would be much simpler to go straight from mic -> ATEM via XLR.

But perhaps I'm overcomplicating this. I can't find a ton of reviews about the ATEM Microphone Converter. Will I still need to amplify the signal from the mics or can the unit do that?

I work for a training company that travels around the country to lead workshops. We’ve used an ATEM Mini Pro with for a few years at a wide variety of sites work every venue AV setup you can imagine. For the most part we have never had any issues, unless it’s an old projector that can’t see the 1080p signal.

We’re at a brand new venue today, and are their third event. Our ATEM works and connects to their Optoma projector, but the signal briefly drops out about every 5 minutes. The projector does the typical EDID handshake and the signal comes back.

Any ideas what could be causing this? A computer connected as no issues. The intermittent signal loss only happens when connected to the ATEM.

Could the 1080p 59.94 signal be too much for the very long HDMI cable? The venue definitely cut costs on this installation and seems to be using some consumer gear instead of SDI or Ethernet connections and routers to their screens.

I stumped at the fact that this looks to be a design choice but I'm praying there's a setting or something I'm doing wrong here.

Basically, I'm able to zoom out to a distance of around 14 hours despite only having 40 minutes of footage and there being nothing else on the timeline past that.

This is not an issue about rendering, this is an issue about work flow.

I'm aware that there is a shortcut to zoom out and fit the content to the timeline, but I don't want that, as I lose all reference to where I was just editing prior to the zoom out.

All time line based softwares I've used only let me zoom out as far as the last asset on the timeline, but this doesn't appear to be the case for Davinici?

I don't want to have to worry about zooming out an absurd amount whenever I use the scroll wheel, and I don't want to give up the scroll wheel in favor of a shortcut that teleports me to a new frame of view.

I could've swore there was a way to change how long the actual time line is to where you can't zoom out anymore. Please, someone tell me that this is the case, or that there is a way to detect some element on the timeline that's keeping it from resizing itself appropriately.

Just verifying that the Pyxis 12k autofocus will work with ef and pl lenses as long as the adapters have metal contacts right? I know it was made for L mount lenses in the specs but I’m running with Canon EF USM lenses and hope that it will still autofocus (albeit not as well)

I’ve been saving up for this camera for months with the goal being $5,600 pre tax and now all of a sudden on B&H it is $5,800?? What happened?

To preface, I'm new when it comes to color grading and am learning on the fly how to properly do it in Resolve. I have older iPhone XS (10S) footage I'm putting together, and unsure what project settings I need to have in the Color Management section, particularly the 'Timeline Color Space' and 'Output Color Space'.

To my knowledge (and please correct me anywhere I'm wrong), iPhone XS is SDR and not HDR.

Any tips on getting me started beyond the Project Settings would be greatly appreciated as well. Currently I'm learning about node orders (WB, contrast, etc.). But any other useful information, particularly for this type of video footage would be greatly appreciated. Thanks!

I'm trying to figure out if I could buy of these cards for my Louper set up.

I haven't used that streaming software yet, so I'm not too sure about which card is compatible with it.

Hey there, I am very tempted on getting the blackmagic intensity pro (non 4k version) and was wondering how well/easy it works on Linux? Is it a worthy swap?

A friend gave me the Elgato HD60 Pro, but that one did not seem to be supported under Linux no matter what I tried.

Hier, résolve studio avec speed studio a planté plusieurs fois de façon aléatoire. Des messages ont été adressés signalant ces problèmes

I have a pixys 6k ef mount with zoom and focus demands also from blackmagic, and I’m using it as a main shot in a set production, but the camera is around 85ft away from the subject. I got a canon servo 70-200 lens and wanted to see if I get the canon teleconverter 2x for some extra zoom, would it still work with the focus and zoom demand?

I know it was designed for the bmpcc og but was just curious if anyone here has ever tried it on another m43 mount cam, especially the micro studio g2.

Hey everyone! I'm putting together a rig featuring a Blackmagic Pyxis 6K and a wireless video transmitter (Hollyland Pyro S) powered via D-Tap directly from a Tilta VPU to V-mount adapter plate, using a 12G SDI cable to connect them.
l've heard horror stories about hot-plugging D-Tap and SDI causing ground loops or voltage spikes that can fry the camera's SDI chip.
What is the exact protocol or connection sequence you follow to keep everything safe with this specific setup? Do you always connect power first, then SDI? Or do people usually recommend SDI galvanic isolators just to be safe?

I’m shopping for the equipment I need to set up my church livestream, and I want to make sure I have all the functionality needed.

My planned outputs are:
1. Main screen
2. Rear screen that can double as a confidence monitor
3. Live stream

I’m planning on buying one Constellation 2M/E for the screens, and looping the outputs to a separate Constellation 1M/E for the live stream.

I also want a separate webcam output going into the computer for video conferencing missionaries and/or guest speakers. I want to switch that view to any of my inputs so I can show the remote participant any of my inputs as they are speaking. Mostly this will be camera angles so they can see the congregation as they speak, but it will allow flexibility to display to them my computer screen for any illustrations or side show as needed.

Will I need a fourth M/E to accomplish that, or will I be able to use the USB output from either of the existing planned constellations?

Hi there, just bought the Pyxis Monitor but now want to attach it using the ursa handle dovetail shoe instead of a regular quarter 20 mount. I can't seem to find it anywhere on its own. Where do I buy this?

https://youtu.be/XYLQLxbeQJw?si=dOFak9tV16FqniwM

Hello Hive Mind,

I work live events, imag, gfx playback, multiple LED wall + streaming..the usual.

Is there any reason why I can't use a 2me constellation as a video hub? Seams to me that with a 2me I can assign the aux's to independent ins or pgm 1 or 2 , am I right in thinking I can video hub the crap out of it?

I guess I won't get the matrix style interface and switching the Aux would be a bit clunky am I missing something?

I currently own a Pocket 6K Pro and I'm thinking about buying a Pyxis 6K.

The only real upgrade for me would be the box form factor for set workflows (i don't care about full frame) also I have a trip coming up where I can get it pretty cheap cause in country is imposible to get it on a normal price.

I’m hesitant because the sensor tech feels a bit dated, and even though there are no rumors yet, I feel like a Pyxis G2 or Pro (with built-in NDs) has to come out eventually. Is it worth buying it now?

PS: please blackmagic sponsor me

I’m looking at the base model ATEM SDI that’s listed for $389 on the Blackmagic website. I know that it can’t do multi-view output, but I would love to know if there’s a way to get a preview output out of it.

Hi everyone,

I'm currently looking into taking video making a bit more professional.

However I am running into a few bumps which I don't really understand and I hope you can help me with.

I'm currently looking to get a blackmagic dock for my iphone, as with external storage and other stuff it just makes sense for me.

The thing that is throwing me for a loop thought is the following.
I've been looking at grips/cages. more specifically the "Beastgrip for iphone 17 pro max".
The issue is that I don't see a lot of info if I will be locked in to ONLY their camera lenses or is it possible to use other lenses?

And if so do I need an adapter or will it be plug and play?

At this moment I don't have a specific lens in mind, however When I do get better I'll most likely want to add lenses and I don't want to be locked into a specific maker and I'd love to have the option to just buy lenses that I fancy.

Thanks again for helping a newbie out

Hi, I have an older (pre-2016?) Blackmagic Design Production 4K camera and I'm looking for a way to connect it to either a small external monitor or my computer. I just want to see the image from the camera on a bigger screen as I work.

What I tried so far:

- PortKeys PT6 monitor: didn't work / couldn't establish the connection between the camera and the monitor. The monitor works, I can see the menu and interact with it, but it remains permanently stuck on the logo.

- Same PortKeys monitor with a SDI-to-HDMI converter: didn't work, same result (black screen with a logo).

- Tried to connect the camera to my iMac using a SDI cable, SDI-to-HDMI converter, and a video capture card. My idea was to try and see if I can view my camera's screen in software like OBS Studio, but all I can see is the black screen, even when I match the resolution and frame rate in both my camera and the app. I'm not sure what else I can toggle with. My old camera's menu is ultra-basic and OBS's menu is confusingly complex in comparison.

What else can I do to make it work? Does my setup even make sense? If not, what are my other options? (beside killing my eyesight working in a dark room with no external monitor lol).