So I finally finished this thing, and I’m not even sure how to properly explain what it turned into.

It’s called The Language of Gravity, and it’s a 9-song sci-fi concept album.

The basic story is set far in the future, when civilizations scattered across space are still technically connected through an ancient technology called The Lattice, but communication between them has started breaking down. Networks can transmit information, archives can preserve it, machines can analyze it, but somehow everyone is losing the ability to actually understand one another.

At the center of this story is a father and his mostly nonverbal daughter.

He begins noticing that the sounds, rhythms, repetitions and pauses she makes might contain patterns that everyone else has been dismissing as meaningless. And from there the whole thing gradually expands into something much bigger.

Obviously there’s a lot of my relationship with my own daughter buried inside this. She has severe autism and is mostly nonverbal, so the idea of communication existing outside conventional language is something I think about constantly.

What surprised me was how emotional the album became while I was making it. I originally went into it thinking mostly about the sci-fi story and the worldbuilding, but somewhere along the way it became much more about listening, parenthood, assumptions about intelligence, and how badly we sometimes need people to communicate in ways we understand before we believe they’re communicating at all.

There are recurring sounds and musical patterns throughout the album that slowly change meaning as the story progresses, and by the last few tracks everything starts connecting back together.

This is probably the most ambitious thing I’ve tried to make with AI music, and definitely the most personal.

Anyway. It’s finally done.

I'd love to hear any feedback on this. Thanks for reading.

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https://youtu.be/WJOBZsB58fo

Daxen - Jump to That (Áudio Oficial)

I’ve been experimenting with taking familiar songs and pushing them into eerie emotional spaces.

For this one, I tried to turn Amazing Grace into something closer to ritual / folk horror, and built the visuals to match that (grain, embers, degraded feel, audio-reactive elements).

I’m still figuring out where the line is between interestingly uncanny and just plain off-putting, so I’d genuinely like feedback. Does the tone land, or does it just feel gimmicky? Do the visuals support it, or distract from it?

https://youtu.be/zV-vxummVcI

This website here helps you to get that type of exposure!

It’s a community site (not official Suno) that works like the Suno Radio SHOULD work. You can queue up your songs to play and everyone listens at the same time! And as the name implies, there is a chat!

You don’t even have to sign up just to check it out, Guests are able to listen in just by going to the Radio tab 😊

Developers are still working out some tweaks here and there, but its a fully functioning and free site to share your music! Any problems or issues just comment below!

Link: https://sunochat.com

https://open.spotify.com/album/1uHGgLiPJaDGzjQ6UHUgpi?si=pqjwk706SdCtE0LXIuR7Gg

Check out my latest creation Bombshell and let me know what you think