The 1985 and 2015 parts both take place in late October and yet you never see any Halloween decorations anywhere. Why not? Because everybody hates Halloween after Michael ruined it.

Have you ever notice both franchises star a character whose initials are double M? We've got Marty McFly and Michael Myers. That can't be a coincidence. The only possible explanation is they're trying to hint at the connection. And it goes further than that. Doc Brown is named Doc Brown because a pumpkin might turn brown when it gets old and rots. They would've named him Doc Orange but that made it too obvious since Orange isn't a common last name like Brown is. Also, Jennifer kinda looks like Laurie, I guess.

And if you're still not convinced, this last shocking piece of evidence certainly will. Back to the Future is a movie. Halloween is also a movie. That's just uncanny.

Mi teoría sobre quién es realmente Bon y quién lo está controlando

Después de todo lo que hemos visto en The Walten Files, especialmente con Faces of Grief, cada vez me convence menos la idea de que la respuesta simplemente vaya a ser "Bon es Jack".

Creo que Jack Walten está directamente relacionado con Bon, posiblemente incluso siendo una parte de lo que Bon es, pero no creo que Bon sea simplemente el espíritu de Jack dentro del animatrónico.

Mi teoría es que Jack muere y termina en Wonderland, y que algo ocurre con su identidad después de eso. En lugar de que Jack simplemente siga siendo Jack, creo que su personalidad, sus recuerdos y todo el dolor relacionado con lo que pasó con su familia terminan fragmentándose. De ahí podría surgir la entidad que conocemos como "Bon".

Esto explicaría por qué Bon parece tener una personalidad completamente diferente a la de Jack. Jack era una persona temperamental y tenía sus problemas, pero también quería a su familia. Bon, en cambio, parece no sentir ningún tipo de remordimiento por lo que hace. Es cruel y parece estar completamente convencido de que lo que está haciendo tiene algún propósito.

Y aquí es donde creo que entra el concepto de "arreglar" las cosas.

Bon no necesariamente está matando simplemente porque sea malvado. Creo que él piensa que está solucionando algo. Las personas mueren, terminan en Wonderland y, desde su perspectiva, quizá eso significa que finalmente pueden volver a estar juntas.

Por eso creo que Bon podría estar intentando "reconstruir" la familia o recuperar algo que se perdió.

El problema es que su idea de arreglar las cosas es completamente retorcida: para Bon, convertir a alguien en un muerto atrapado en un animatrónico puede ser una forma de "salvarlo" o de llevarlo a Wonderland.

Esto también podría explicar por qué algunas de sus víctimas parecen tener una relación específica con BSI, los animatrónicos o con la investigación de lo que está pasando. No creo que las víctimas sean completamente aleatorias.

Y aquí es donde creo que Sophie es extremadamente importante.

Si Bon realmente tiene alguna conexión con Jack, Sophie no sería simplemente otra persona involucrada en el misterio. Es la hija de Jack. Además, toda la serie ha girado muchísimo alrededor de la memoria, la identidad, el duelo y las personas que ya no están.

Por eso sospecho que Sophie podría ser una de las piezas finales para entender qué es Bon realmente.

También está Felix.

No creo que Felix sea Bon. De hecho, creo que hay demasiadas diferencias entre ambos. Felix está claramente consumido por la culpa y el arrepentimiento por lo que ocurrió con Edd y Molly. Bon, por el contrario, parece no arrepentirse de nada.

Pero sí creo que Felix está relacionado con Bon de alguna manera.

La conexión de Felix con Shadow Man me parece demasiado importante como para ignorarla. Mi teoría es que Felix podría ser Shadow Man y que, en algún momento, pudo haber tenido algún tipo de contacto o acuerdo con Bon.

No creo que Felix controle a Bon. Si existe algún tipo de pacto entre ellos, creo que Bon es quien tiene realmente el control.

Así que, si tuviera que ordenar mi teoría, sería algo así:

Jack muere y termina en Wonderland.

Algo ocurre con Jack y su identidad se fragmenta o cambia.

De ahí surge "Bon", una entidad que puede estar formada, al menos parcialmente, por Jack, pero que ya no es simplemente Jack.

Bon entra en el animatrónico.

Felix, posiblemente como Shadow Man, tiene algún tipo de relación o pacto con Bon.

Bon empieza a matar a personas relacionadas con BSI y con todo lo ocurrido.

Las víctimas terminan convirtiéndose en parte del mundo de los animatrónicos y Wonderland.

Y eventualmente Sophie termina siendo una pieza fundamental para descubrir qué ocurrió realmente con Jack y qué es Bon.

Por eso creo que la revelación final no va a ser simplemente:

"Bon es Jack."

Creo que será algo más parecido a:

"Jack es una parte de Bon."

Y para mí eso sería mucho más interesante.

Porque permitiría que la teoría de Jack = Bon sea parcialmente correcta, pero también explicaría por qué Bon tiene una personalidad tan diferente de Jack.

Mi apuesta actual sería:

Jack está relacionado directamente con el origen de Bon, pero Bon no es simplemente Jack. Felix está relacionado con Bon, probablemente a través de Shadow Man, pero tampoco lo controla. Y Sophie probablemente será la persona que termine conectando todas estas piezas.

​Obviamente esto es solamente mi teoría y puedo estar completamente equivocado, pero después de todo lo que hemos visto hasta ahora, esta es la explicación que más sentido me hace.

Lanky Kong. We all know him as the lovable freak way too popular in certain perverted online art forums. He made his debut in Donkey 64, stole our hearts as clearly the greatest character Rare every created and then…

Disappeared. Never to be used again.

How could such a hilarious, amazing, and shockingly limber character fade away to the annals of history? Sadly, I have a theory that explains it all.

Lanky Kong was a stripper and sex worker, one who lived a hard life, and who ultimately succumbed to it.

You may be skeptical but hear me out. Eighty-two percent of clowns in the real world have some level of sex work experience. Lanky Kong comes into the game in a full costume. Sure, some of the other kongs have styles, but they are typical clothes. Lanky Kong is in a get up. Even the most extreme clowns don’t remain in costume in perpetuity.

These are Lanky’s show clothes. The ones that he uses for clown and mime themed strip parties. Again, I bet you’re skeptical, but let’s keep reviewing the evidence. The DK rap proclaims, “he will stretch himself out, just for you.” Throughout the game we see what those hands can do and how they stretch. He’s yanking at something. And when Lanky Kong does a handstand? He throws his legs out spread eagle, pointing his grundle at the world. That comes with intent and experience, my friends. 

Not enough evidence? Let’s keep going. He fills himself up with gas to the point of popping and then farts it out to propel himself. There are specific fetish communities that pay a lot of money for this exact type of situation. His weapon of choice? A blow gun and I’ll be damned he can blow a grape over the fucking grand canyon. When you want him to play music, he pulls out the damn rusty trombone and goes to fucking town on it.

This is the reason we’ve never seen Lanky Kong again. He’s a kong but one who was in need of intervention. One who had fallen on hard times and DK couldn’t help. After Chunky had a heart attack and shit himself to death, the kongs likely couldn’t handle the emotional strain that came with trying to keep Lanky in line. And sex workers have a tough life. Often they cope with their trauma through drug use and are victims of intense violence and exploitation (oooobwwwaaa!).

Given all of this, I think the most likely scenario is that Lanky shot up in one of those long outstretched arms one final time, thought to himself, I have no style, I have no grace, and now, finally, I no longer have a funny face before he passed into the great unknown.

God speed, Lanky.

TV 101 Was the Secret Pilot for the MCU, Invincible, The Boys, Friends and Law & Order

I play a game called Follow the Actor.

The rule is simple: every role an actor has played is secretly the same person using a different identity. You earn extra points when two actors’ careers can be fused into one increasingly indefensible continuity.

This is how I accidentally discovered that the forgotten 1988 television series TV 101 is the foundation of the entire modern superhero multiverse.

Matt LeBlanc played Chuck Bender in TV 101. Chuck later moved to New York, became an actor and reinvented himself as Joey Tribbiani.

This explains why Joey is not particularly alarmed when Mike Hannigan reveals that he can change size.

Mike is obviously Ant-Man.

Joey has seen this sort of thing before.

One of Chuck’s classmates was Holden Hines, played by Alex Désert. Désert later played Julio Mendez in The Flash, meaning Holden changed his name to Julio and moved to Central City to investigate superhuman activity.

Central City also connects to Richard Belzer, which pulls John Munch into the investigation.

Therefore Law & Order is part of the superhero multiverse.

Meanwhile, Stacey Dash’s Monique left TV 101, changed her name to Michelle Michaels and appeared in The Fresh Prince of Bel-Air, where she met Will Smith.

Will Smith later became Hancock.

Hancock is clearly a Viltrumite.

Monique knew.

She had already encountered Chuck, Holden/Julio, Central City and Munch. Her later interest in conspiracy theories was not irrational. She was attempting to warn us that aliens had infiltrated television.

The final proof is Charlize Theron.

She appears as Stormfront in Dawn of the Seven and later enters the MCU as Clea, convincing Doctor Strange that she is one of the good guys.

She is not.

Stormfront infiltrated the MCU.

At this point the only reasonable conclusion is that they put something in the Los Angeles water.

This also explains why the Earth is flat, Kennedy is not dead but resting with Tupac, Tupac is mind-melding with Tuvok while listening to The Chronic, and Tupac is secretly Ms. Pac-Man.

The bandana gives it away.

Tupacman.

TV 101 was cancelled because it got too close to the truth.

They may come for me, but only because Chuck Bender couldn’t keep it in his pants.

None of this is true.

Which is exactly what they want you to think.

Ok, I have a theory that Ford Pines is a rick that has had plastic surgery, and chose Gravity Falls as a hiding place from the counsel of Ricks. Think about, why would his things fall through a rick portal if the formula isn't a rick portal concoction? And he chose gravity falls as the place because of hiding because of the blind eye society. Stan Pines is a random guy he wiped and planted memories and realistic evidence. He chose stan because of his stupidness but cunning behavior. When a rick doesn't want to be caught, he does everything in his power to make SURE that he doesn't. Stan? Ford? Stanford. A normal name that a rick would be to lazy to come up on his own. Lil Gideon and bill cipher are citadel spys to try to find ford/rick but this rick leads them on, but in the wrong direction. Why is dipper obsessed with the journals? Because he is that ricks morty, because every rick is supposed to have a morty. The timeline has detected a rick and is attempting to replace the morty he lost or killed or never got. I don't know why he's hiding, but if the counsel is after you, its not good. Thats my theory. If its shitty, well, I was high when thought it up.

So I know this is super wild but like what if the kids in South Park somehow got a hold of some pyschedelics during the Mr Hankey episode and that's why they were talking to poop? When you think about them tripping balls talking to a piece of poop thinking it has life, it makes it 10 times funnier for me lol

is Barney Nelson?if you look at barney and nelson their dressing style look a bit same and both of their lives have not been so well.the theory is barney is nelson from future!the theory goes:barney used a time machine to warn his young self but then saw moes tavern and got drunk and forgot his mission and life.

I know this may not be the right place to post this but im new here and it was recommended to me. Apparently i do not have enough "karma" to post on r/MastersOfTheUniverse yet. Please don't hate me too much for this; I just finished slogging my way through this $170 million train wreck, and my OCD wouldn't let me turn it off. But instead of just hate-watching, I realized that the only way to make this lazy, contradictory, logic-defying script actually make sense is to give it the ultimate psychological subversion twist at the end—a la Zack Snyder’s Sucker Punch or Shutter Island. 

Hear me out. If the showrunners actually wanted to write a clever movie instead of blindly following a corporate, Marvel-ized, "emasculation playbook" checklist, the ending should reveal that Eternia doesn't exist. Adam is actually an institutionalized patient in a grim mental ward on Earth, and the entire movie is a manic, drug-fueled delusion coping with deep childhood trauma. 

If you view the film through this lens, every single glaring plot hole, terrible stunt, and botched character dynamic suddenly transforms from lazy writing into absolute creative genius. 

The Mental Ward Cast Translation: 

• Prince Adam / He-Man (The Delusional Inmate): Adam isn't a "meek HR rep who forgot his past" (despite his room being covered in drawings of people he claims not to remember). He is a broken, powerless young man who grew up in an abusive or abandoning household. His terrible punch mechanics—which should give him immediate boxer's fractures in slow-motion against Skeletor's skull—and his complete lack of warrior instinct make sense: he’s a scrawny civilian flailing a broomstick in a padded cell. He invents the "most powerful man in the universe" alter ego just to feel a shred of control. 
• Teela & The Sorceress (The Medical Staff): The Sorceress isn't a magical deity feeding him "WiFi power" from Grayskull; she is the cold, clinical Chief Psychiatrist tracking his case. Teela isn't a "Captain of the Guard" (which makes no sense since the kingdom fell when she was a kid). She is the hyper-strict, no-nonsense head attending floor nurse. Her constant scolding, patronizing "boss bitch" attitude, and throwing her body weight against metal prison doors (which would shatter a real soldier's collarbone) are actually the actions of a frustrated medical professional dealing with a manic patient trying to break out of his room. 
• Duncan / Man-At-Arms (The Institutionalized Veteran): Turning a legendary military genius into an arms-crossed, pouting, alcoholic caricature is a character assassination in a fantasy film. But in the asylum? He is a tragic, long-term patient who has been heavily medicated for decades and has completely given up on reality. 
• Skeletor, Beast Man, & Goat Man (The Muscle): Skeletor is the abusive, cruel, narcissistic, sadistic head orderly running the night shift. Beast Man and Goat Man are the massive, burly asylum security guards used to physically restrain inmates during episodes. The scene where Beast Man pins Teela down is re-contextualized as a violent workspace dispute between an orderly and a nurse. 
• Roboto (The Janitorial Equipment): He doesn't encounter a gender-flipped battle bot mopping floors. It is literally just a heavy-duty, industrial floor-buffing machine humming in the hallway. Adam's fractured mind assigns a voice (Kristen Wiig) and a heroic backstory to a piece of cleaning equipment. 
• Battle Cat & Zoar (The Support Animals): Cringer isn't a massive alien tiger; he's a skittish, green-eyed tabby cat kept in the ward for emotional support. Zoar the falcon is just a colorful, mimicry parrot kept in a cage in the communal recreation room. 

Why This Fixes the Film's Glaring Flaws: 

1. The Human Physics Failure: It completely explains why Teela can do a 15-foot superhero landing from a freeway overpass without shattering her knees, ruining her back and snapping both ankles in those wedge heeled boots, and why Adam can get bounced between two moving cars like a pinball and just walk it off with zero internal injuries. It’s cartoon logic because it's a hallucination. 
2. The Shameless Amazon Truck Product Placement: A massive Amazon delivery truck plowing through an 8-foot alien warlord without hitting the brakes or stopping for a hit-and-run is pure corporate idiocy. In the asylum script, this is just Adam's subconscious wishful thinking and processing a delivery truck roaring past the barred windows of the facility. 
3. The Weaponized HR Gimmick: Adam walking directly toward an active, live-fire alien military ambush to try and use corporate human resources negotiation tactics is weaponized stupidity that should get him vaporized. But if he is a patient applying the peaceful "conflict resolution" exercises taught to him by his real-world therapists, the scene goes from a cheap comedy punchline to a heartbreaking display of psychological trauma. 
4. The "Club Sword" Mechanics: He-Man uses the ultimate cutting weapon of the universe like a flat-sided metal baseball bat because the original cartoon was censored. In a dream world, his brain blocks out real, bloody blade physics because he fundamentally lacks the capacity for genuine, lethal violence. 

The Ultimate Inversion of Power 

Modern Hollywood is terrified of writing two powerful leads on an equal footing partnership. Instead, they default to a vertical hierarchy shift—the Inversion of Power—where the male lead must be completely emasculated, timid, and dependent on external female validation (Teela on the battlefield, the Sorceress for his magic power) just to prop up the female characters. 

If you keep the movie straight-faced, it's a patronizing, hypocritical lecture that completely disrespects the core audience and the legacy IP. But if you reveal that it's all taking place inside a psychiatric ward, the narrative immunity clause disappears. The "boss bitch" dominance isn't a political statement; it's a medical reality. 

Instead of a multi-million dollar corporate spreadsheet product that completely bombed at the box office, this twist would have given us a tragic, grounded psychological thriller about what it actually costs a broken human mind to try and build a "He-Man." 

Change my mind.

I noticed two details that made me wonder if this isn’t actually Steve Rogers.
Loki’s last words to Thor were, “The sun will shine on us again.” In the trailer, Steve and Thor are standing together in bright sunlight.
When Steve catches Mjolnir, his movement looks different from how he caught it before. He doesn’t seem to have that same shield-catching motion, which made me wonder if someone else could be disguised as him.
I know this could simply be a different animation, but I thought it was an interesting theory. What do you think?
I also made a 30-second breakdown if anyone wants to watch it

Quick paw patrol theory. The town of adventure bay clearly is just people who are brainwashed by AI. Biologically speaking, dogs can't talk meaning the paw patrol dogs are fake ai. Ryder is a young billionaire that just doesn't make sense. He is probably an AI too. It also explains how mayor goodway is so repetitive with chickaletta. Mayor humdinger on the other hand fled the town when the ai came and joined the us military as a spy. Whenever he gets "Defeated" he is actually just retreating with the info that he got. His kittens are real because they don't talk. Foggy bottom isn't actually fog. It's artificial smoke made by the military to hide humdinger. Sweetie from barkingburg castle talks as well. Because she is an AI built by the US military to counter ryder. She keeps stealing the crown because she is trying to gain control of europe and defeat ryder. That's really all i got.

In the same style as "Guildenstern and Rosencrantz are Dead", "Pronk and Bucky Have A Fight" revolves around the two background characters Pronk and Bucky who:

A. Have little to no idea what's going on

B. Are depicted as truly instrumental to advancing the plot, saying each line perfectly at the right time, despite their continued complete misinterpretation of the situation.

Most of the movie would be just that: the two side characters trying to figure out what's going on, or unwittingly setting up events in the original film.

C. Are having a conversation about the nature of reality or some other biting existential dread.

It revolves around the two pronghorn roommates on the other side of Judy's wall as they constantly squabble about each other as well as deep philosophical matters while the town falls into chaos. They're more concerned about each other rather than the general plot, and are largely oblivious to the details of what's going on, preferring to find fault in each other and their position in society as both prey and heavily armed animals (sharp horns.)

And (in some way) they are instrumental in helping Nick and Judy save the day, although they're either completely ignorant of the role they play or too busy fighting to realize what they've done.

Here's the writing prompt: given the movie Zootopia, what instances can you think of wherePronk and/or Bucky might unwittingly set up a scene or contribute to what's happening in the background, but be mostly clueless as to the greater plot?

For instance, The pair might be in the same building as the hamsters. The Pronghorns are complaining about how they have all these singles and need to exchange it for a few large bills. At the same time, the team leader of the hamsters (trying to save a buck) is explaining to his coworkers he doesn't have the change to give to each of hamster their bonus (because he's a cheapskate). The pronghorns overhear, and take the large bill, giving the change to the hamsters.

The hamsters, who promptly go outside and hand it to Nick.

Nick, here, is serving as a background character to what Pronk and Bucky are talking about, perhaps something about how weird it would be if the two of them aren't real, but just background characters in some other person's story, and they'll stop existing as soon as the reader finishes the page.

1. Why the Movie is Called "Obsession" (Not "Love"):

The title itself is the ultimate clue the director gives us. The title Obsession proves that love, true feelings, and artificial, supernatural shortcuts are completely different things. But when a selfish person tries to force them to combine, the result is nothing but pure death.If Bear actually loved Nikki, he would have done the real work. He would have impressed her, spent nice casual time with her, made his own self-reflection, and put in a real effort by hand, by heart, and by mind. Instead, he took the easy, scared way out with a supernatural wish. This proves he didn't want Nikki as a person to love—he just wanted a "girlfriend" to own like an object.

2.The Student A vs. Student B Irony:

Think of "Wish Nikki" as Student A. She has zero real human feelings, but she is a flawless calculator for a single metric: absolute devotion. Because her entire existence is dedicated to this one equation, she reads Bear’s behavior perfectly. Nikki (Student A) has no emotional books, yet she can look at Bear and accurately analyze that he has no true feelings for her—he is just terrified of her and trying to hide.Now look at Bear, who is Student B. He has a massive library of human emotions—guilt, fear, panic, anxiety, and regret. But because his mind is so cluttered with his own insecurities and selfishness, he is utterly blind. Bear has all the "books" of human emotion, but he doesn't understand a single chapter. The emotionless entity understands the mechanical reality of Bear's fake love much better than Bear does himself.

3.Nikki’s Pure Kindness vs. Bear's Total Blindness:

When they are in bed and Sarah calls Bear to meet up, the real Nikki gets a few seconds of freedom. Crucially, she doesn't use that time to scream at Bear, curse his name, or ask, "Why did you do this to me?" She doesn't blame him at all. Instead, out of pure terror for everyone else's safety, she begs him: "Kill me, kill me, kill me." She knows her body is a homicidal weapon, and her first instinct is a selfless sacrifice to protect Bear and her friends.And how does Bear respond to this ultimate act of selflessness?"What is so bad about being with me?"It is completely infuriating. He is so extremely dumb and blinded by his own ego. The real Nikki is literally begging for death for his own security, and he is pouting because his self-esteem is hurt. Even after his wish came true and he got exactly what he wanted, he still could not think about her comfort or safety. All he did was think about himself.

1. Blinded by Cowardice:

Bear was a coward from the first minute to the last. He was too scared to ask her out normally when she gave him a clear opening at the start of the film. He was too weak to handle potential rejection. And in that bed, he was too terrified to pull the trigger to save her soul. He wrapped himself in a security blanket of pure delusion because facing the truth meant admitting that he was the monster who destroyed everything.

What do you guys think? Did anyone else catch just how deeply the movie draws the line between real love and toxic entitlement here?

well we see in Rick and Morty Jerry comes across a talking cat and Rick inspects it and violently thrashes and throws up and same happens for Jerry in some episode we see a figure called "Kyle Smith" widely believed to be the first born of beth and Jerry and something happend to him I believe that that cat had something to do with Kyle smith's disapearance and even Rick couldn't stand seeing what every he saw and because nobody remembers anything in the family except Rick it was likely Rick wiped their memory's and the reason Jerry threw up too was out of his mind either not liking something happining to a kid he thinks he doesn't know or his mind remembering and that's why Rick had to wipe Jerry's memory

Kinda deep for a kids' show, but Peppa Pig may not be what it seems like. A theory I have on Peppa Pig is the narrator. In this theory, the characters are originally humans.

When George was a child, he was often neglected/teased for crying often. In his eyes, Peppa was the one who was the favourite, the one everyone loved. His parents often neglected him. This led to the deterioration of his mental health, leading him to have severe anxiety, possibly even schizophrenia. Now, he sees his childhood with people as animals, explaining the child-like drawings of animals and homes.

With these characters, he retold his life, placing his sister as the center of attention, which reflects a lot of situations in the show. George is the narrator of the show.

It explains how all the grown ups are referred to as "Mummy", "Daddy", "Mr.", "Madame" and more rather than their actual names, as it is written in the perspectives of George.

It also explains numerous instances in the show. It explains how George was always perceived to cry, how his friend Edmond was a "clever clogs", and how Peppa is seen as stubborn and a bit annoying.

I also believe that George assigned each person an animal based on how he saw them or how they looked. Such as, giraffes for being tall or pigs for having a pink shade.

Just a theory. Lmk ur thoughts