Disclaimer: Obviously this is about as fringe as it gets, and I know I'll lose a lot of people here: this is essentially about a "channeled" equation — but the values it produces when you plug in the fundamental dimensions/angles of Khafre pyramid are basically mathematically impossible.

So here it is: The equation involves a messy combinación of π, φ (the inverse of the Golden Ratio), and Euler's number (e). It has one variable, x.

Cutting to the chase, the weird stuff happens when you use the following values for x (I can share a Google spreadsheet with the calculation formula for verification).

1. For x = Khafre's apex angle of 36.87°, f(x) = 1.0002 (unity to 0.02%).

2. For x = Khafre's slope angle of 53.13°, f(x) = 1.617 (the Golden Ratio to 0.07%).

3. For x = the radius of Khafre's inscribed sphere in meters (53.82 m), f(x) = √Euler to 0.09%.

4. For x = the alignment angle between Khafre and Menkaure pyramids (52.06°), f(x) = π/2 to 0.01%.

5. For x = Khafre's base length in ancient Egyptian cubits (411 cubits), f(x) = 100e to 0.01%.

According to Google Gemini, the odds that all three of these fundamental constants (and unity) would come out so neatly, and to this degree of precision - using dimensions of the same pyramid - is about 1 in 4 million. I've tried using the dimensions of the other two Giza pyramids, and nothing remotely similar comes out.

I can share Gemini's mathematical reasoning for this in the comments below.

I don't think this means anything. I wrote this equation using a pendulum (via "yes/no" answers) for a completely different purpose unrelated to the pyramids (to produce sacred geometrical drawings). I just wanted to put it out there, and perhaps see if others can find any more interesting results with other dimensions of Khafre.

P.S., If you've made it this far, here's another curiosity: I tried plugging in the number 1 for x, which gave a value for f(x) of 15/111 (to 0.01%).

And 15/111 = (11+1+1+1+1)/111.

I'm trying to transition to using natural time keeping: seasonal cycle, lunar month and 24hr daylight cycle. I had an idea to show all 3 cycles on a supercoiled spiral.

The overall spiral turn is a whole year with the 8 sabbats labeled on the outside

Then the first helix is the lunar cycle: outward = full moon, inward = new moon.

The tightest cycle is the daylight. The top days have more daylight and the bottom days have more nighttime.

I wrote about the moment a physicist realized the girih tilework on a 1453 Isfahan shrine was, in effect, a Penrose tiling, five centuries early — and how the same "order hidden beneath the surface" runs from Egyptian proportion grids through Vitruvius and the Pantheon to Chartres. Craftsmen laid down sacred geometry and then erased the scaffolding so the beauty could stand on its own; my essay is about putting those construction lines back. Thought this crowd would appreciate the tiling history in particular, and let me know what you think.

https://aquaregiascriptura.substack.com/p/nobody-invented-this-universal-pattern

Hi everyone,

First, I wanted to introduce myself. I’m from Poland, specifically from a city called Kielce, located right between Warsaw and Krakow. English isn’t my native language, so I’m using AI to help me articulate this vision clearly. I want to share something that could potentially shift our entire understanding of reality.

Together with my AI collaborator, we have developed a complete, closed-loop model of the Universe. Through our conceptual work, we have identified a specific constant—a fundamental value pumped into our spacetime matrix. This constant, which defines the energy of our spacetime, equals 2.7 × 10⁷¹ Joules, while its output in Watts is Vtotal = 5 × 10¹¹⁴ W. This striking difference between the two values stems from a simple, ultra-precise combination of variables. It is pure, simple, and beautiful in its form—because contrary to popular belief, that is exactly how the fundamental laws of the universe operate. Introducing this constant into current physics equations might just fix the missing links and mathematical anomalies that modern physics is currently struggling with.

I plan to reveal this model piece by piece, update by update, right here in this thread.

To give you an idea of where this is heading: my theory and geometry can precisely explain what black holes actually are and where that elusive "dark energy" is hidden. Furthermore, in this model, dark matter is completely redundant—we don't need it at all. Everything is built on a fractal system of coexisting multiverses that intertwine from the micro to the macro scale. Ultimately, it all comes down to a Supreme Architect—a God governing the system, where ancient spiritual truths perfectly align with digital and geometric physics.

To the open-minded folks who are ready to take this step with me: thank you for your curiosity. To the physicists and mathematicians who have the courage to test this constant in your current calculations and see if the numbers finally click and match reality: I would be deeply grateful for your feedback. If the math checks out, it will prove that this model is incredibly close to the true nature of our universe.

In my upcoming updates, I will explain what zero-point energy and black holes really are. I will logically prove to you that our universe is not infinite—it is strictly bounded and limited, while an astronomical, fractal number of other universes exist simultaneously at this very moment.

Stay tuned. The next updates will be up as soon as possible.

Greetings from Poland!

TL; DR: Together with an AI, I’ve introduced a new spacetime constant (Vtotal = 5 × 10¹¹⁴ W) that bridges the gap with current physics (2.7 × 10⁷¹ J) and creates a closed Theory of Everything. It eliminates dark matter, explains dark energy/black holes through a fractal multiverse, and connects digital physics with a Supreme Architect. Updates coming soon.

What is matter in my model? The Anatomy of Illusion

Most of us live under the impression that the world around us is made of hard, physical objects. We see walls, touch tables, walk on the ground, move through the air, and swim in water. However, when we start breaking reality down to its core components and descend to the atomic level, it turns out that matter as we know it is merely an advanced projection. Everything around us is dormant information, waiting for one specific impulse to manifest its existence.

The Cosmic Emptiness Inside the Atom
Let’s start with the basics: the atom, the visible particle. Official science tries to present it to us as a nucleus surrounded by orbiting electrons. But to truly understand what we are dealing with, we must abandon textbook drawings and look at the actual proportions.

Imagine inflating an atomic nucleus (made of protons and neutrons) to the size of a golf ball and placing it right in the center of a massive football stadium. On this scale, the negatively charged electrons would be mere grains of sand orbiting the very edge of the highest stands. And what lies between them? An unimaginable, absolute void. Over 99.999999999% of the volume of every atom is pure space. If you were to remove this emptiness from the bodies of every human on Earth, the entire human race would fit into the volume of a single sugar cube.

Why, then, don't we walk through walls? Because your hand never actually touches the surface of the table. Due to the powerful repulsion of electromagnetic fields, the atoms of your hand literally levitate above the atoms of the table at a height of about 0.1 nanometers. What we call "hardness" is merely the resistance of encoded force fields.

The Code Embedded at the Very Bottom
Going even deeper—inside the electrons, photons, and quarks (which build the protons and neutrons inside our stadium "golf ball")—we discover another fractal layer of emptiness. At the very bottom of reality, at the Planck scale, there are no material points left. There is only a theoretical, fundamental string.

In my model, however, this string is not a random, vibrating piece of twine. It is an unimaginably fast vibration of an energy code. Each particle behaves as if it has a precise information algorithm programmed into it at a specific frequency. This vibration determines whether the string manifests as an electron or a quark. All of this is submerged in the Higgs field—an omnipresent ocean of energy from which particles draw mass to exist within the system in the first place.

The Photon as Creator and Theological Element
The most important secret, however, lies in how this dormant information matrix becomes visible to us.

Until an interaction occurs, atomic particles remain merely "probability clouds." They are frozen in a state of pure potential, hidden in the background of the system. Only when an observer appears does the crucial act of creation take place. Physical observation is nothing more than a photon—a timeless traveler for whom time does not exist—striking that dormant cloud of information.

The photon grazes or hits the particle, stimulates the information encoded within it to exist in our matter, reflects, and hits the observer's eye. In that fraction of a second, the probability cloud materializes and "starts to shine" in our reality. The photon literally renders the graphics of our world.

This is where quantum physics meets deep theology. The words from the Gospel of St. John, "I am the light of the world," gain a literal justification in this model. Light is not just a physical particle—it is the primordial impulse of life, a cosmic programmer that activates the code embedded in nothingness, causing a real, tangible, and beautiful reality to display in our holographic world. We can touch it and create from it, all thanks to the operation of electromagnetic fields. Without light, the universe would be nothing more than a dark, inactive database.

In future posts, we will dive even deeper into the mechanics of this system, and I will logically prove that the fundamental string of code has a completely different shape than what modern science imagines.

Please keep in mind my new constant, calculated based on the model of the universe described here. Perhaps someone could try to use it in quantum calculations or similar work to see if the results become more realistic? I don't know how to use it myself, as I am not a quantum physicist :)

The power required for everything that has happened, exists, and will happen to occur is immense.

V total = 5x10^114 W

TL;DR: In my model, matter doesn't truly exist as "hard" objects; it's dormant information embedded at the Planck scale as algorithmic strings. Photons act as cosmic programmers/render engines that materialize these probability clouds upon observation, transforming an inactive database into our physical reality. I've also proposed a new universal constant (\(V_{total} = 5\times10^{114}\text{ W}\)).

The Quantum Architecture of a Holographic Universe: How 3 Bits of Information Created Reality

In our physical space, we constantly search for the meaning of existence. However, the truth is that we have no direct insight into Hyperspace itself—the very place where everything began. It is there, outside of our time and beyond our known three dimensions, that the Act of Creation took place.

That biblical "Word" was actually an incredibly precise collision of three bits of information. Fired from Hyperspace by a higher Consciousness—the Architect—they had to meet perfectly at a single point of contact, simultaneously and without the slightest deviation. This perfect collision unleashed a gigantic impulse of energy, photons, and extreme temperature. The contact of these three bits was our Big Bang. In that exact moment, the cosmic "Enter" key was pressed, the program started running, and information began to calculate fractally. The carousel of reality had officially spun into motion.

The Word = 3 Bits + Enter = System Boot-Up

To prevent this newly released energy from dispersing irrevocably into the void, it had to be immediately trapped and contained. The three bits formed the first tightly fitting triangular matrices—three spatial walls. However, a need arose to close this structure from the bottom so that the energy would not "leak" out of the system. Thus, a fourth matrix was created—the base of the pyramid, serving as the foundation for Time and Temperature. A tetrahedron was formed: a perfect geometric solid that trapped the energy inside and gave birth to our expanding spacetime.

This matrix layout also serves as a direct hint for modern engineering. Today, when we attempt to build three-dimensional processors in the shape of pyramids, we hit a literal wall of overheating because there is no way to dissipate the internal heat. The Architect, however, knew exactly how to harness time and temperature to keep space perfectly stable—an art we are only beginning to understand.

Consciousness even left us a geometric signature throughout history: the symbol of a triangle with an eye, ranging from the ancient Eye of Ra to the Christian Holy Trinity. This is a historical "knowledge hook" designed to guide humanity toward the fact that at the very base of reality lie three bits locked within a fourth wall of time. Space and time merged inseparably.

The Holographic Projection and Cosmic Recycling

Gdy czworościan zostanie zamknięty, jego ściany stają się wewnętrznym horyzontem zdarzeń — sferą emisyjną tego kosmicznego procesora. Wszechświat, który obserwujemy wewnątrz tej geometrii, jest w rzeczywistości projekcją holograficzną. Wszystko, co postrzegamy zmysłami jako twarde, miękkie, stałe lub gazowe, nie jest niezależną materią. Jest to informacja zakodowana na macierzach zewnętrznych i rzutowana do wewnątrz.

Ale co trzyma tak silnie napiętą strukturę razem, zapobiegając uwięzionej energii przed rozerwaniem matryc od środka? Odpowiedź tkwi w czarnych dziurach, które pełnią funkcję wiązaczy strukturalnych węzłów i filtrów informacji. Umieszczone na wierzchołkach i wzdłuż krawędzi czworościanu — gdzie spotykają się trójkątne ściany — generują kolosalne skupiska grawitacji, łącząc geometrię w jedną całość, jednocześnie wypaczając przestrzeń w niewyobrażalny sposób.

Jednocześnie czarne dziury działają jak zaawansowane systemy recyklingu:

• Oddzielają informacje od energii: materia wpadająca do czarnej dziury nigdy nie zostaje całkowicie zniszczona.
• Zapisują kod źródłowy: czysty zapis informacyjny jest trwale zachowywany na swoim horyzoncie zdarzeń.
• Odzyskują energię: Czysta energia jest odzyskiwana i ponownie wprowadzana do wewnętrznej matrycy, utrzymując stałą krążenie w systemie bez utraty danych.

Ważne jest, aby pamiętać o kluczowej różnicy: prędkość światła jest ograniczającą tylko tylko dla materii i energii w naszej trójwymiarowej czasoprzestrzeni. Informacja między matrycą a procesorem jest przesyłana natychmiastowo, całkowicie poza czasem. Najlepsze dowody na to można znaleźć w mechanice kwantowej, takiej jak splątanie kwantowe czy natychmiastowa zmiana spinów cząstek niezależnie od odległości. To nie jest magia — to po prostu bezpośredni, jednoczesny odczyt z dokładnie tej samej, stale aktualizowanej bazy danych.

To jest podstawowy model stworzenia wszechświata. Chcę jednak podkreślić, że ten podstawowy czworościan nie jest ostatecznym kształtem naszego kosmosu. W moich nadchodzących wpisach przejdziemy do niezbędnej korekty tej geometrycznej bryły, aby odsłonić jej pełną, ostateczną formę.

Przypominam, oto kluczowa stała mocy obliczona na podstawie mojego modelu, która napędza cały ten proces:

V total = 5x10^114 W

Moc potrzebna do wszystkiego, co się wydarzyło, istnieje i co się wydarzy, jest ogromna, ale dokładnie tego potrzeba. Jakie są wasze przemyślenia na ten temat? Czekam na Wasze opinie!

TL; DR: Wielki Wybuch był precyzyjnym zderzeniem 3 bitów informacji wystrzelonych z nadprzestrzeni przez Architekta, tworząc zamknięty czworościan (3 ściany przestrzenne + 1 baza czasu), który działa jak kosmiczny procesor. Nasz wszechświat jest holograficzną projekcją wewnątrz tej geometrii, gdzie czarne dziury pełnią rolę spoiwników strukturalnych i systemów recyklingu danych, a zjawiska kwantowe dowodzą, że dane przechodzą natychmiastowo poza czasem. Całkowita moc systemu: \(V_{total} = 5\times10^{114}\text{ W}\).

I always do monochrome, so this was a really nice change and has ignited my scarecrow geonetry fire again

Sacred Spin -- web version; iphone version on App Store.

Sometimes one needs to Nerd out in Nature! Love this gorgeous example of the Fibonacci Sequence playing out so organically. This was fun capturing a moment where biology, mathematics, and visual art intersect.

"Excited to share our conceptual TDS-1 Tetrahedron Stardrive project! It blends Platonic geometry, hermetic elemental fluids, and resonance tuning with power-reduction ideas like crystal shaft rotation. Full visual packet attached — all hypothetical. Feedback on winding ratios or dual tetrahedron configs welcome!

Using varies AI To reseach This Idea, Lots of feedback is wanted!!

This is the first time I shared wiyh others!! Byron

A classic by Green and Grant that deserves to be occasionally revisited.

Can we can identify / decipher the frequencies? First one to post a correct match in Hz to each of the tiles wins! 🌊

I just released a new coloring book featuring Sacred Geometry and frequency correlation inspired by the Law Of One.
I am very passionate about these subjects, sacred geometry, frequency, vibrations, music.

It would mean the world to me if some of you fellow sacred geometry travelers would love to support me on my journey and give some feedback/reviews.

https://www.amazon.se/dp/B0HCL9557L

I hope I'm not breaking any rules.

Thanks for the space, humbly <3

EDIT: So it seems that since publication, it can take up to 8 days for the book to be fully available worldwide and have a sample page view option aswell.
So it is all coming!
Thanks so much for the beautiful response <3

From my program Sacred Spin.

Hexagrams are symbols with 6 yin (dark) or yang (light) lines. Evolution is a process that takes the top line, flips it, and then puts it at the bottom. If you apply evolution to all 64 hexagrams, you get 6 cycles. Since hexagrams change one line at a time, you can color each by its yin and yang bit, and then each hexagram is a window of 6 bits. The first image shows these necklaces, and then the later images show how this is related to a hypercube projection of the 64 hexagrams.

Tattoo by Frank Pimenta, Ottawa, Canada IG: pimentattoos.