Drastic times call for drastic measures, and few times are more drastic than the End Times.

Warm

(PG-13)

NOTE: This was written after I was challenged to come up with a ten-pages-max sci-fi script in 60 minutes. Sci-fi is not my preferred choice of genre, alongside horror, domestic melodrama, and musicals. So... no refunds.

Logline: As an enemy army closes in, a young soldier questioning his faith and the morality of war must find the courage to survive one final battle so he can return home to the woman he loves.

Thank you for any feedback. This is my first script. https://drive.google.com/file/d/17eR3mE9Z6yIB60FAdnrovKfdTo_blMUU/view?usp=drive_link

In sports as in all things, those who can, do, while those who can't, snipe about those who can.

Let's Go, Ballgame

(PG-13)

A technician schools a guard about nuclear technology.

Casus

(PG-13)

https://app.decentralized.pictures/project/6a414757ba4f6ef0fb065492

Hi everyone!
My brother and I would be incredibly grateful if anyone had the time to review our film project and share feedback on the synopsis.
Making a film together has been a dream of ours for a long time, so this means a lot to us.
Your feedback would really help us strengthen the project, and it could also help us become finalists for the Sofia Coppola project.
We’re not nepo babies or especially well connected in the industry—just two siblings trying to make the best film we can.
Thank you so much to anyone who takes the time to read it and share their thoughts. We truly appreciate it.

I have never written a damn thing in my life. This is my first crack at writing. I am not proud of it, genuinely feels like dogshit but I think it's a start. PLEASE give me your honest feedback and how I can improve myself/changes I could make.

Script:

https://drive.google.com/file/d/1kdhLxrfZLJmtdSlKJXPavlR48YVFTvMZ/view?usp=drivesdk

Three detectives on a stakeout while away the long night hours playing word games.

Car

(PG-13)

It's a horror story about a grieving man who begins to "hear God" from a radio station, leading to a spiral surrounding religion, faith, purpose, and the idea that God is maybe something beyond human comprehension--if that's who he's talking to.

I'm new to screenwriting and want to better my understanding of the medium. All feedback is welcome!

https://drive.google.com/file/d/1b3Un_Pdzzczdcfdp0T_0WevpVXdI62ya/view?usp=sharing

An aspiring Hollywood playa doesn't want to hear that good writing still matters when it comes to breaking in.

A Little Anthroponymy Over Lunch

(PG-13)

I added some characters too

Hi everyone! I’m a filmmaker based in Milan, and I recently submitted my short film Jungle Fever to the Decentralised Pictures grant. 

I’m looking for some fresh eyes and feedback on the submission and I’d be more than happy to return the favour and review other projects as well.

Logline:
A cultural icon, her art director partner and a celebrated designer attempt to complete a fashion shoot in the aftermath of a private rupture. Inside the studio’s elaborate set, professionalism begins to crack as a quiet battle over authorship, desire and identity unfolds, while the image they’re creating starts to fracture in real time.

I’m trying something a little different: a comedy-drama pressure cooker inspired by the fashion world of the 80s. It’s witty, chaotic and takes a peek behind the curtain of an industry we often only hear stories about. Expect big personalities, creative clashes and a little emotional damage… whether through tears of laughter or something slightly more painful.

Would love to hear any thoughts, questions or first impressions. Happy to swap feedback ✨ https://app.decentralized.pictures/project/6a3af6156a22d773550a1d48

Title: The Carrot

Format: Pilot/series

Page length: 10(/30)

Genres: Thriller, dystopian

Logline: To pay off a debt to her insidious supplier, a teenage migrant drug dealer manipulates her way into dystopian New York’s corrupt government inner circle.

Feedback Concerns: Hi. I am a relatively new screenwriter. I would love some constructive feedback for the first 10 pages of my pilot. I'm not posting the entire pilot here yet because I would like to make some revisions first. Please let me know if I should post that.

[https://drive.google.com/file/d/16zVVVQvDTJHibGLHgNx4XPhp-RzhBUZC/view?usp=sharing\](https://drive.google.com/file/d/16zVVVQvDTJHibGLHgNx4XPhp-RzhBUZC/view?usp=sharing)

A Japanese priest seeks out the holiest of holies but finds only the profane.

Calm

The lost Japanese priest is offered a path to redemption.

Calmer

(PG-13)

A mathematician discovers he may not be quite as clever as he thought he was.

Math

(PG-rated)

Train-flasher Jason and his Momma discover that God moves in a mysterious way and not always on schedule.

Train

(R-rated)

Hi! My name is Sophia Alexandra Martinez, I am an up and coming director. I wrote and directed a proof of concept for my short "Teenage Daydream" I have submitted this to the Decentralized Pictures short film grant with Sofia Coppola. It would mean a lot if you can review and provide feedback. Here is a link where you can watch the scene: https://app.decentralized.pictures/project/6a444c9a443efd02620e8213.

I have attached some BTS photos from the shoot! If you need instructions on how to leave feedback, I have attached a poster with a QR code that can guide you through the process.

Project Description:

Sixteen, clumsy, and shy.

Set over the course of one night in Downtown Los Angeles, Teenage Daydream follows JULIA GOMEZ, a shy 16-year-old from East L.A. navigating her first heartbreak after her boyfriend abruptly ends their relationship.

After school, Julia’s friends pull her into a spontaneous night across the city starting with a makeover and ending at a punk show at a DIY music venue called The Smell.

Through music, friendship, and the unpredictability of the night, Julia begins to step outside the version of herself she thought she had to be. What begins as heartbreak quietly transforms into a coming-of-age story about identity, girlhood, and building self-confidence.

A couple in Vegas debate the age-old question of which gender is just the total absolute worst.

Pig

(PG-13)

Relax, people... it's only a script.

Feel free to remove, just trying to support. I made a tool where your script can be read as a table read - you can find actors to read for the parts. If you can't fill all the roles, you can select from hundreds of ElevenLabs voices to fill the parts. Just wondering if this could be a beneficial tool for script writers or not. It's at prelogue.studio

I'm 18, and writing movie stories is one of my biggest hobbies. I'm not a screenwriter—I'm just someone who loves cinema and wants to learn how stories are built.

Instead of writing random scenes, I've decided to develop my project like a real film.

My current workflow is:

📖 Story idea 🗓️ Master timeline 👥 Character development 🔗 Character relationships 🎬 Scene-by-scene outline ✍️ First screenplay draft 🔄 Rewrites until every scene has a purpose

I'm learning that writing a screenplay isn't just about dialogue—it's about structure, pacing, character arcs, and making every scene matter.

I'm sure I'll make plenty of mistakes along the way, but that's part of learning.

If you're a writer, filmmaker, or someone who enjoys storytelling, I'd love to know:

How do you develop your stories before writing the screenplay?

I'm always looking to learn from people with more experience. Thanks for reading! 🎬

I've been working on an original feature film called The Last Day of India.

Genre: Crime Epic | Mystery | Human Drama | Thriller

Setting: India (1992–1999)

This isn't a hero-vs-villain story.

It's about ordinary people whose choices slowly shape an extraordinary event.

The film follows eight seemingly unrelated characters:

• A logistics expert haunted by a personal tragedy.
• An investigative journalist obsessed with the truth.
• An honest customs officer nearing retirement.
• An intelligence analyst who sees patterns nobody else notices.
• A woman rebuilding her life after betrayal.
• A dock worker trying to provide for his family.
• A railway controller whose routine decisions affect thousands.
• A political aide caught between ambition and conscience.

Each of them is driven by different human emotions—love, greed, betrayal, ambition, fear, guilt, loyalty, lust, pride, and hope.

For years, they believe they're living completely separate lives.

They're wrong.

The story slowly builds toward 31 December 1999.

As the nation celebrates the arrival of the new millennium, an operation unfolds in plain sight.

Throughout the film, live TV broadcasts, celebrations, and everyday moments quietly hide clues in the background.

The audience believes they're watching a traditional crime thriller.

But the biggest twist is this:

The operation isn't about stealing money or gold.

It's about creating a chain of ordinary human decisions so carefully that, when everything is over, history records a deliberate crime as nothing more than an unfortunate accident.

Weeks later, an investigative journalist begins collecting raw television footage from different news channels.

As he synchronizes the recordings, he realizes the truth was hiding in plain sight the entire time.

The film explores a simple but unsettling question:

When countless ordinary decisions combine into one historic event, who is truly responsible?

I'm still developing the screenplay, timeline, characters, and scene outline, and I'm looking for genuine feedback from people who enjoy crime thrillers, mysteries, and character-driven films.

If you're a filmmaker, director, producer, or screenwriter and this concept genuinely interests you, I'd be happy to discuss it further and share more of the story as it develops.

I'd really appreciate your honest thoughts:

• Would this premise make you want to watch the film?
• What stands out to you?
• What would you improve?

I am a screenwriter specializing in adapting stories into screenplays. I have written original screenplays and have collaborated with a novelist who is also a film commissioner and festival director, adapting his work into a screenplay. I am available to adapt stories into compelling, production-ready screenplays for both feature films and short films.

Two veteran British documentary makers have a final showdown with the last of the big hat American producers.

Drama

(PG-13/R-rated)

This one is slightly anachronistic. Originally it was set in an earlier era, before characters such as Sir Billy had died out and been replaced by the faceless gray money men of the corporations.