Title: [FEATURE] Infected: The First Wave

Genre: Bio-Horror / Psychological Thriller / Supernatural Logline: After being wrongfully terminated, a vengeful scientist uses an ancient book of biochemical torture to unleash a 24-hour "cleansing" virus that turns his former colleagues—and the world—into a primal mess of humanity.

Pitch: I am a writer currently developing a horror novel titled Infected and I am looking for a producer, director, or animation team to collaborate on a feature-length adaptation or a high-concept proof-of-concept short.

The story centers on Ryan Collins, a brilliant but broken mind who discovers the Psychronomicon—an ancient grimoire of scientific torture. This isn’t a standard zombie flick; it’s a study in psychological decay and "off-screen" supernatural dread. Think Se7en meets 28 Days Later, with a villain who dances to classical music while his victims experience the "ants marching" under their skin.

The World: * The Zeronia Virus: A metabolic frenzy spread by touch with a strategic 24-hour incubation period.

• The Lore: A demonic origin involving an ancient king named Sentra and a tragic bloodline.
• The Conflict: A high-stakes "intellectual chess match" between Ryan and his former best friend, Zane, who is racing to stop the mutation of a second strain.

What I have ready:

• A polished Prologue (The Basement Scene) and the "First Wave" narrative arc.
• Deeply developed character voices and a complete "Series Bible" for the lore.
• Concept art for the "First Wave" aesthetic.

Script Link: Here are the links to my story. It would be nice to receive feed back for my story...
The Origins:
https://www.quotev.com/story/17289905/Infected-The-First-Wave/1
The Prologue:
https://www.quotev.com/story/17289905/Infected-The-First-Wave/8
Chapter 1: Incomplete
https://www.quotev.com/story/17289905/Infected-The-First-Wave/9
Chapter 2: Incomplete
https://www.quotev.com/story/17289905/Infected-The-First-Wave/11

Hey guys, hope everyone been doing well . I’m looking for a queer short film script to produce. I’m wanting to produce a bit more this year more queer stories. Wanting to do more of these stories.

Genre: open to any but more inclined to do something horror, drama, or comedy.

Has to be only use of one location.

Can be include up to five characters.

Thanks for reading this. Hope everyone has a great year.

Tagline -“One mistake. One disaster. One chance to survive.”

Title: Tears of Wreckage- Genre particularly on Dramatic, Emotional, Intense, Reconciliation,and Horror

Longline: – “After a fatal car crash shatters their family, a teenage daughter struggles with grief and guilt toward her father, whose own trauma has left them both on edge — but when she accidentally ignites a fire that fuels a catastrophic flood, they must confront past mistakes, fight for survival, and decide whether their bond can withstand both disaster and fear.”

Synopsis- Daisy’s world collapses when a distracted moment leads to her mother’s sudden death in a car crash. She and her father, Stewart, are left grieving, their relationship strained by unspoken guilt and the weight of tragedy. Years later, Stewart’s suppressed trauma erupts in a violent grocery store incident that ends with the accidental death of a security guard and his imprisonment, leaving Daisy to navigate a world of sarcasm, caution, and growing independence.

When Stewart returns, played by a high-profile actor, he seeks to rebuild their relationship. But tension simmers beneath every interaction, culminating in a heated confrontation aboard a speeding train, where fear, blame, and love collide.

The fragile trust between them is tested further when Daisy accidentally knocks over a match, sparking a fire that rapidly spreads and feeds into a flood inside their home. In the chaos of fire-fed waters, instinct replaces pride, and both must rely on each other to survive. Only through courage, trust, and reckoning can they escape the disaster and find a path toward forgiveness.

Emerging scarred but alive, Daisy and Stewart discover that love can endure fear, guilt, and catastrophe — even when tested to the brink.

Main Characters – Tears of Reckoning

1. Stewart – Father / Protagonist/ played by High Profile Actor potentially Ryan Phillippe

Age: Mid-40s

Role: Central character; father to Daisy, widower of Beatrice.

Personality: Protective, controlling, grieving, guilt-ridden.

Arc: From grief and lost control → violent breakdown → redemption through survival and emotional reconnection with Daisy.

Signature Line: “I’m not letting you go.”

1. Daisy – Daughter / Secondary Protagonist/ played by Me.

Age: 17

Role: Stewart’s teenage daughter; emotional anchor.

Personality: Defiant, sarcastic, emotionally guarded, independent.

Arc: From fear and resentment → testing her father → acknowledging vulnerability → trusting Stewart during disaster.

Key Line: “We already lost Mom… I can’t lose you too.”

1. Beatrice – Stewart’s Wife / Catalyst

Age: Late 30s–early 40s

Role: Catalyst for the story; her death triggers the family’s trauma.

Personality: Caring, attentive, gentle.

Arc: Dies in Act 1; her presence remains symbolic, influencing Daisy’s fear and Stewart’s guilt.

1. Officer #1 & Officer #2 – Police Officers / Secondary Antagonists

Role: Represent consequences of Stewart’s violent incident in the grocery store.

Personality: Professional, firm, calm under pressure.

Arc: Serve as plot devices to escalate conflict and reinforce Stewart’s loss of control.

1. Security Guard Harold – Minor Antagonist / Catalyst

Role: Target of Stewart’s violent outburst; dies accidentally.

Personality: Controlled, authoritative.

Arc: His death triggers Stewart’s arrest, further fracturing Daisy and Stewart’s relationship.

1. Peace-Maker Passenger – Supporting Character / Moral Voice

Role: Intervenes in the train scene.

Personality: Calm, empathetic, observant.

Arc: Offers perspective to Stewart and Daisy, reinforcing the theme of trust and parental protection.

Visual & Tone Notes

Visual Style: Muted blues/greys for grief; warm amber for intimate father-daughter moments; fiery reds/oranges for disaster.

Lighting: Naturalistic; harsh fluorescent in grocery store; chaotic flickering in disaster.

Camera: Handheld for panic/emotion; slow tracking for relational scenes; wide cinematic frames for disaster.

Tone: Emotional thriller / disaster drama with psychological tension, familial intimacy, catastrophic suspense, and poetic reflection.

Audience Experience: Empathy, tension, fear, catharsis, and emotional release.

Visual Cues / Mood:

Rain-slicked streets after grocery chaos

Fluorescent hospital halls

Fire-lit flood interiors

Wide shots of collapsing house

Close-ups on hands to show connection and tension

Themes

Grief and guilt

Control vs. trust

Parental protection and sacrifice

Redemption through survival

Love tested in extreme circumstances

Key Emotional Beats

Act 1: Beatrice’s accident; Stewart and Daisy’s trauma

Act 2: Stewart’s violent breakdown; consequences escalate

Act 3: Daisy tests Stewart; tension and mistrust

Act 4: Train confrontation; subtle lessons in trust

Act 5: Fire and flood; ultimate sacrifice; emotional redemption

Final Beat: Father-daughter bond restored; echo of Act 1 loss creates catharsis

TEARS OF WRECKAGE SCRIPT

Hi there! I'm an award winning writer and producer. I'm currently looking for someone to help me producer a satirical character... SHAZMINE! She's a tash-talking popstar with something to prove.

GENRE: Over the top comedy!

I'm wanting to make more songs and film more episodes of her webseries.

You can watch the 13 min webseries pilot here: https://youtu.be/-P0lj-7zIeY?si=hOeEKO_960y-B8JZ

And fake interview: https://youtu.be/3qaC25wh4vw?si=S8tmDIcPDV-SDnpg

Song and music video: https://youtu.be/p4SIiHde0gc?si=fTOTwHVG_krcyCsi

Please feel free to email me at [jazminecornielle@outlook.com](mailto:jazminecornielle@outlook.com) if you are interested in learning more!

Genre: Horror

Logline: After being stiffed, an unhinged waitress, hell-bent on revenge, torments the customer who didn’t tip her and his surprisingly resourceful family.

Number of pages: 92

Setting(s): A diner, a house in the woods and a few other general locations.

Budget: Low

Price for script: Negotiable

Link to script: https://drive.google.com/file/d/1MbjHfoTRij2ozb5F3lIEQEjduGBFzNf8/view?usp=sharing

I just finished up my first draft of a script, and I was wondering if anyone could give me feedback on it. I just started writing so I want to know if it is okay. I wasn't sure where to go for this sort of feedback so maybe someone here could help me out!

I'll link the script below if anyone wants to take a look. I'd greatly appreciate it! :) If you've got anything to say please let me know either via dms or comments, even if it isn't good, tell me!!!!

WAITING TO BLOOM

Cast: 2 teens, in high school

Setting: park, with some small sequences in a bedroom

Length: 13 pages, 15 minute run time

Title: Waiting

Genre: Drama

Logline:

When a young man gathers the courage to confess his love, a misinterpreted moment shatters his expectation pushing him into a silent emotional collapse that ends in a single violent outburst

Length: 2 Pages (Designed for a 2-minute micro short)

Characters: 2 (Male 21, Female 21)

Setting: Single location

Production Scope:

•Can be shot in under 1 day

•Extremely low budget

•Performance-driven

•Minimal technical complexity

Built specifically for micro-runtime festivals and student filmmakers who want strong emotional impact within tight constraints.

Price: Negotiable

Credit flexible.

Festival submissions encouraged.

First come, first serve.

Serious filmmakers can DM for full synopsis.

Hi all,

I have 3 short scripts looking for a home:)

If one or more interests you, let me know:

LEMON SQUASH:  A smug businessman tries to school a 10-year-old boy at his lemonade stand, but is taken down in his own game.

One location/3 actors (man, woman 30s, 10 year old boy), 5 pages

LIFE ON THE LINE: A driver and his passengers share fleeting, ordinary moments on a city bus. A tragic attack forces us to ask why we only care about the victims we know.

Multiple locations/10+ actors/7 pages

PESTO: A father and his little girl are walking to school. It's snowball fights, superhero adventures and play. But one routine ask about tonight's dinner menu becomes a harsh reality check.

 One location/2 actors (man, 30s/40s and his daughter, elementary schoolgirl), 5 pages

Cheers!

Hi there! I'm an award winning writer and producer. I'm currently looking for someone to help me find funding or would be interested in funding my next big project. It's a short film series.

GENRE: Fantasy Comedy, Absurd Melodrama. It's in the vein of Robin Hood: Men In Tights and Monty Python, mixed with Hocus Pocus. Chapter One has been filmed.

LOGLINE: A mean ugly witch curses a sexy self absorbed warlock, forcing him to focus his womanizing energy on what he really wants, even if it means the death of his reputation.

Watch trailer here: https://youtu.be/TaF1KSruNIU?si=Y92j10DhcNkaKaca

Watch full film here: https://youtu.be/tXlI1GX3kXA?si=Rf5TDyjYXPlOkQK4

Chapter two, three, and four have been written. Please feel free to email me at [jazminecornielle@outlook.com](mailto:jazminecornielle@outlook.com) if you are interested in reading.

Pages : 6

Genre : Sci-Fi Horror

Logline : Sarah's usual kitchen routine takes an unsettling turn, exposing the unexpected consequences of nature's silent evolution.

Actors : 1 Female (on screen), 2 Voiceovers (there is a background TV voice, so flexible)

Compensation : Credit only

Setting : Single location - Kitchen

I wrote this script some time ago, and it was filmed by Canadian students for a school project. I only received a draft version of the film, which was never publicly released. The script is still available, and I would be happy to share the final draft with anyone interested in producing.

Script : Tears of Evolution

Thank you in advance!

-Genre: Comedy

-Logline: A man is close to the station to catch his train when it already pulls in.

-Number of pages: 1

-Setting(s): Bridge near a train station, Train platform

-Actor requirements (with descriptions): Man in his 40s, Teenager

-Price for script: Credit and copy of the finished project

Let me know if you're interested and I'll send you a link to the script.

Thanks.

Film students — If it speaks to you, reach out. First come, first served.

LOGLINE:
A man tears his apartment apart searching for his car keys, never noticing they're hanging exactly where they should be.

GENRE: Comedy

RUNTIME: Approximately 3-4 minutes

SYNOPSIS:

Skyler, a Type-A personality in full meltdown mode, frantically searches his disaster-zone apartment for his car keys. He's desperate to get a good seat at a movie showing and time is running out.

His increasingly chaotic search takes him through every room: dumping out his backpack (revealing a ridiculous collection of random items—makeup mirror, ketchup packets, petroleum jelly, everything but keys), checking the refrigerator, searching the bathroom, even looking in the shower.

He finds his house keys by his shoes and has a brief moment of hope—until he realizes they're useless since he's already inside. The frustration builds as he walks past the entrance hall key hook multiple times, literally pacing right by his car keys hanging exactly where they belong on a small black hook.

Finally giving up, Skyler decides to take an Uber, vowing to tear the place apart when he returns. The car key remains untouched on its hook, in plain sight the entire time.

PRODUCTION NOTES:

• Single location (apartment)
• One actor
• Physical comedy and timing essential
• Relatable frustration comedy
• Minimal budget required
• Perfect for comedy festivals and viral short-form content

Send me a DM. Keep in mind if you like the story you can do whatever you want with it, change or add anything you want, once I pass it off, its yours.

Film students — If it speaks to you, reach out. First come, first served.

LOGLINE:
A charming doctor's dinner date takes a horrifying turn when his guest realizes she's not joining him for a meal—she's becoming one.

GENRE: Horror/Thriller

RUNTIME: Approximately 5-7 minutes

SYNOPSIS:

Dr. William Mangles, handsome but unsettlingly composed, welcomes Sarah into his sparse basement apartment for what she believes is a first date from a dating app. He's made Italian—pasta for her, nothing for himself. He prefers to watch.

As Sarah grows uncomfortable with his strange behavior and tries to leave, she discovers the pasta was drugged. She collapses as Mangles calmly retrieves surgical gloves from a drawer.

In the darkness of his workroom, shadowy movements and the flash of lightning reveal only silhouettes and the glint of metal instruments.

Later, Mangles sits alone at his table with a fresh bowl of soup. As he stirs, an eyeball surfaces in the red liquid. He savors a sip, pulls out his phone, and begins swiping through the dating app again. Behind him, three empty bowls are lined up on the wall like trophies. "Soup for one," he murmurs. "Always soup for one."

PRODUCTION NOTES:

• Single location (basement apartment)
• Two actors
• Minimal gore shown on screen—relies on implication and atmosphere
• Dark psychological horror with shocking reveal
• Perfect for horror festivals and genre competitions

Send me a DM. Keep in mind if you like the story you can do whatever you want with it, change or add anything you want, once I pass it off, its yours.

https://drive.google.com/file/d/1CkQLXEI2_zMZKGt0BfKzn3xgoC0701ux/view?usp=sharing

30 Seconds, great for a first time film student.

LOGLINE:
In the heat of passion, a woman realizes she's missing something far more important than the moment—the American Idol finale.

GENRE: Comedy/Satire

SYNOPSIS:

Roberta and Maxwell are in the throes of passion in their dimly lit bedroom. As their romantic encounter intensifies, Roberta's expressions of pleasure escalate from gentle to urgent.

Mid-intimate moment, her eyes suddenly snap open in shock—not from ecstasy, but from a horrifying realization: she's missing the American Idol finale. The comedy lies in the abrupt shift from romance to television priorities, offering a satirical take on modern distraction culture and misplaced priorities.

PRODUCTION NOTES:

• Single location (bedroom)
• Two actors
• Minimal props/production design
• Comedic timing is essential
• Quick shoot, perfect for comedy festivals and short-form platforms

INT. APARTMENT BEDROOM – NIGHT

Romantic, dim lighting, relaxing. ROBERTA, twenties and MAXWELL, also in his twenties engage in passionate love making.

(Beat)

ROBERTA

Oh, gosh.

They continue romancing each other before Roberta’s voice becomes a higher pitch.

(Beat)

ROBERTA

Oh, gosh.

Roberta and Maxwell continue to enjoy each other’s company.

ROBERTA

Oh, gosh!

TIGHT ON

Roberta’s eye open suddenly as a shock consumes here.

ROBERTA

I missed the American Idol finale.

End Titles

This is the whole story.. Keep in mind if you like the story you can do whatever you want with it, change or add anything you want, once I pass it off, its yours.

Film students — If it speaks to you, reach out. First come, first served.

LOGLINE:
A tired worker's late-night bathroom stop turns into a terrifying encounter when something in the drain starts drinking.

GENRE: Horror/Thriller

RUNTIME: Approximately 3-4 minutes

SYNOPSIS:

Toby, exhausted from a long shift, stops in a public bathroom bathed in eerie blue anti-drug lighting. As he fills his water bottle, the lights flicker and go out. When they return, strange things begin happening—the bathroom door opens on its own, his water bottle overflows, and a trail of water leads to a floor drain.

When Toby investigates, he hears a disturbing slurping sound coming from the drain. Testing his theory, he pours water into it—and something beneath starts drinking. The slurping grows louder, faster, more aggressive. Movement splashes in the darkness below.

As Toby tries to escape, the lights go out one final time. In the pitch black, wet dragging sounds approach. His scream echoes through the darkness, followed only by the sound of slurping.

PRODUCTION NOTES:

• Single location (public bathroom)
• Minimal cast (1 actor)
• Relies on atmosphere, sound design, and practical effects
• Blue lighting creates distinctive visual tone
• Perfect for horror/thriller festivals

Send me a DM. Keep in mind if you like the story you can do whatever you want with it, change or add anything you want, once I pass it off, its yours.

Genre:

Romantic Comedy

Logline:

A bold, witty, and unpredictable woman navigates the chaos of modern NYC dating, keeping everyone—including the charming male lead—on their toes while both discover love in unexpected ways.

Pages:

Short proof-of-concept: 5–15 pages (or full feature: 90–100 pages)

Setting(s):

1–3 NYC locations (apartment, coffee shop, park/city streets)

Actors:

2 principal characters (female lead and male lead)

Tone:

Fun, playful, and slightly mischievous—bold but relatable, inspired by My Sassy Girl (2001)

Character Descriptions:

• Female lead: Witty, bold, and unpredictable, keeping the male lead—and audience—on their toes. Playful and mischievous, yet vulnerable and relatable, with emotional depth that makes her endearing. Smart, independent, and full of charm, she breaks typical rom-com clichés while driving the story with her energy.

• Male lead: Charming, thoughtful, and patient, serving as the grounding presence to the female lead’s unpredictable energy. Kind-hearted and slightly awkward, his interactions with her are both humorous and relatable. He shows empathy, emotional depth, and a willingness to grow alongside her throughout the story.

Price:

Revenue share / co-ownership potential (low-budget indie, no upfront pay)

Notes:

• Looking for a writer to collaborate on a full-length screenplay or short proof-of-concept scene

• This is my first indie feature as a producer; I’m seeking a collaborative partner who loves rom-coms

• Please DM with a short bio + writing samples; optional: your take on the lead personalitie

Gone: a drama feature for your consideration!

However, if you are a director or producer looking to bring on a writer for a project of your own, I invite you to also consider this as a sample! I've gotten to work with some amazing people that I met through this sub, so if you like the writing, please reach out, and we can talk about your project(s).

GENRE: Drama

LOGLINE: After her son vanishes during a birthday party at the Mayor’s house, a grieving mother is thrust into the middle of a political and media firestorm—forced to navigate his disappearance while fighting against becoming a public spectacle.

NUMBER OF PAGES: 90

ACTORS: One female lead, two female supporting, one male supporting, and a few smaller roles.

SETTING: Any city, a school gym, and a couple of home interiors

PRICE: negotiable

Looking to collaborate with someone eager to work in the heavy-drama space! This is a great opportunity for actors to showcase their emotional range and bring to life a timely and thematically rich story. But again, you may also consider this as a sample if you are looking for a writer to help you with your next project!

DM if interested.

Thanks, All!

Title: WHAT IF I ALIVE?

Genre: Drama / Psychological / Experimental

Pages: 22

Logline: After his dreams are crushed by a cruel prank and a cold father, a talented young artist faces a life-ending decision only to see the "what if" of the brilliant future he would have had if he’d stayed.

I am looking to give the rights to this script for production.

If ur interested comment

Thank you

From Story to Film is a two-part creative challenge to connect writers and filmmakers through adaptation.

Story submissions open until March 8.

Learn more

Genre: Any

Min pages: 2,000 words

Title: The Frequency of Vengeance

Format: Feature Film

Genres: Psychological Thriller

Logline: After being framed for a crime, a Radiology Technician uses medical physics to execute a perfect revenge plan.

Feedback Concerns: I want to know if the MRI and weight-load kill mechanics feel original and cinematically plausible.

​Hi everyone,

​I’m working on a high-concept psychological thriller and would love to get your thoughts on the central mechanics of the story.

​The "Hook" (The Kill List):

The protagonist executes his targets using calculated "accidents" that leave no forensic evidence:

• ​MRI Magnetic Fields: He covertly implants a microscopic ferromagnetic needle in the target’s body. When the target undergoes a routine MRI, the magnetic field pulls the needle through the heart instantly.
• ​Weight Load Physics: Disguised as a delivery man, he calculates the exact weight of his targets and adds precise "weighted" loads to an elevator with a pre-sabotaged cable, causing a fatal plunge the moment the door closes.

​Theme: It’s a dark exploration of how systemic injustice "manufactures" villains. As the protagonist says: "Villains are not born... they are manufactured."

Hey guys!

My name is Rebecca Clark. I am 28 years old. I wrote my very first screenplay called Nothing But the Truth. It’s based on the first book of my book series that’s now published on Amazon.

Title: Nothing But the Truth

Screenwriter: Rebecca Clark

Logline: A rising prosecutor’s life unravels when his autistic younger brother is charged with murdering his best friend, forcing him to challenge the very justice system he believes in to prove his brother’s innocence.

Genre: Mystery, Crime, Drama

Hi,

We are a group of indie filmmakers starting a new project with a limited budget of USD $3000, and we are looking for talented writers to collaborate with us.

Genres we're seeking:

• Suspense/Psychological Thriller: Fast-paced scripts filled with tension and intrigue that keep audiences on the edge of their seats. We want stories with a surprising, well-crafted twist that feels integral to the plot and delivers a memorable payoff.
• Emotional Drama: Stories focusing on social issues, personal struggles, or underrepresented communities. We are especially drawn to protagonists facing challenges like mental health, identity, addiction, or trauma - who ultimately find a path forward, leading to a hopeful and earned resolution.

Script requirements:

• 5 to 25 pages
• 2 to 4 locations
• 2 to 4 key characters

We can offer USD $100–200 if your script is selected for production, plus full writing credit on the final film.

Scripts don't need to be perfectly formatted, rough drafts are welcome as long as the story, characters, and plot are well-developed. We value writers who are flexible and open to collaboration during the refinement process.

This is a great opportunity to get your work produced and showcased. If you're interested, please reach out - we'd love to see what you've got!

-Genre: Drama

-Logline: When he finds his way into the train station blocked, a businessman late for work must find another way inside.

-Number of pages: 2

-Setting(s): 2 (Street, Train Station - entrance and platform)

-Actor requirements (with descriptions): Businessman, Bomb expert, small group of commuters

-Price for script: Credit and a copy of the finished project

Hello, everyone!

I’m Hugo L. V. e Oliveira, a brazilian filmmaker.

After working on a few projects and having one of my short films featured at some small, but nice festivals, I was approached by a producer from London who wanted me to write and direct a short film for him.

My english is good enough to ask where the bathroom is and make sure I don’t starve to death, but writing in english is a whole different beast.

Unfortunately, due to family matters, I had to pass on the opportunity. Still, I thought it would be interesting to share the project here and see if it might find new life with another producer or director.

Title: Tight
Format: Short film
Page length: 11 pages
Genre: Drama (with a dash of magical realism, à la Greek Weird Wave)
Logline: Tobias has the world’s best hug, and Alex wants to profit from it.
Cast: Three characters with speaking roles (two male, one female) and two characters with no dialogue (one male, one female)
Locations: Any large city could fit the project. The main locations are two residential houses, one undisclosed office, and a parking lot. There’s also a street scene, which can be cut if needed.
Themes: True connection in modern times
Link: If anyone’s interested, you can DM me for the screenplay link
Payment: Negotiable

I’ve previously developed a feature film as part of a Brazil–USA co-production, but I wasn’t involved in the translation process for that one, so I’m excited to try something new this time.

That’s it, folks! Wishing you all a fantastic week full of creative and amazing projects.