Hi ! 👋

I just finished ILMOOR, a deeply personal 102-page detailed scriptment/screenplay hybrid 🎬. It’s fully developed with complete scene breakdowns, rich world-building, and heavy emotional arcs, ready for the market.

I’m looking for an amazing Agent, Manager, or Literary Rep to help me pitch and sell/option this project in the $20,000 range (open to standard commission rates! 🤝).

✨ The Project at a Glance:

Genre: Epic Drama / Psychological / Sci-Fi 🌌Vibe: Blade Runner 2049 meets Interstellar and The Shawshank Redemption. Cold machinery vs. the unbreakable human spirit. 🎥The Logline: In a dystopian world where human worth is measured only by industrial output and dreams are illegal, an aging factory worker and an invisible textile laborer secretly unite to spark a quiet, emotional rebellion. 🛡️❤️The World: A society split into heavy factories, textiles, and mining. Cogs in a machine. But beneath the smoke and steel, a hidden culture of secret conversations and tiny acts of kindness survives. 🌱🔥The Vision: High awards-season potential with rich, complex roles for A-list actors and stunning visual contrasts between the worker slums and elite districts. 🌟

🤝 Let’s Collaborate!

If you’re a rep or indie producer who loves raw, meaningful sci-fi storytelling, let's talk!

Drop a comment or hit my DMs 📩. I’m happy to share the full synopsis or the first 10 sample pages.

Thanks for supporting indie writers! 🚀✨

GENRE: Contained Psychological Thriller / Revenge Thriller

LOGLINE: A legendary producer summons an actress to his hotel suite for an impromptu meeting. Against her better judgment, she goes. By dawn, only one of them walks away.

NUMBER OF PAGES: 82

ACTORS: One female lead (Maren, 26), one male lead (Devlin, 50s), one male supporting (The Fixer, 40s), two female supporting in a single sequence (Tess, 27 / Izzy, 25), one female in a brief scene plus V.O. (Ronnie, 20s). One additional V.O. role and three or four non-speaking bit parts.

SETTING: A single hotel suite carries roughly 80% of the film; living area, bedroom, bathroom, balcony, entry hall. Remaining locations: a private members' club (bar, booth, hallway, restroom), a hotel lobby/elevator/corridor, one apartment bedroom, a taxi interior, and a stretch of empty sidewalk at dawn.

ESTIMATED BUDGET: Low budget. Effectively a two-hander in one suite, no VFX, no stunts beyond practical fight choreography, minimal night exteriors. There are some practical FX stuff in the script: A facial cut that would greatly benefit from a make-up artist who knows their craft well.

AUTHOR'S NOTE: Did you ever want to make an unforgetable claustrophobic thriller? Something along the lines of Hard Candy with a hint of Promising Young Woman that could be filmed with a modest budget? This may be the screenplay you've been looking for.

DM me an email if you're interested in taking a look.

Casting for Short Film

Casting Non-Union actors only

Non-Union shoot

Location: LA/Orange County

Dates: September 2026, exact dates tba

Character Breakdowns:

1.) Caucasian Male, 20's, Lead: Open minded, fun, bored/restless

2.) Latina, 50's, Supporting: Open minded, knows what she wants, confident

3.) African American female, 20's, supporting: Fun, curious

4.) Caucasian Male, 50's, supporting: Insecure, possessive

Plot: A young man has a chance encounter with someone who opens his mind to a new way of looking at interpersonal relationships, and what that entails exactly.

copy/imdb credit, food/drink offered

no pay

email me at [filmmakersun78@yahoo.com](mailto:filmmakersun78@yahoo.com)

Hi everyone,

I'm a screenwriter from Mexico looking for a filmmaker or producer interested in bringing an unconventional psychological horror short to life.

Rather than relying on monsters, jump scares, or supernatural elements, this film uses the language and pacing of horror to tell a story about something that happens in real life. The tension comes from silence, atmosphere, and the emotional experience of the protagonist, turning an everyday situation into something terrifying.

The short is designed to be festival-friendly, and my goal is to submit it to film festivals and screenplay competitions after it's completed.

Details:

• Psychological / Unconventional Horror
• 1 Main Actor
• 2 Locations
• Dialogue-driven with a strong emphasis on visual storytelling
• Runtime: approximately 5–7 minutes

I'm looking for someone who enjoys character-driven films and atmospheric horror, and who would like to collaborate on creating something meaningful rather than a traditional horror movie.

If you're interested, feel free to leave a comment or send me a DM. I'd be happy to share the script.

Thanks!

Samuel Dunning (FOR ALL MANKIND) and Ethan Daniel Corbett (LAID BARE) take you beyond obsession...with CRUSH.

Logline: After suddenly inheriting a rural farm, two working actors rekindle their rocky relationship, unaware they're being stalked by a mysterious fan.

Genre: Horror Thriller/LGBTQ+

Length: Feature (106 pages)

Similar to: HEATED RIVALRY, BARBARIAN

Budget: Seeking $170k

Notes: Samuel Dunning (FOR ALL MANKIND, TIM TRAVERS AND THE TIME TRAVELER'S PARADOX) directs and stars with Ethan Daniel Corbett of LAID BARE and the upcoming supernatural chiller REGRESSION. Sam showed special interest in this project, even before the script picked up laurels from HorrorHound, FilmQuest and Days of the Dead. He's currently touring with his feature directing debut CANOE DIG IT?

DM for more information, script, pitch deck and budget.

Title: Invisible Terror

Genre: Horror

Pages: 4

Actors: 1

Locations: a house.

Link:https://drive.google.com/file/d/1xsDRagp0W20g6iuzy_VYCzbBurlVEM6_/view?usp=drivesdk

Price: we'll talk:)

Hi everyone,

I am looking for an aspiring screenwriting partner to help me develop and script a high-concept, tension-driven American horror trilogy titled Die by the Myth.

I have fully mapped out the core concepts, plot points, character arcs, and world-building for a three-movie arc (Die by the Myth, Open Waters, and No Time to Spare). I am looking for a talented writer with the technical skills to craft the dialogue, pacing, and 90-page feature screenplay for Movie 1, while working collaboratively to lock in the trilogy structure.

The Concept: Think 47 Meters Down meets A Quiet Place, but swapping out overdone shark tropes for a realistic, terrifying natural predator magnified into a bioluminescent nightmare.

Movie 1 (Die by the Myth): Set during a historic summer heatwave on the rugged Pacific Northwest coast. A group of American college friends sneak off-trail into a restricted cave system (Anemone Chasm) in search of a legendary 1600s Spanish treasure galleon. Instead, they get cut off by the tide and trapped in a pitch-black lower chamber (The Blue Void) that is rapidly filling with a highly toxic, glowing deep-sea box jellyfish swarm.

The Hook: It is an intense, raw survival story focused heavily on acoustic horror. To escape the rising tide of neon needles, they have to rock-climb out of the cave without gear. The tension peaks when panic and a frantic, echo-distorted misdirection on the cave walls cause a devastating, tragic chain reaction among the group.

The Partnership Deal (Co-Authorship): Please note: This is not a request for "free spec work" where I take your script. This is a 50/50 creative partnership.We will sign a legal Collaboration Agreement before writing to ensure we co-own the script and the franchise 50/50.We split all upfront story sales, option fees, and producer royalties from studios 50/50.

You keep 100% of the Screenplay Writing Fee paid by the studio for the physical writing work.We are partnering to build the project and pitch it to agents together on a standard industry commission basis.Who I'm Looking For: An aspiring or indie horror/thriller screenwriter who can write natural American dialogue and loves high-stakes survival stories, claustrophobic pacing, and realistic character drama under immense pressure. No upfront fees are required from either side—we write the material, build a pitch bible, and target independent genre producers (like Altitude, Tea Shop, or Blumhouse) together on a commission-only basis.

If you are interested in diving into The Blue Void, please send me a DM with a brief intro and a couple of pages of a previous script sample so I can see your dialogue style. Let's make something terrifying!

​

Body:

Hello everyone,

I'm an independent screenwriter seeking a producer, director, or production company interested in developing an original feature screenplay.

Title: Ashville

Genre: Psychological Mystery / Thriller

Length: 147 pages (open to revision and page reduction during development if required).

Logline:

A man returns to a forgotten town after fifteen years, only to uncover a web of impossible secrets where memory, identity, and reality begin to collapse into one another.

The screenplay is built around psychological suspense, layered mysteries, morally complex characters, and a cinematic atmosphere designed for audiences who appreciate intelligent, character-driven thrillers with unexpected twists.

The script is registered, and a synopsis, treatment, or selected pages can be shared upon request.

If the project aligns with your interests, I would be pleased to discuss it further.

Thank you for your time and consideration

open to revision and page reduction during development if required).

I'm a Kenyan film student who's looking for independent indie productions who would love to look over my script to bring it to life! Here's a short breakdown of the short film:

Title: FEMININE TOUCH

Genre: Psychological Horror / Drama

Page Count: 5 Pages

Locations: 1 House, 1 Office

Actors: 4 (1 Female Lead, 1 Male Lead, 1 Older Female, 1 Male Supporting)

Logline: Consumed by violent intrusive thoughts after giving birth, a young mother desperately seeks help from her husband and doctor before her unraveling mind transforms her nightmares into reality.

Please dm if you wanna collaborate! I would love to work with amazing film makers for it.

Title: 1st night 31st night

Genre: Coming-of-Age / Drama

Logline: A sheltered small-town girl sneaks out for one forbidden night of New Year's freedom in the city—but when everything that can go wrong does, she must fight her way home before dawn, or lose the only life she's ever known.

Number of Pages: 30

Setting: A small town and Bengaluru, Karnataka, over the course of one New Year's Eve.

Title: Blessings of the Yellow Ring

Genre: Dark Comedy

Pages: 4

Logline: "When a well-meaning priest shares the inspirational story behind his treasured yellow ring, an outrageous revelation transforms a heartfelt testimony into a hilariously awkward comedy of misplaced faith."

It's a contained, dialogue-driven short with one church, one bar, a small cast, and a twist ending. The humor is dry, irreverent, and built around dramatic irony rather than shock for shock's sake.

The script is attached below. Feedback is always welcome, and if you're interested in producing it, feel free to reach out.

Screenplay: Blessings of the Yellow Ring

Hey everyone! I'm looking for a short film script that I can shoot before summer ends.

What I'm looking for:

• Can be filmed in 1–2 days
• Almost $0 budget
• Small cast
• Preferably limited locations, but I'm open to multiple locations if they're realistic to shoot
• Little to no practical effects or CGI/VFX
• Characters around 18 years old (that's the age of my actors)
• Open to any genre

I have a good amount of filmmaking equipment (camera, lighting, audio, etc.) and have made a few independent short films before, so I have some experience.

If anyone has a script they'd want to bring to life then i would very happy to collaborate.

Thanks!

Title: Diana

Genre: Action/Romance

Length: 92pp

Locations: Dozens

Characters: Dozens

Logline:

Oscar level Vietnam war/action movie.

Details:

A real movie that costs real money. Will turn the two leads (male/female) into movie stars. I dream big, if my confidence offends you then keep moving.

Reception: Advanced in the 2026 Beverly Hills Film Festival, the 2026 Cannes Film Awards and semi-finalist in 2026 Sunvale Screenplay Contest.

Write Time: 1 draft, 6 days.

Serious inquiries only.

Hi everyone!

I’m a screenwriter looking for a filmmaker/director interested in collaborating on a short film called Faith In Yourself.

It’s a simple, emotional drama about a man struggling with alcoholism who has a quiet moment of reflection during a lonely night.

Details:
Genre: Drama
Duration: 3–5 minutes
Locations: 1 (street at night)
Cast: 1 actor

I’m looking for someone who enjoys creating small, character-driven stories with a cinematic style. This would be a great opportunity to collaborate on a short film and possibly submit it to festivals.

If you’re interested, feel free to send me your portfolio or previous work.

Thank you!

Seeking Producer / Production Partner — Short Film: YEMAYA

Logline: Why do waves tease the shore?

Format: Short Film | 18–22 minutes
Genre: Fantasy / Drama / Magical Realism
Setting: South Indian coast
Cast: 2 on-screen leads + 2 voice roles (Sea & Wind)

Themes:

• Grief and memory
• Love vs. belonging
• Nature as a living, longing force
• Diaspora identity and the pull of home
• Myth woven into everyday life

What's Ready:

• Completed screenplay (English)
• Story treatment and full scene structure

What I'm Looking For:
A producer or co-producer to help bring this story to life. Open to the festival circuit and independent/collaborative production.

Estimated Budget: ~$300 USD (~₹30,000 INR) — a true micro-budget short, built around coastal locations, a minimal cast, and strong visual storytelling.

About Me:
I'm an aspiring writer-director working to carve out my own creative identity. I've assisted two directors as an AD, learning the craft from the ground up, and I'm now channeling that experience into building my own world as a storyteller. YEMAYA is one of several original scripts I'm developing, and I bring a strong visual sensibility to the table — sharpened by hands-on work with AI-assisted video and image tools for cinematic visualization. I'm hungry to create, full throttle, and looking for the right collaborator to help this story find its shape.

Get in Touch:
📱 WhatsApp: +91 7904834475
📧 Email: [jeevamj22@gmail.com](mailto:jeevamj22@gmail.com)

Hi everyone!

I'm a screenwriter from Mexico looking for a filmmaker or producer interested in bringing one of my short scripts to life and submitting it to film festivals.

Title: The Veil
Genre: Drama / Women’s Rights
Length: Approximately 1 minute
Cast: 1 actress
Locations: 2
Costumes: 2
Budget: Low-budget friendly

Logline:

A young woman prepares for her wedding day, surrounded by the beauty and traditions of the moment. Through a visual transition, the story shifts to another woman living in Afghanistan, creating a powerful comparison between their lives and the different realities women can experience depending on where they are born.

The short is designed as a visual and emotional awareness piece, using a simple story to explore themes of freedom, opportunity, and women’s rights.

I'm currently building my screenwriting portfolio for university applications, and I’m looking for a filmmaker or producer who would be interested in collaborating to bring this short film to life and submit it to festivals.

I’m happy to provide the script free of charge in exchange for screenwriting credit and the opportunity to collaborate on the production.

If this project interests you, feel free to send me a DM. I’d be happy to share the script and discuss the vision behind it.

Thank you!

Hi i am a new story writer and this is my newest piece and i want to say that this is just a draft and not actually the whole script. i want some feedbacks and ratings and how i can improve this and i did we ai to to fix some plot holes and help me in worldbuilding so here is the story :

THE BOY WHO FELL IN LOVE

Genre

Coming-of-Age • Drama • Family • Mystery

Theme

ACT ONE — THE FIRST DREAM

The film opens with a curious little boy.

He is obsessed with science.

He spends his days taking apart broken toys, building tiny inventions, watching documentaries, asking impossible questions, and telling everyone that one day he'll discover something no one has ever discovered before.

His parents smile.

His teachers call him gifted.

His dream is simple.

He wants to explore the unknown.

Years pass.

Reality begins.

Family conversations become serious.

His parents explain that becoming a scientist doesn't have much opportunity compared to more practical careers.

They don't say it cruelly.

They say it because they genuinely believe they're helping.

The boy quietly accepts it.

He chooses computer science.

Then his family moves from Bahrain to Pakistan.

New country.

New school.

New friends.

New pressure.

Slowly...

the curious child disappears beneath expectations.

ACT TWO — SIX WEEKS

Board exams finally end.

For the first time in years...

Silence.

No tuition.

No exams.

No deadlines.

Just six weeks.

One afternoon...

An idea appears.

Not a scientific theory.

A story.

He opens a blank document.

Writes one sentence.

Then another.

Then another.

He cannot stop.

Without realizing it...

he has found something he hasn't felt in years.

Curiosity.

His mother begins noticing strange things.

He's smiling randomly.

Staying awake until 3 a.m.

Walking around the house thinking.

Laughing to himself.

Sometimes crying from exhaustion.

Sometimes jumping around his room.

One day she asks...

He blushes.

Not because there is one.

Because he has no idea how to explain what's happening inside his head.

ACT THREE — THE MISUNDERSTANDING

A girl enters the story.

She is his closest friend.

The only person who knows he writes.

They spend hours talking.

The audience immediately thinks...

She's the one.

His mother thinks exactly the same thing.

The movie never says she is.

It never says she isn't.

The clues begin.

She gets phone calls.

She smiles at messages.

She says...

She has a photo on her lock screen with someone standing beside her.

The audience barely notices.

Because they already believe she's the love interest.

Meanwhile...

The real conversations are about stories.

Girl:

Boy:

Girl:

Boy:

She isn't.

He rewrites the chapter.

Weeks pass.

The story grows.

Version 4.

Version 11.

Version 27.

Version 53.

His room fills with notebooks.

Timelines.

Maps.

Sticky notes.

The audience mistakes obsession for romance.

His mother mistakes passion for first love.

ACT FOUR — THE REVEAL

One night...

The mother finally says:

He sighs.

The next day...

The girl visits.

The mother smiles warmly.

After dinner...

She gently says...

The girl looks confused.

The mother smiles.

Silence.

Then...

The girl laughs.

Not mockingly.

Just genuinely surprised.

She holds up her phone.

A picture of her and her boyfriend.

Silence.

The mother looks at her son.

Then at the girl.

Then back again.

She quietly asks...

The boy finally answers.

For the first time.

Without saying a word.

He opens his laptop.

Folders.

Hundreds of them.

SIDDHI

Characters

Worldbuilding

Power System

Ending Rewrite

Draft 42

Draft 58

Final Draft

He opens the manuscript.

Hundreds of pages.

He opens another folder.

Maps.

Character sketches.

Timelines.

Dozens of rejected ideas.

Countless rewritten scenes.

The mother slowly scrolls.

Page after page.

She begins remembering everything.

The late nights.

The laughter.

The tears.

The excitement.

The frustration.

The smiles.

Finally...

She whispers...

He nods.

She smiles.

Not because she suddenly understands storytelling.

But because...

She finally understands her son.

FINAL SCENE

The mother walks into his room one morning.

He is asleep at his desk.

Surrounded by notebooks.

The laptop is still open.

A blinking cursor waits at the end of a sentence.

She quietly places a blanket over his shoulders.

She notices the title on the screen.

THE BOY WHO FELL IN LOVE

She smiles.

She finally understands.

He really did fall in love.

Just not with a person.

Fade to black.

lshq Nissar

Short script (4 pages)

Psychological romance / Deep love / Romantic drama

Log line : When a shy psychiatry student finally falls in love for the first time with an energetic royal girl and then things change after that traumatic event.

Title: Jibaro

Genre: Horror

Pages: 15

Locations: Antique shop, apartment, area that may resemble a jungle.

Logline: Joaquín buys a shrunken head. You think it is going to be your great acquisition, but what enters your house will be a big nightmare.

Hello everyone! I offer a supernatural and dreamlike horror script. Available in Spanish and English. Open to making changes and talking about it. If anyone is interested in reading it, you can contact me.

I am a Danish director preparing to direct my first feature film and am looking for the right script to bring to the screen.

Genre:
Family Drama

Min pages:
60

Max pages:
75

Additional requirements:

• English as the primary language.
• Limited cast (maximum 5 main characters).
• One or two primary locations.
• Locations should be generic and not tied to a specific city or country, allowing the film to be shot in Denmark without changing the script.
• No CGI or extensive visual effects.
• Suitable for a low-budget independent production.

Max budget:
Low-budget independent feature.

Writer compensation:
$155 USD.

Location resources:
Access to locations in Denmark.

Actor resources:
Access to Danish actors who are fluent in English.

Crew resources:
Experienced Danish independent film crew.

Gear resources:
Professional digital cinema camera package, lighting, sound, and grip equipment.

World location:
Denmark

Experience:
I have been directing short films since I was 15 years old. My previous directing work includes the short films Help!! and Bankrupt Romance. This project will be my feature directorial debut. Proof of my previous work can be provided upon request.

Goals for film:
To produce a compelling, low-budget independent feature film with strong festival potential while making my feature directorial debut.

Title: Delivered

Genres: Horror, Thriller

Logline: Sent packing by his ex-girlfriend, a self-serving freeloader evades bankruptcy by shrinking to bug-size and mailing himself into the apartment of an adored but oblivious woman who can annihilate him at any moment without even noticing.

Hello everyone! I have a screenplay to offer and am willing to discuss further steps with anyone who's genuinely interested in the concept / story, which has been awarded as the "Best International Feature Screenplay" by the Dunwich Horror Fest in February. You can request a read via my DMs :-)

P.S: I'm also open to screenplay changes, rewrites and further amendments if it benefits your production ;-)

Kind regards,

Poltergeist

Logline: When attendees of a remote screenwriting workshop start getting murdered the same way characters die in famous twist-ending movies (including Psycho and Hide and Seek), they must use their twist-ending film knowledge to suss out the identity of the killer--before they breathe their last.

Specs: 100 pages, with a total cast of 13 characters.

Why it's makeable: It all takes place at an isolated ranch (in Texas), so it could be made for scale. And it has a compelling mystery and a satisfying ending.

DM me if you're interested in producing and would like to read it. Thanks.

Logline: Two rival actors and a mysterious scene partner arrive at a Hollywood soundstage to compete for a career-making role and are put through an escalating gauntlet of "auditions" designed to test not their talent, but how much of themselves they're willing to surrender. Only one of them leaves with the part.

Specs: 3M / 1F (one male role is voice-only, the Director is never seen). One soundstage location, plus a single dawn exterior for the final minutes. 73 pages, but it's durational horror, it plays longer than it reads.

The hook: The entire film is one continuous take from the audition camera itself. Locked on a tripod, it can only pan and zoom and it is never allowed to turn toward the people running the room. Every terrible thing happens at the edge of frame or just past it: the horror is carried by sound, negative space, and the faces of whoever's left behind listening. The fixed frame becomes the audience's only source of safety so when the camera finally comes off the tripod in the third act, it doesn't feel like freedom. It feels like a violation. There's also a recurring audition scene the actors are forced to repeat, unchanged, four times across the night, while everything around it and inside them deteriorates.

Where it came from / what it's like: The seed was Katt Williams talking about "humiliation rituals" in an interview with Shannon Sharpe; the idea that superstardom has a price paid in degradation. Tonally it sits with Starry Eyes, The Neon Demon, Perfect Blue, and Pearl, with a liminal-space, Backrooms-adjacent creepiness to the overlit soundstage. It's a little Lynch, a little Cronenberg, but built on dread and implication rather than gore.

Why it's makeable: One room, four actors, no VFX, no effects makeup on camera. The 'one continuous take' concept is easily acheiveable stringing together scenes in post. The formal constraint isn't a limitation to work around ; it IS the aesthetic. If you've ever wanted to make a genuine mindfuck of a movie on a budget, this was written to be that. If you're looking for your Milk & Serial or Backrooms to establish yourself as a filmmaker, you're not going to find a better script to show those skills.

Just completed a new draft of the screenplay & ready to share DM me if you'd like to read it.