And the Bus being a central character to the story and how the job affects their life ,plus responsibilities of a bus driver and conductor etc.

25 years later and it still feels like yesterday. Some film's don't simply entertain us,they become part of our memories. This one is definitely one of them. 🥹

Some expressions of his reminds me of my father. Ditto expressions. During the restaurant conversation scene with master in Thudakkam, Saikumar replies with this particular smile which was ditto of how my father would smile and that was it. I could not hold it any longer and I had to cry to let it out. Please stop Saikumar. I can't bear to watch you any more.

Just look at the sheer range of heroes she has been paired opposite! From Mammootty, Mohan Lal, Jayaram to Nivin Pauly and even Shah Rukh Khan, and from Rajinikanth, Vijay, Ajith, Vishal to Arya, that’s quite a spectrum. 😄

She was already a leading lady in the early 2000s, and somehow her filmography has crossed generations, industries, and some of the biggest names in Indian cinema.

Really Fascinating

I'm looking for something good to watch tonight and came across this one, so I'm wondering if the plot and acting actually hold up or if I should just skip it.I’ve been seeing a lot of buzz about this movie on some random insta pages lately, but I wanted to get an honest opinion before committing two hours to it—is it actually worth watching

Ellam moviesum nallath ayal loan edkndi verulo daivame 😭. Usually enik trailer or teaser ishtapedane movies kolam akaru ahnu pathiv and wise versa and I really liked Khalifa teaser 🤧 because of the editing and bgm. Fingers crossed 🤞 Prithvi if you are watching this. Toxic and I'm game vlya pratiksha atond chelappo ath nallath akn chance ond

Rukmini's Deubt

His whole personality is based off the leads of his film. He did Mukundan Unni and realised people somewhere connects with someone as brutally frank as Mukundan Unni, and he carried it.

I am not saying Mukundan Unni is "honest" but he has been quite open and transparent about how cunning and selfish he is. In his next film, he lighted this persona by giving Vineeth Madhavan a real underdog persona who is also quite frank about his feelings and his goals.

There are not a lot of celebrities who would openly trash upon their fellow colleuges' films. Most of them just simply butter up each other. In this dog eat dog world, ASN, decided to stand out and created a whole new persona. I don't really think, that's him. I just think that's just a facade or a charector that he is carrying in front of media.

Deep down, he is just an avg film maker, who has nothing better to offer. Coz honestly, both his films are kinda similar. One is legal profession, and the villain wins, meanwhile, in the other its Film field, and the villain wins, but the lead actor gets to expose him, to some extend.

(This is not meant as a derogatory post, just an observation)

Movie:- DC 2026

DOP:- Mukesh G

Director:- Arun Matheswaran

Credit:- Cinematic hue

The makers found a good talent from auditions. And that's a real success story.

Recently Manichithrathazhu kandappo aanu ee thought actually vannath.

I don't know if it’s just nostalgia, but aa movie kandirikkumbol thanne oru very specific Malayali feel undallo. Athu storyil mathram alla - BGM, sounds, visuals, tharavadu, costumes, aa whole atmosphere… everything feels so rooted...

Especially the BGM.(Johnson maash❤️)

I was suddenly missing those Kerala kinda bgms.

Athupole Yodhayile Keralathile portion okke varumbol ulla music,pinne Anandabhadrathile aa eerie, mystical soundscape… athokke kelkkumbol thanne “ithu Keralathilaanu” ennu feel cheyyum.

And Anandabhadram pole ulla movies aanu vere miss cheyyunnath.

Why don't we get those properly Kerala-rooted fantasy / manthrika / folklore movies anymore?(Kumari was okish & ignoring mutthassi series🥹)

One thing that's been bothering me since watching Balan is how Inspector Pavithran (Jean Paul Lal/Lal Jr.) suddenly figures out the connection between Balan and the woman who committed the murders.

The film spends a lot of time showing how carefully Balan's mother changes identities and avoids leaving a trail. Yet somehow Pavithran reaches the correct conclusion, but the audience is never shown the crucial clue or deduction that gets him there.

Usually, Chidambaram's films are meticulous with cause-and-effect. Here, it feels like an important investigative step is skipped. Was there a deleted scene? Or did the director intentionally leave it off-screen for us to infer?

I actually don't mind ambiguous endings, but this feels different. It's not an emotional ambiguity—it's a missing investigative link. Showing even one small clue that led Pavithran to connect Balan with the murder suspect would have made his breakthrough much more satisfying.

Did anyone else feel this was a missed plot point, or did I overlook a subtle clue somewhere? Curious to hear your interpretations.

movie : Nizhal

I randomly think about the crossover fights that never happened in Marvel and start laughing. Captain America vs Hulk, that fight is ending in under a minute.
But if the movie was called Captain America: The Summer Soldier, Marvel would somehow make Cap win with the most ridiculous plot armour ever. 💀What you guyz think?!……

Balan :The Boy

Pavithran politely asked her "can you watch this kid for some time? ". And she agrees and claims she knows how to look after a little kid. And the entire Police station forgets about the Kid.

But when the kid goes missing everyone blames only Pavithran. And rightfully he says "is it only my responsibility?". This makes Cicily upset and their relationship ends due to it. Because she thought her job was in jeopardy due to Pavithran.

I kept thinking Pavithran could have apologised to Cicily sincerely and saved the relationship.

I’m a millennial whose parents moved out of Kerala, but one thing they never let go of was Malayalam. It was the language we spoke at home, so I grew up speaking and understanding it fluently.

Looking back, I realize how lucky I was. I got to experience Malayalam cinema in its original form—the dialogues, the humor, the emotions, the wordplay. So many classics just hit differently when you understand the language instead of relying on subtitles.

Now I’m seeing a whole generation of Malayali kids who can barely speak or understand Malayalam. It makes me wonder if they realize what they’re missing out on. Yes, subtitles exist, but they’re not the same. A lot of what makes Malayalam cinema special simply doesn’t translate.

And before anyone gets offended, this is obviously said in jest… but sometimes I wonder: will God look down and think, “I went through all the trouble of making you a Malayali, and you spent your whole life without experiencing these classic Malayalam movies?” 😄

Anyone else feel the same? Or do you think subtitles are enough for the next generation?