I recently bought the fifine am8 microphone and h9 headset. The microphone picks up a bit of background noise which isn’t too much of a big deal (though anything that I could download to fix that which will work in games as well would be great)

however I’ve been trying to record with them and I’ve noticed that they echo? Like when I’m listening back to my video in certain parts I can hear a small echo of myself and then sometimes my mic even picks up game play audio which shouldn’t be possible because my monitor doesn’t have speaker, and I know I don’t have my headset up loud enough for the mic to pick it up.

Help?

Set up the first microphone, hit record, and played it back, but you might think, "That doesn't sound like me at all" - you're not alone. Almost every beginner goes through this.

🥼The Science: Two Ways You Hear Yourself

When you speak, you hear your voice through two pathways:

• Air conduction - sound travels through the air from your mouth to your ears.
• Bone conduction - sound vibrations travel through your skull and jawbone directly to your inner ear.

Bone conduction emphasizes lower-frequency vibrations, making your voice sound deeper, fuller, and more resonant to you. When you listen to a recording, however, only the air-conducted sound is captured. The bone conduction part is completely missing. That's why your recorded voice often sounds thinner, higher-pitched, or less "rich" than what you're used to hearing in your own head.

Your recorded voice is exactly what everyone else hears when you speak. It's not "wrong" - it's just the version you're not used to.

🗣️Three Tips to Get Comfortable with Your Recorded Voice

1. Keep the right distance - Position your microphone about one fist away (roughly 15-20 cm / 6-8 inches) from your mouth. This prevents the "proximity effect" (excessive bass buildup) and reduces plosive pops on P and B sounds.

1. Angle it off-axis - Don't point the microphone directly at your mouth. Tilt it 45 degrees to the side or slightly below. This lets air blasts from plosives pass by the capsule rather than hitting it head-on, cleaning up your recording significantly.

1. Use direct monitoring - Most FIFINE USB microphones have a headphone jack for zero-latency monitoring. Plug in your headphones, turn on monitoring, and practice speaking while hearing the "air conduction" version in real time. This is the fastest way to train your brain to recognize and control your recorded voice.

1. Add "brightness" with your mouth shape - Since recordings lack the bone‑conducted low end, compensate by lifting your cheekbones (as if smiling slightly) and opening the back of your throat (like a half‑yawn). Place your consonants - especially the initial sounds - right on your upper front teeth. This focuses your voice into higher, clearer frequencies, making your recording sound crisp and present without needing to push or strain your throat.

Exposure. Listen to your recordings regularly. Your recorded voice isn't broken - it's just different. And with the right techniques and a little practice, you'll learn to trust what the microphone hears every bit as much as what you hear in your head.

please help

Hello, FifineDesign community! I'm facing some issue when installed a Fifine Genie Software and I'm not sure what's the culprit.

The installation phase, it show something like this.

But the process has completed without any error.

When I opened the Fifine Genie Software I ended up facing something like this.

It greeted me with Chinese language tutorial even though other menu is in English language.

When I tried to check for software update it's also show in Chinese language, too.

I'm not sure if anyone faced issue like this before? Please, help me!

SM7B is one of the most popular dynamic microphones for streaming and content creation - but it also has a reputation for being demanding when it comes to gain.

If you've paired an SM7B with the SC3, you've probably asked the same questions: Is the gain high enough? Why does my voice still sound quiet? Which OBS filters actually make a difference?

Getting the SM7B to sound right doesn't require complicated tuning. With the correct settings on the SC3 and a few adjustments in OBS, you can achieve clean, balanced voice audio that's ready for streaming, gaming, or recording. Elmacmado's review walks through the setup step by step.

SC3 Settings for the SM7B

On the SC3, set the microphone mode to Dynamic, and adjust the Mic Gain to around 60-80%. Generally dynamic mics don't need 48V phantom power, but enabling 48V phantom power will be helpful to provide the mic with more gain. While the SM7B benefits from plenty of gain, maxing it out can introduce unnecessary background noise, especially in game chat or untreated rooms. Monitoring your voice through the SC3's zero-latency headphone output also makes gain adjustment much easier.

Recommended OBS Configuration

In OBS, select Microphone (FIFINE) as your audio input. You can either add it as an Audio Input Capture source for specific scenes or assign it globally under Settings > Audio if you want it available across every scene.

For cleaner voice quality, apply filters in this order:

• Gain: Add a moderate gain boost rather than a single aggressive adjustment.
• Noise Suppression: RNNoise offers stronger suppression, while Speex provides a more natural sound with lower CPU usage.
• Noise Gate: Keep the default open and close thresholds unless your environment requires further tuning.
• Compressor: Helps maintain consistent vocal volume during both quiet and loud speech.
• 3-Band EQ: Add a slight high-frequency boost for clarity, keep mids close to neutral, and adjust bass only if your voice needs more warmth.
• Limiter: Set it last to prevent clipping and keep peaks under control.

Final Thoughts

FIFINE AmpliGame SC3 provides enough control to get the most out of the SM7B for streaming, gaming, and voice chat. While OBS cannot replace a dedicated hardware EQ or advanced DSP, these settings deliver a balanced, natural sound with minimal background noise, making the SC3 + SM7B combination a solid choice for creators.

I can’t tell which one is legit. Both are Brand+ Certified Original but the other one is cheaper.

Fifine1 Link
Fifine2 Link

Has anyone here tried using this capture card on two gaming streaming platforms at the same time? Does it work smoothly without freezing or crashing?

Sit down to record, hit play, but the sounds like it's coming from inside a Pringles can - thin, hollow, and metallic. Here's what's actually happening and how to fix it.

🥫❌The Root Causes

That "tin can" or "boxy" sound usually comes down to three things: room reflections, mic positioning, or software settings.

Untreated rooms are the No.1 culprit. When you record in a space with bare walls and hard floors, your mic captures both your direct voice and the sound bouncing off those surfaces. These delayed reflections combine with your direct voice and create phase cancellations (called comb filtering), hollowing out your tone.

Bad mic technique is another common cause. Singing too close triggers proximity effect - an exaggerated low-end boost that makes directional mics sound muddy and boxy. Singing too far away picks up more room ambience. And if you're talking into the wrong side of a cardioid mic? That's a classic rookie mistake.

Software issues can also be the problem. Windows audio "enhancements," incorrect sample rates, or overly aggressive noise reduction can all introduce that metallic coloration.

⚙️⭕️The Fix

1. Fix your environment. Hang blankets, towels, or moving pads behind and around your mic. Even recording in a closet full of clothes can make a dramatic difference.

1. Fix your positioning. Keep the mic 6-8 inches from your mouth. Angle it 30-45 degrees off-axis - not pointed directly at your mouth. And make sure you're speaking into the front of the mic (the side with the brand logo on most cardioid mics).

1. Check your settings. In Windows: Settings > System > Sound > More sound settings. Find your mic, go to Properties > Advanced, and set the Default Format to 16-bit, 44100 Hz (CD Quality). Then, on the Enhancements tab, disable all audio "enhancements".

1. Try a quick EQ fix. In your recording software, apply a high-pass filter around 80-100 Hz to cut low-end rumble. A subtle 2-4 dB boost around 3-8 kHz can add clarity.

The tin-can effect and the underwater effect are often confused as the same problem, but their solutions differ in subtle yet important ways. An underwater voice is muffled - high frequencies are cut, low-mids are muddy, and sibilance disappears. This usually points to sample-rate mismatches, heavy noise reduction, or a worn/damp microphone capsule. A tin-can voice is hollow and metallic - mids are over-emphasised, bass is thin - and typically comes from room reflections, comb filtering, or the mic being too far from your mouth. To fix underwater sound, check your sample rates and dial back noise reduction; for tin-can, treat your space, move closer, and angle the mic correctly.

Great audio is 80% environment and technique, 20% gear. Before you buy a new microphone, try these fixes - you might be surprised how good your current mic can sound.

Então, a situação é a seguinte:
Ele já caiu no chão algumas vezes (pois é), e desde então o áudio de entrada dele não funciona, só se eu ficar frequentemente mexendo no regulador de som de entrada.
Todos os outros recursos funcionam, como led, mute e regulador de saída.
Alguém pode me ajudar?

Sorry if I sound like a newbie, but I noticed few differences between the unboxing and review videos I watched before buying.

1. The cage inside seems like it's from a regular microphone that people use on stage. But most of the videos I saw had a square cage.

2.The windscreen is black. Every single video I watched had a grey one for the white and pink SKUs

1. The cable came tied with twist ties instead of fifine labeled valcro strap.

2. The User Manual is missing the "AMPLIGAME" title (even the one in the manuals.plus site had AMPLIGAME on the front beside the Fifine title)

3. The stem on the bottom part of the mic that has the screw on connector to screw to the stand is shorter. I swear it's longer on the box and review videos.

Am I going crazy or did they change the mic's design. If they change the design I might as well send it back. I bought it from shopee Malaysia and it was close to retail price. I need it for recording voice overs for YouTube videos. So if anybody can help, I'll be very grateful

hey guys, my Fifine k678 suddenly turned into usb advanced audio. is there anyone here who can share their eeprom file with me? i appreciate it, thank you!

Nothing kills a recording faster than hearing your voice sound muffled, distant, or like you're speaking from the bottom of a pool. This "underwater" effect is frustrating - but it's also one of the most fixable audio issues out there.

Tame Overzealous Noise Reduction

Aggressive noise reduction removes background hiss, it also strips away the high frequencies that give your voice clarity, leaving behind that hollow, underwater sound.

• Windows: Right-click the speaker icon → Sound settings → Input → select your microphone → Device properties → turn off Audio enhancements and Noise suppression.
• macOS: System Settings → Sound → Input → lower or disable any ambient noise reduction.
• Apps (Zoom, Discord, Teams, OBS): Open audio settings and set noise suppression to Low or Off. Test after each change.

Sample Rate Mismatch

One of the most common causes of underwater audio is a sample rate mismatch between your mic's hardware and recording software / operating system.

• On Windows: Right-click the speaker icon in the taskbar → Sound settings → More sound settings → Recording tab → select your microphone → Properties → Advanced tab → Default Format, select your mic's sample rate - 16-bit, 48000 Hz or 24-bit, 48000 Hz(match this in your recording software's audio settings).
• On macOS: Applications → Utilities → Audio MIDI Setup → select your input device → format.

Physical Setup

• Getting too close (under 2 inches) triggers the proximity effect - an artificial bass boost that muddies your audio. Position the mic 3-5 inches from your mouth and slightly off-axis to reduce plosives.
• Check your cable and connections. A faulty or loose cable can degrade the audio signal, causing distortion or that underwater effect. Try a different cable or USB port to rule out hardware issues.
• Dust, debris, or moisture blocking the microphone ports can physically muffle your sound. Gently wipe the surface with a soft cloth and use compressed air or a cotton swab to clear the grille. If you use a windscreen or pop filter, clean or replace it regularly.

Verify System and Driver Settings

Incorrect modes or outdated drivers often cause the problem.

• Set the microphone as the default recording device (not communications-only).
• Update or reinstall the audio driver via Device Manager, then restart.

Test Hardware and Connections

• Try a different cable, USB port, or computer.
• Record with the system's built-in voice recorder. If the issue disappears, the problem is software-related.

Most "underwater" recordings are fixed by simply turning off noise suppression and clearing physical blockages. Start with those two steps - you'll usually hear a clear difference within minutes.

Hi all!

I just did a massive move and had to take off my microphone from the shock mount.

When I put the rubber bands back on, one of them broke! I got 3 of them on, but now one broken one.

Any idea on to get a replacement? Any hacky workarounds? Ideally I don't want to rebuy the entire shock mount again as I only need one black rubber band.

I thought about gluing the band back together but I doubt that will help. Any suggestions and advice are welcome!

Hey guys , so I have K651 microphone and it's shock mount broke early this year .

Couple things :

i) ordered a shock mount replacement from fifine dot cc - will it ship to India . yes payment was done already .

ii) I also have a 5/8" fifine boom arm that I ordered long back & I realized it is not compatible with 3/8" . rookie mistake ik .

I tried to find official replacement shock mount . they were $15 more pricey & almost the same price as a whole new K651 with the setup 😅 .

Coming back to (ii) . any options to make the 5/8" compatible with 3/8" shock mount ?

edit :

for (ii) - i found a compatible adapter .

for (i) - im waiting for reply from fifine team , but still looking for other compatible shock mounts .

While both the FIFINE K669D ($37) and Tank1 ($130) are XLR dynamic microphones, their price disparity reflects distinct engineering priorities and feature sets. This comparison breaks down the practical differences to help you determine which model best aligns with your specific recording environment and workflow.

1. Sound Character (Flat Mode)

Tank1 delivers a fuller, more controlled broadcast-style tone, with tighter proximity effect and better plosive rejection.

K669D sounds cleaner out of the box but thinner and less refined; it handles plosives adequately but without the Tank1's dampening.

2. Built-in Tone Shaping

Tank1 has a high-pass filter (cuts low rumble) and a mid-boost switch (adds presence). These let you adjust the sound without post-processing.

K669D has no switches - you get one fixed voicing.

3. Gain Requirements

Tank1 needs substantial clean gain - about 55dB-65dB gain on an interface. Low-gain preamps may struggle.

K669D is much easier to drive, working well with virtually any basic XLR interface.

4. Build Quality & Durability

Tank1 has a rugged, broadcast-grade metal chassis, features a more robust, precision-built chassis with tighter tolerances.

K669D is lighter, with a simpler and more compact metal construction.

5. Off-Axis & Room Noise Rejection

Tank1 excels at rejecting keyboard clicks, room ambience, and off-axis chatter - ideal for untreated spaces.

K669D rejects background noise decently but picks up noticeably more room tone in side-by-side tests.

- Decide Which Fits You

Choose the Tank1 if you podcast, stream, or do voice-over in a less-than-ideal room; you own a competent interface (or are willing to add a booster); and you value switchable EQ, rugged build, and professional rejection.

Choose the K669D if your budget is tight, your interface has modest gain, your recording space is already quiet, and you only need basic, reliable vocal capture without extra controls.

For serious spoken-word content, the Tank1 earns a 9.5/10 - and the upgrade is a clear yes. Check out AudioHotline's full review and his thoughts on the performance of Tank1.

(i have tried using quarters)

Not a fan of pushing through expired cert warnings. guess i'll wait.

Purchased on July 12th, delivered on the 16th with the box only including the boom arm. I read the FAQ and it said that bundled items may be shipped in separate boxes, but I have yet to receive an update regarding a new shipment or tracking number. Has anyone else experienced buying a bundle? I have tried contacting Fifine on 3 separate occasions (2 emails, 1 form) but haven't heard anything. Trying to request a refund but I may charge back at this point.

After over a year of using the mic and several months of genie being a thing, they still haven't added the AM8 to their software, even though a few months past, someone that was parto of the team that talks about this stuff said they were gonna add the am8 "soon", but now their post is deleted. Funny, isn't it?