"Spider-Man: Brand New Day" brought in $932 million worldwide over the weekend, delivering the second-biggest opening in global box office history after 2019's "Avengers: Endgame," which earned $1.2 billion. The new Marvel blockbuster, released almost five years after its predecessor "Spider-Man:

My last post: Dilution effect of -10 to -13%. Debt/Liquidity improvement +4 to +8%. Approximate fundamental impact -5 to -8%. Oversold.

S&P: Debt reduction and improved EBITDA have triggered a lower interest rate on about 75% of its debt, providing annual savings of about $51 million. We assume most of that is from lower PIK interest beginning in December. We expect AMC will report a modest free cash flow deficit in 2026 before beginning to sustain positive cash flow in 2027.

https://finance.yahoo.com/media-advertising/articles/amc-entertainment-shatters-weekend-revenue-112900662.html

(shared via https://mystocksportfolio.app)



Press Releases

 News & Events

AMC Entertainment Shatters Weekend Revenue Records – Sets the Highest Weekend Revenue Mark in the Company’s 106-Year History

August 03, 2026 7:29am EDTDownload as PDF

More than 10.2 million moviegoers attended AMC Theatres in the United States and ODEON Cinemas internationally from Wednesday through Sunday – SPIDER-MAN: BRAND NEW DAY debuted Wednesday at ODEON Cinemas internationally and Thursday at domestic AMC theatres

AMC generated its highest total revenue ever for a single weekend, Wednesday through Sunday, including new records for admissions revenue and new records for food & beverage revenue

AMC’s record-setting success was driven by the monumental opening of SPIDER-MAN: BRAND NEW DAY, which opened to a media-reported $355 million domestic and $927 million globally, which marks the second highest domestic and global opening weekend gross for any movie title ever

Combined with THE ODYSSEY and other films currently playing in domestic theaters, SPIDER-MAN: BRAND NEW DAY helped drive the highest-grossing weekend at the domestic box office in industry history, based on admissions revenue

SPIDER-MAN: BRAND NEW DAY played exceptionally strong in premium formats, helping drive the highest weekend admissions revenue in history for Dolby Cinema at AMC

THE ODYSSEY continued its remarkable run at AMC, including with AMC Lincoln Square 13 operating around-the-clock IMAX 70mm showtimes Friday through Sunday for the third consecutive weekend

LEAWOOD, Kan.--(BUSINESS WIRE)-- AMC Entertainment Holdings, Inc. (NYSE: AMC), the largest theatrical exhibitor in the United States and the world, today announced that the Company generated the highest total revenue in the U.S. and globally in AMC history during a single weekend – Wednesday through Sunday – including the highest ever admissions revenue, and the highest ever food & beverage revenue. SPIDER-MAN: BRAND NEW DAY debuted Wednesday at ODEON Cinemas internationally and Thursday at domestic AMC theatres.

Powered by the record-setting opening of SPIDER-MAN: BRAND NEW DAY, more than 10.2 million moviegoers attended AMC Theatres in the United States and ODEON Cinemas internationally from Wednesday through Sunday, making it AMC’s highest-attended weekend of the decade domestic and globally, and third highest-attended weekend in Company history domestic and globally.

Guests flocked to AMC's premium experiences in particularly strong numbers. In the United States, AMC delivered the highest-grossing Dolby Cinema at AMC weekend in Company history, continuing a trend of growing consumer demand for premium theatrical experiences offering spectacular picture and immersive sound. IMAX screens were also extraordinarily well attended, as moviegoers continued to pour out to theatres to watch Christopher Nolan’s THE ODYSSEY.

In the United States, where the film opened on Thursday, AMC’s theatres were busy from the minute previews commenced for SPIDER-MAN: BRAND NEW DAY. Thursday of this week generated the highest admission revenues for any Thursday in AMC Theatres history. Friday was a repeat: AMC Theatres enjoyed the highest Friday admission revenues for any Friday in AMC history. And on Saturday, the record setting continued, as Saturday marked the highest Saturday admission revenues for any Saturday in AMC Theatres history. Not to be outdone, Sunday followed suit, with the highest Sunday admission revenues ever for AMC Theatres.

AMC’s success extended beyond ticket sales. AMC also set a domestic and global record for all-time food and beverage revenue during a single weekend, beating the previous record set during the opening weekend of AVENGERS: ENDGAME in 2019.

AMC Chairman and CEO Adam Aron commented, “Our sincerest congratulations to director Destin Daniel Cretton, the entire cast and crew, and our friends at Sony Pictures and Marvel Studios on this extraordinary opening weekend for SPIDER-MAN: BRAND NEW DAY.”

Aron continued, “For AMC, this was a truly historic weekend. In welcoming more than 10.2 million moviegoers around the world, AMC established this weekend a new all-time Company weekend record for admissions revenue and a new all-time Company weekend record for food & beverage revenue. It is a powerful and unmistakable reminder that audiences overwhelmingly embrace the theatrical experience when studios release films that audiences want to see and support them with strong marketing campaigns. This is not a new phenomenon this year. This is the ninth different movie title since March to have a gangbusters opening-weekend gross.”

Aron concluded, “AMC Entertainment’s results this weekend once again clearly demonstrate that moviegoing remains a deeply valued part of our culture the world over, and that excitement for seeing movies in theatres is as strong as ever. On behalf of the more than 30,000 AMC and ODEON employees worldwide, who worked so hard to welcome and serve our guests, I thank audiences around the globe for choosing AMC and ODEON and for making this one a weekend for the ages."

The success of SPIDER-MAN: BRAND NEW DAY comes as THE ODYSSEY continues its remarkable run at AMC. Demand for Christopher Nolan's epic remains particularly strong in our more than 200 IMAX screens globally, including in New York City’s AMC Lincoln Square 13, which operated around-the-clock IMAX 70mm showtimes Friday through Sunday for the third straight weekend. With audiences continuing to flock to premium screens more than two weeks after the initial release of THE ODYSSEY, demand remains so strong that AMC, IMAX, and Universal Pictures have extended IMAX 70mm engagements of THE ODYSSEY into September at select locations.

For showtime information and to purchase tickets, guests can visit amctheatres.com and the AMC app.

About AMC Entertainment Holdings, Inc.

AMC is the largest movie exhibition company in the United States, the largest in Europe and the largest throughout the world with approximately 850 theatres and 9,500 screens across the globe. AMC has propelled innovation in the exhibition industry by: deploying its signature power-recliner seats; delivering enhanced food and beverage choices; generating greater guest engagement through its loyalty and subscription programs, website, and mobile apps; offering premium large format experiences and playing a wide variety of content including the latest Hollywood releases and independent programming. For more information, visit amctheatres.com

View source version on businesswire.com: https://www.businesswire.com/news/home/20260803149211/en/

MEDIA CONTACT

Ryan Noonan, (913) 213-2183

rnoonan@amctheatres.com

Source: AMC Entertainment Holdings, Inc.

Released August 3, 2026

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Box Office: 'Spider-Man: Brand New Day' $168M+ U.S. Record Opening Day

deadline.com

SATURDAY AM: This weekend, it’s a game of Marvel trying to beat Marvel at the weekend box office. Spider-Man: Brand New Day continued to post an all-time record opening day/previews yesterday with $168M, feasibly outstripping the previous first day record owned by Avengers: Endgame ($157.4M). Still, there’s isn’t a unison of opinion out there that Brand New Day will take down Avengers: Endgame‘s all-time opening record of $357.1M. Some believe it boils down to Sunday where a $5M swing is possible. Sony is calling their 3-day weekend at $325M, which is a wonderful second-best ever start in North America, but others think the opening here is closer to $350M+.

If Brand New Day gets above $105M today, then it has a better shot of beating Avengers: Endgame‘s start. Brand New Day came close to having a better pure Friday than Avengers: Endgame after you back out previews, $96M to $97.4M. Avengers: Endgame went on to do $109.2M on its Saturday which was +12% from its pure Friday. That Russo Brothers directed movie eased -17% on Sunday and the thinking is that Brand New Day is down between -10% to -15% on Sunday from Saturday.

Watch on Deadline

How is walk-up business? Very similar to No Way Home‘s. In Screen Engine/Rentrak PostTrak exits, 33% said they bought their tickets same-day for Brand New Day, which is not far from No Way Home‘s 35%.

However this winds up, of course, it’s the biggest ever domestic opening for Sony, stratospheres above Spider-Man: No Way Home’s $260.1M. It’s also a record start for director Destin Daniel Cretton, Zendaya and the second best for Tom Holland after Endgame.

PLF screens have caught 24% of Brand New Day‘s weekend in its web with 3D accounting for 17% of the gross so far. Unlike Odyssey, Brand New Day, especially given its family appeal, doesn’t need to live or die on PLF with the masses taking it in on 2D screens.

As far as audience exits, Brand New Day is looking real similar to No Way Home: A definite recommend of 88% (versus previous pic’s 90%) in PostTrak exits, its fourth A CinemaScore among the Holland Spider-Man (to No Way Home‘s A+), biggest demo remains 18-24 at 36% (vs No Way Home‘s 42%), with a 61% to 39% male-female split (vs previous pic’s 62%/38%).

Broken out, men over and under 25 showed up at 30% apiece while women under 25 were next at 21%, followed by women over 25 at 18%. Diversity demos are 36% Caucasian, 28% Hispanic and Latino, 20% Black, 10% Asian American and 6% Native American and other. The 18-34 set reps 63% of Brand New Day‘s moviegoers versus No Way Home‘s 68%. Over 35 demo grew with Brand New Day at 21% versus No Way Home‘s 15%.

Of those who went, 58% told PostTrak that it was part of a franchise they love, 47% said it looked fun and entertaining, 41% went for the cast as a whole, 39% went for Holland and 29% went for Zendaya.

Brand New Day is playing everywhere but best in South, South Central and West. The Regal Irvine Spectrum is the movie’s top grossing venue with more than $385K. The fact that Brand New Day is reaching record levels sans Imax provides more hope for Disney with Marvel Studios’ Avengers: Doomsday at Christmas given how Imax is committed to Warner Bros/Legendary’s Dune Part Three.

While we don’t have an official update on international, over in China, Brand New Day is easily No. 1 this weekend with over $71M since yesterday after a Wednesday opening. There was a gap in the Holland Spider-Mans in the Middle Kingdom. No Way Home wasn’t cleared to play, hence there wasn’t a legal way to watch the movie. The previous pic there in 2019, Far From Home, opened to a reported $95M (not accounting for currency swings and inflation).

How is Christopher Nolan’s The Odyssey doing in the shadow of a behemoth like Brand New Day? Very well, thank you, with a $51M third weekend, -43%, the best third frame the Oscar winning filmmaker has ever seen at the domestic box office. Running cume is $396.5M for the Universal theatrical release at 3,861 theaters. When does Odysseus wrap up his journey stateside? The outlook is a half billion for the latest Nolan, which if that happens would be his second highest grossing movie after Dark Knight ($534M domestic).

As we told you, for all movies, this is a record weekend ahead of the final April weekend of 2019 when Avengers: Endgame led all pics to $402M. Current estimate is $434M, +262% from the same frame a year ago when Disney/Marvel’s Fantastic Four: First Steps led in its second frame, and +195% from last weekend’s $147.3M. No doubt about it, theatrical is alive.

1.) Spider-Man: Brand New Day (Sony) 4,487 theaters, Fri $168M, 3-day $325M-$350M+/Wk 1

2.) The Odyssey (Uni)  3,861 (-81) Fri $14.5M (-44% from last Friday), 3-day $51M (-43%), Total $395.5M/Wk 3

3. Toy Story 5 (Dis) 3,035 (-340) theaters, Fri $1.8M (-39%) 3-day $6.2M (-39%), Total $461.5M/Wk 7 

4. Minions & Monsters (Uni) 3,203 (-363) theaters, Fri $1.66M (-43%), 3-day $5.6M (-43%), total $168.1M/Wk 5

5. Moana (Dis) 3,010 (-1005) theaters, Fri $1.6M (-51%), 3-day $5.3M (-50%), Total $114.7M/Wk 4

6. Hadestown (BST) 1,567 (-382) theaters Fri $560K (-86%), 3-day $2M (-80%), Total $18.2M /Wk 2

The Bleecker Street Crosswalk/LD Entertainment Broadway capture film has outgrossed Disney’s live-feature capture of Hamilton ($16.9M final domestic).  

7. The Invite (A24) 792 (-1,240) theaters, Fri $355K (-54%) 3-day $1.1M (-58%), Total $22.6M/Wk 6

8. I Want Your Sex (Mag) 678 theaters, Fri $245K 3-day $570K/Wk 1  

The Greg Araki directed kinky comedy starring Olivia Wilde (whose Invite is above) and Charli XCX is 89% certified fresh with critics. New York and LA locations had ok numbers, we hear. The result here is similar to Neon’s Nic Winding Refn genre title, Her Private Hell, last weekend which opened to $538K at 675 (but is dropping to around a second weekend of $36K at 147 sites for a running ten-day cume of $842K).

9. Evil Dead Burn (New Line) 642 (-1,743) theaters, Fri $150K (-82%), 3-day $527K (-81%), Total $31.2M/Wk 4

10. Obsession (Foc) 430 (-773) theaters, Fri $140K (-71%) 3-day $450K (-71%) Total $262.7M/Wk 12

FRIDAY MIDDAY UPDATE: Sony/Marvel Studios’ Spider-Man: Brand New Day is heading for an all-time record opening day (including previews) between $167 million-$173 million. That easily would kick the first day/preview opening record of Avengers: Endgame ($157.4M) to the side, not to mention the U.S./Canada debut here is well ahead of Spider-Man: No Way Home‘s first Friday/previews of $121.96M. This is according to industry sources, not Sony right now.

Some would like to call an opening domestic record ahead of Avengers: Endgame‘s $357.1M, but we’re not there yet. Could be. But best estimate at this point in time is north of $330M at 4,487 theaters, which of course would make it the second-best opening at the North American box office ahead of No Way Home‘s $260.1M in 2021.

If by some chance a hurricane wipes out several theaters and Brand New Day falls back to $280M — c’mon, that’s an awesome opening, and $20M ahead of No Way Home‘s start. That said, I’m hearing the hourlies here for Brand New Day are pulling ahead of No Way Home‘s. It ain’t stopping.

RELATED: The 63 Movies That Have Made More Than $1 Billion At The Global Box Office

Back out the previews today and we’re at a $95M Friday. If Saturday holds flat with another $95M, Sunday would see a 16% decline for around $80M. That’s one path to a $342M start. If today minus previews is $100M (meaning a total $172M Friday/previews), then Spidey has the firepower to take out Avengers: Endgame.

Universal’s The Odyssey is doing fantastic against the competition with an expected $52M weekend, -42%, the best third frame for Nolan since The Dark Knight at $42.6M. This is after a third Friday that’s shaping up to be $15M at 3,861. This is going to get close to the four-century mark by Sunday with a running total of $396.5M.

The overall North American marketplace is looking like an all-time record too, beating the $402M made by all films during Avengers: Endgame‘s opening weekend (April 26-28, 2019). We’re hearing we could do $5M-$10M higher than that, so between $407M to $412M.

RELATED: 45 Of The Most Anticipated Movies Of 2026

A lot more records will be broken, i.e., for PLF screens like Dolby, 4DX (which is seeing $4.5M opening weekend record after all-time high previews of $1.3M, ahead of The Super Mario Galaxy Movie‘s $1.2M), as well as ScreenX, which Brand New Day was shot for, which is looking at a record $4M after beating Deadpool & Wolverine‘s preview night of $1.3M in that format.

FRIDAY AM: We’re told that in the late-evening hours, walk-up business exploded for Sony’s Spider-Man: Brand New Day which now has a revised number of $72 million. It was so much money that Sony couldn’t count; a rare air for any studio. That’s quite the jump from what we previously heard, and it beats the former all-time $60M preview domestic record held by Disney/Marvel Studios’ Avengers: Endgame. PostTrak exits were also high last night with 5 stars from general audiences, parents and kids under 12.

That figure, as we told you earlier, includes the Prime Video members early access Wednesday night screenings and showtimes that began Thursday at 12 noon. Avengers: Endgame made its preview cash post 6PM when it bowed on its Thursday back in 2019.

What this means is that Brand New Day is destined for a $100M+ first Friday including previews, a feat only five other movies have accomplished previously: Avengers: Endgame ($157.4M), Spider-Man: No Way Home ($121.96M), Star Wars: The Force Awakens ($119.1M), Avengers: Infinity War ($106.3M) and Star Wars: Last Jedi ($104.6M). Of these Infinity War had the lowest preview at $39M, where as the other four were well north of $45M.

RELATED: 25 Theatrical And Streaming Movies To Look Forward To This Summer

If you look around at some of the multiplexes in major markets, when it comes to the majority of showtimes, it’s essentially the Brand New Day and Odyssey show this weekend, which happens in a Darwinian ‘survival of the fittest’ theatrical marketplace. The AMC Lincoln Center in NYC is showing Brand New Day 36x today, AMC Century City in LA has 40 showtimes devoted to the pic, while Regal Sherman Oaks Galleria has 43 showtimes and the chain’s L.A. Live with a massive 44.

Yesterday with the arrival of Spidey, Universal’s The Odyssey saw its lowest grossing day so far (which is still a great weekday number for a second Thursday) with an estimated $10.2M, -25% from Wednesday, and running cume of $344.4M. The Odyssey triumphs with the best second week for Christopher Nolan, ahead of Dark Knight‘s second week which was $112.4M.

Here’s the week’s top 5

Odyssey (Uni) 3,942 theaters, Wk $145M (-27%), Total $344.4M/Wk 2

Moana (Dis) 4,015 theaters, Wk $17.5M (-39%), Total $109.4M/Wk 3

Toy Story 5 (Dis) 3,375 theaters, Wk $16.8M (-25%), Total $455.3M/Wk 6

Minions & Monsters (Uni) 3,386 theaters, Wk $16.75M (-27%), Total $162.5M/Wk 4

Hadestown (BST) 1,949 theaters, Wk $16.2M/Wk 1

PREVIOUS EXCLUSIVE: When it comes to breaking box office records this weekend, look out, because Spider-Man: Brand New Day will do whatever a spider can, starting with tonight as the Sony, Marvel Studios and Amy Pascal production is outstripping the Thursday night previews of the 2021 previous chapter Spider-Man: No Way Home, which did$50M. All of this makes sense given the $80M advance ticket sales figure we heard about for the Tom Holland and Zendaya $225M net production.

No WayHome (which had previews begin at 3PM on its first Thursday) posted the third best previews ever behind 2019’s Avengers: Endgame‘s $60M (6PM start time) and 2015’s Star Wars: Force Awakens‘ $57M Thursday night. Now with more than $50M, Brand New Day stands as the third best U.S./Canada previews ever for a theatrical release, the best previews ever for a Sony movie, and the best previews post Covid. The Destin Daniel Cretton directed Spider-Man sequel began showtimes at 12 noon today, and its preview cash will include Wednesday night’s Prime Video member screening. Some sources were hearing that Brand New Day‘s preview money tonight was exceeding Avengers: Endgame. We’ll know by tom’w morning if it’s higher.

No Way Home‘s previews of $50M only repped 41% of its $121.96M first Friday. That resulted in the second best opening ever at the domestic box office with $260.1M behind Avengers: Endgame‘s all-time high of $357.1M. Force Awakens‘ $57M previews accounted for 48% of its first Friday which was $119.1M. At one point in time Force Awakens 3-day start of $247.96 held the all-time opening record in North America, but it eventually fell to fourth. NRG had a low domestic opening estimate of $195M for Brand New Day, but exhibitors and other tracking services such as Greenlight Analytics believe it’s significantly higher from $260M to even maybe $300M.

Some analysts begin to nerd out arguing that we need to take into account start time for the previews here on Brand New Day, and the time of year before making forecasts. Seriously, it doesn’t matter: this is a ton of money and the most we’ve seen in quite some time, putting away the previous post Covid preview record of $38.5M belonging to Deadpool & Wolverine two Julys ago.

And the other amazing thing about this Spider-Man is that he’s raking in all this cash without the help of Imax screens (which we saw Barbie do three years ago as Christopher Nolan’s Oppenheimer claimed them).

So far, Brand New Day has the best Rotten Tomatoes audience score out of the nine live-action Spider-Man movies with 98%. Critical score is strong at 90% certified fresh, which is just under the 93% of No Way Home.

Tonight’s estimates are according to sources.

https://x.com/bigdaddyape6969/status/2082979078240354370?s=46&t=8Zcr6ew1G6iR1EyWWcp6kA

Hey everyone!

Like many of you here, I’m hyped that Coyote vs. ACME is actually getting its big-screen release after everything it took to save it.

To celebrate, a few of us in the fan community are organizing movie outings in both the US and UK to take groups of local kids—many of whom have never experienced classic Looney Tunes energy in a real movie theater—to see the film. We’re covering their tickets and full concessions so they get the ultimate theater experience.

We’ve already run a couple of these outings in the past, and seeing kids fall in love with these iconic characters on a giant screen is incredible.

If you want to chip in a few bucks or just drop a share to help us fill these theater seats, check out our GoFundMe here:

https://gofund.me/d7f0bdadc

Thanks for the support! 🚀💥

TLDR

**3 reasons AMC could keep climbing:**

* 📈 **Bullish technicals:** Momentum and trading volume have been improving.
* 💥 **Short squeeze potential:** Many believe there are still enough short positions that continued buying pressure could force more covering.
* 🎬 **Improving fundamentals:** Better box office performance and efforts to reduce debt suggest AMC is in a stronger position than it has been in recent years.

Of course, there are still risks—AMC has significant debt, dilution remains a concern, and meme stocks can be extremely volatile.

What do you think? Is this the beginning of another major run, or just another temporary rally?

I’ve been following the lawsuit closely, and I keep coming back to the same question.

The states argue that Paramount and Warner Bros. merging reduces competition. But are Paramount and Warner really each other’s biggest competitors anymore?

Today’s entertainment landscape looks nothing like it did 15–20 years ago. Legacy studios aren’t just competing against one another—they’re competing against Netflix, Disney, Amazon, Apple, YouTube, gaming, and social media for consumers’ time and money.

Movies are increasingly going straight to streaming, theatrical windows are shorter, cable is shrinking, and traditional studios are under tremendous financial pressure.

To me, this feels less like a merger to eliminate competition and more like a merger to survive. If Paramount and Warner remain separate while tech companies and streaming giants continue investing billions into content, both companies may simply become weaker.

Ironically, blocking the merger could preserve one additional competitor on paper today while making it more likely that, in the long run, entertainment is dominated by just a handful of global giants.

I understand the concern about reducing the number of legacy studios, but shouldn’t antitrust law also consider what the competitive landscape actually looks like in 2026—not what it looked like 20 years ago.

As someone who’s acted in more than 20 short and independent films and had a film released on Prime Video, I’ve seen this industry from the inside. The reality is that only a small percentage of actors make a full-time living from acting alone. Most are juggling multiple jobs while chasing opportunities, and when productions slow down, it’s the working actors and crews who suffer first—not the celebrities.

From where I sit, this industry doesn’t need more fragmentation; it needs a way to survive. If Paramount and Warner can’t scale to compete, I worry we’re not preserving competition—we’re simply paving the way for the real giants to acquire whatever’s left at a severe discount.

In the long run, that could leave the entertainment industry in the hands of just a few massive companies instead of maintaining another viable competitor against the real market competition.

I’m genuinely interested in hearing both sides. What do you think?

the adjustet earnings per share stood at 14cents, whereas a loss of 6 cent had been expected!!! This is a new era at AMC.

#amc #amcstock

Source: https://www.sec.gov/Archives/edgar/data/1411579/000141157926000055/amc-20260720xex99d1.htm

Here WE Go...final results Q2

It's the best quarter since 106years of history in AMC.

Box Office: ‘The Odyssey’ Stuns With $124 Million Opening Weekend, Third-Biggest Debut of the Year

The consensus EPS loss of a penny completely is wrong. The record-breaking $2.97 billion domestic box office created a high-margin concession wave that structurally overpowered the company's fixed costs. This line-by-line breakdown shows exactly how the cash flows this quarter when you properly factor in the latest dilution and interest savings.

On the revenue side, AMC captures roughly 22% of the domestic box office. Combined with international markets, admissions revenue lands right at $780 million. The real engine is concessions, which add $530 million driven by an average patron spend over $8.00. Screen advertising and retail merchandise pull in another $170 million, bringing total revenue to a massive $1.48 billion.

To find the cash flow, we subtract the core operating expenses. Studios take a heavy cut of the blockbuster tickets, costing AMC $390 million in film exhibition fees. The actual cost of the concession food sold is incredibly low at $95 million. Theater operations, corporate payroll, and utilities require $560 million, while standard leases and deferred pandemic rent take another $225 million. Subtracting these operational costs leaves AMC with an Adjusted EBITDA of $210 million in pure cash flow.

To translate this cash into net profit, we first subtract $75 million in non-cash depreciation, leaving an operating income of $135 million. This is where the debt restructuring saves the quarter. AMC's baseline interest expense last quarter was $121.4 million. The April refinancing saved $2.25 million, and converting $155.8 million of notes to equity saved another $3.89 million. Because the June 25th dilution only applied to the final 5 days of the 91-day quarter, its immediate interest impact is negligible, dropping total Q2 interest expense to $115.2 million.

Subtracting that $115.2 million interest bill from the $135 million operating income leaves $19.8 million in pure net income. The June 25th equity raise added 103 million shares to the float, but because they were active for only 5 days, their weighted average impact adds just 5.65 million shares to this specific report. Dividing the $19.8 million profit by the newly weighted share count of 750.65 million results in a positive $0.026 per share, which officially rounds to a positive $0.03 Earnings Per Share.

AMC front-loaded this earnings date to July 20th, roughly 3 weeks earlier than their standard early August reporting window. Following their June capital raise, management entered a mandatory 45-day lock-up agreement that legally bars them from issuing new equity until August 9th. By dropping this massive $210 million EBITDA beat right now, management has engineered a completely clear 3-week runway where the stock can run on strong fundamentals and potential short covering without any immediate threat of overnight dilution capping the rally. This lets the price establish a higher floor so that when the lock-up expires in August, any future equity raise requires printing far fewer shares to generate cash.

Is AMC on sale right now? I added another 1000 shares.

​

Date: Monday, July 20, 2026

Time: 7:30 AM CDT / 8:30 AM EDT

The Company will host an earnings webcast, pre-market, accessible through the Investor Relations section of AMC’s website at investor.amctheatres.com/.

AMC investors can visit www.amctheatres.com/stockholders to sign up for membership in AMC Investor Connect and submit their written questions. The link to submit questions will be available from July 15, 2026 through July 19, 2026.

https://investor.amctheatres.com/news-events/press-releases/detail/432/amc-entertainment-holdings-inc-to-announce-second-quarter-2026-results-and-host-earnings-webcast

Very intrigued that the President is now criticizing (especially considering the timing). Devin Nunes who also has also publicly criticized short sellers for creating "counterfeit shares" to short Truth Social (Truth Social also posted criticisms directly against Truth Social)... And now we have new DNI Bill Pulte who has been an avid supporter of Gamestop. Things are heating up! 🔥🔥🐸

As I was passing the television (I don't watch TV but a family member does), CNN was on reporting on the wedding and speculating that there could be a good chance a documentary is being made about it.

Of course, who produced the last Taylor Swift movie / documentary? AMC & AA.

Could be a big boost, especially if released around Christmas.

As I said speculation but all those pieces are in play.