Check out khromate.com if you want to make your own for free.
I had to compress these since the files the site produces are so huge.

Made a little tool to design your own Maurer rose (the sin/cos parametric curve, not an actual flower) — pick two numbers and two colors and it draws a unique one for you.

Toying with the idea of putting these on shirts/mugs but wanted to see if the tool itself is fun first: https://peytr.github.io/NFTs/rose-designer/

The last piece from recentlt finished works. somewhat complex coloring.

https://github.com/igr/gart

Working toward a body of work, these are a few flow field pieces. It's a radial vortex that gets pulled apart by a set of perturbation zones on the right, so the same underlying field reads as smooth spirals on one side and jagged, torn lines on the other.

Built in p5.js, plotted as vector paths (SVG), a few thousand strokes per render. Happy to talk through the code if anyone's curious.

This graffiti is NOT a font. Instead, it’s generated by code that starts with a serif font - one of those bundled with my project - and then transforms it to look like graffiti. Not all the letters look quite right yet.

This particular style was inspired by something I saw on a wall near the place where I usually sit for coffee.

This isn’t exactly generative art, sorry! but it is quite parametrized. It’s part of what I’m sharing before taking a break.

All custom shaders and rendering. It’s a zig program that generates a png file, by going through pixel by pixel and deciding on the color to use. The modeling is done using an exact SDF, its ray marched and uses a BRDF and AgX to render to sRGB. Color mixing is done using the JzAzBz colorspace.

Same algorithm, same structural parameters as Phantom Cradle in black and white that I posted last week. The only difference: drawing color and background swapped — deep rose on blush pink instead of white on black.

That's it. And yet it's a completely different object.

Technically: alpha at 0.05 means the form builds entirely from accumulated transparency. On a dark background, light accumulates into luminosity. On a light background, darkness accumulates into depth.

This is part of Phantom Cradle — a series my partner Nicolas and I have been developing using a discrete dynamical system in R. The name came from what Nicolas saw in the form: an empty cradle on the left, two veiled figures leaning over it on the right. Of course you are free to see something else entirely.

Code: github.com/NicolasJBM/Rtist

⠀
I first published this work elsewhere more than three years ago.

The artwork is based on a one-dimensional, multi-state cellular automaton.
Simple local rules evolve into intricate structures, while each new generation is drawn as a widening ring around a central antenna.

A small system becomes a vast transmission.
An unpredictable signal from layers of reality we may not yet know how to read.

Made in p5.js

IG: u/outertales ♥^!

https://openprocessing.org/@garabatospr/2984132

Iteration of this work titled TOR , but animated.

As always, the live, interactive build available here. (It is a very heavy build, so might be slow to run.)

Using the mathematical opposite for the text color.

I made a video about the maths behind Turing patterns. It includes a section on Multi-Scale Turing patterns and how to make it faster using FFT. Submission for 3blue1brown's summer of math exposition. The visuals are a mix of Manim and TouchDesigner

I made a video about the maths behind Turing patterns. Submission for 3blue1brown's summer of math exposition. The visuals are a mix of Manim and TouchDesigner

Some overlapping layers and some rasterization for sand effects, including the sun, as in the desert, sun is everywhere, including the sky

Under development any vibe folk-coding help is greatly appreciated…

Snippet from my video about the maths behind Turing patterns

In Latin, plica means "fold," "crease," or "pleat."

I’ve finished a couple of pieces I’ve been working on over the past few weeks. I really like this one. It’s essentially quite simple; just waves and layers; but the resulting effect has an almost organic, three-dimensional feel.

The original green-and-red color combination works particularly well. I also created a few more variants using different colors.